Professional Materials
Identifieur interne : 000418 ( Istex/Corpus ); précédent : 000417; suivant : 000419Professional Materials
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1968-03.
English descriptors
- Teeft :
- American music, Bryn mawr, Chamber symphony, Cleveland orchestra, College music society, Contemporary music, English literature, Film slides, First volume, Further information, Higher education, Hours credit, Illinois journal, Information coordinators, July, June, Leblanc corporation, Lutheran chorale, Madison avenue, Mills music, Morton gould, Music artists, Music education, Music educators journal, Original instruments, Percussion pointers, Philadelphia woodwind quintet, Robar film productions, Rogers drums, Secondary education, State university, Teachers college press, Theodore presser company, Western australia, William byrd, World publishing company.
Url:
DOI: 10.2307/3391255
Links to Exploration step
ISTEX:C1D38F16460EF33D499FEE38690D8C4569B0AE4DLe document en format XML
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Gray</json:string><json:string>Randolph Street</json:string><json:string>John Dowland</json:string><json:string>Jay Braman</json:string><json:string>Robert House</json:string><json:string>Passow</json:string><json:string>Robert Page</json:string><json:string>Ernst Krenek</json:string><json:string>Mary Helton</json:string><json:string>Eric Salzman</json:string><json:string>Tod Dockstader</json:string><json:string>G. Olson</json:string><json:string>College Department</json:string><json:string>Young</json:string><json:string>Member</json:string><json:string>Artur Rodzinski</json:string><json:string>Michael Praetorius</json:string><json:string>M. Sc</json:string><json:string>Roberto Gerhard</json:string><json:string>Mario Castelnuovo-Tedesco</json:string><json:string>William Murphy</json:string><json:string>Irving Fine</json:string><json:string>A. Harry</json:string><json:string>Elisabeth Schwarzkopf</json:string><json:string>Thomas Sexton</json:string><json:string>Helton</json:string><json:string>Ella Fitzgerald</json:string><json:string>Johannes Riedel</json:string><json:string>An Overview</json:string><json:string>Gail Poch</json:string><json:string>Campus</json:string><json:string>Florence Berggren</json:string><json:string>Donald Craig</json:string><json:string>Andrea Box</json:string><json:string>Summer Workshops</json:string><json:string>G. F. Handel</json:string><json:string>Department</json:string><json:string>M. Music</json:string><json:string>Lester D. Beers</json:string><json:string>Desiree de Charms</json:string><json:string>Jane B. 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Olaf</json:string><json:string>ISTANBUL</json:string><json:string>Cleveland</json:string><json:string>Augsburg</json:string><json:string>Detroit</json:string><json:string>England</json:string><json:string>Goldberg</json:string><json:string>Budapest</json:string><json:string>Lincoln</json:string></placeName><ref_url></ref_url><ref_bibl><json:string>Information Coordinators, Inc., 1435</json:string><json:string>NEA Research Division, 1201</json:string><json:string>Colleges and Universities, 1967</json:string><json:string>Mills Music, Inc., 1790</json:string><json:string>Leblanc Corporation, 7019</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-FT2XXLS1-D</json:string></ark><publicationDate>1968</publicationDate><copyrightDate>1968</copyrightDate><doi><json:string>10.2307/3391255</json:string></doi><id>C1D38F16460EF33D499FEE38690D8C4569B0AE4D</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/C1D38F16460EF33D499FEE38690D8C4569B0AE4D/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/C1D38F16460EF33D499FEE38690D8C4569B0AE4D/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/C1D38F16460EF33D499FEE38690D8C4569B0AE4D/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Professional Materials</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1968</date></publicationStmt><notesStmt><note type="review-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Professional Materials</title><idno type="istex">C1D38F16460EF33D499FEE38690D8C4569B0AE4D</idno><idno type="ark">ark:/67375/M70-FT2XXLS1-D</idno><idno type="DOI">10.2307/3391255</idno><idno type="article-id">10.2307_3391255</idno></analytic><monogr><title level="j">Music educators journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1968-03"></date><biblScope unit="volume">54</biblScope><biblScope unit="issue">7</biblScope><biblScope unit="page" from="119">119</biblScope><biblScope unit="page" to="125">125</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1968</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1968-03">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-10-16">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/C1D38F16460EF33D499FEE38690D8C4569B0AE4D/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="review-article" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3391255</article-id><article-id pub-id-type="publisher-id">10.2307_3391255</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Professional Materials</article-title></title-group><pub-date pub-type="ppub"><month>03</month><year>1968</year></pub-date><volume>54</volume><issue>7</issue><fpage>119</fpage><lpage>125</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> I Guest Conseductors 4 v rofeabiovial J/aI teril/ WHO' S WHAT AND WHERE. The first issue of a potentially valuable reference work, The Directory of Music Faculties in American Colleges and Universities, 1967-1968, has been compiled and computer-indexed by the College Music Society. Members of over 900 faculties have been listed by department of music, by area of interest, and alphabetically. This first edition is not complete; the absence of important schools like Juilliard, Curtis, Eastman, and Peabody limits the book' s usefulness. This situation should be corrected in following editions, once college faculties become aware of the value of such a listing. The massive job of collecting and sorting was done by Harry B. Lincoln (D-doctorate, 19-introduction and appreciation, 21-historical musicology, and 35A-flute), professor of music at the State University of New York at Binghamton, with the help of Binghamton' s Computer and Data Processing Center. Copies of the directory cost $6.00 (checks payable to College Music Society) and may be ordered from The CMS Directory, Music Department, State University of New York, Binghamton, New York 13901. LA DOLCE FLAUTO. Marks Music Corporation has followed its collection of Music of the Baroque for Three Recorders with Music of the Renaissance for Three Recorders, arranged for SSA, SAT, SAA, or TTB. Transcriptions by Erich include Katz recorderologist twenty-one works by composers like William Byrd, Guillaum Dufay, and Orlando di Lasso. Information on price and ordering is available from Edward B. Marks Corporation, 136 West 52nd Street, New York, New York 10019. THE CLEVELAND ORCHESTRA is the title of a book released by the World Publishing Company to celebrate the fiftieth anniversary of this organization. One hundred photographs and a text by Chicago critic Robert C. Marsh tell the story of the superb orchestra, which has been a source of immense civic pride since it was founded. Nikoli Sokoloff and Artur Rodzinski built the Cleveland Orchestra into a master ensemble before World War II, and after the war, following a brief stint by Erich Leinsdorf, George Szell brought the group back to its present-day standard of excellence. The 205-page, hard-cover volume costs $12.95 and may be ordered from The World Publishing Company, 119 West 57th Street, New York, New York 10019. MARCH, NINETEEN SIXTY-EIGHT FAMILY HARMONY. G. Leblanc Corporation has reprinted its popular How Music Can Bring You Closer to Your Child, an evangelical little pamphlet that promises a richer life in the world of music. The case for music is presented without an ounce of stuffiness and with unquestionable logic. Common objections to music study are refuted, and obstacles parents often confront are anticipated with clear guidelines. Copies of the booklet can be ordered from G. Leblanc Corporation, 7019 Thirtieth Avenue, Kenosha, Wisconsin 53141. The booklets, suitable for passing out at school PTA meetings, mailing to occupants, distributing at street corners, and dropping out of airplanes, are free. MATERIALS. MUSIC REFERENCE Three publications of interest to music educators and scholars are available from Information Coordinators, Inc. The Music Index is a comprehensive guide to current music periodical literature, both in the United States and abroad. It is published monthly and cumulated annually. A subscription for $195 includes twelve monthly issues, annual subject heading list, and cloth-bound annual cumulation. Annual cumulations for all years since 1949 are available at substantial reductions. Detroit Studies in Music Bibliography is devoted to the publication of bibliographies on many aspects of music. There are currently eleven numbers in this series, ranging in price from $2.00 to $3.50. Songs in Collection: An Index, by Desiree de Charms and Paul F. Breed, is a definitive index of art song and operatic aria collections published since 1940. It has been widely recognized as an important reference work and costs $38. Additional information is available from Information Coordinators, Inc., 1435-37 Randolph Street, Detroit, Michigan 48226. THE LUTHERAN CHORALE. Its Basic Traditions, by Johannes Riedel, is divided into five parts: “The Medieval Tradition,” “The Martin Luther Tradition: 1483-1608,” “The Johann Crueger Tradition: 1600-1660,” “The Freylinghausen Tradition: ca. 1644-1756,” and “German Lutheran Hymnals.” Published in ring-binder form, and fully illustrated with musical examples, The Lutheran Chorale is 120 pages long, including a Glossary, a Selective Bibliography, and an Appendix of indexed chorales. It may be ordered from the Augsburg Publishing House, 426 South Fifth Street, Minneapolis, Minnesota 55415. CHORUMUSIC NORMAN LUBOFF LLOYD PFAUTSCH DON CRAIG J. RUSSELL BODLEY ORCHESTRA CARMEN DRAGON LEO KOPP BERNARD GOODMAN WARREN VAN BRONKHORST BAND WILLIAM REVF TJl HARRY BEGIAN WILLIAM RHOADS JAMES DOUGLASS JAZZ BAND ROBERT SODER PIANO ROBERT DUMM Write Today For Application Forms: Dr. Preston Stedman, Dean Conservatory of Music University HPEPACIFIC CALIFORNIA 95204 STOCKTON, 119 Southern a Illinois University of f Department Music Schoolof Fine Arts 1968 Summer Workshops: Illinois Carhondale, EASY KEYBOARD MUSIC, Purcell to Shostakovich, is a collection of 117 piano originals published by the Theodore Presser Company, Bryn Mawr, Pennsylvania 19010, for the. beginner who may have played a few easy selections from the Anna Magdelena Notebook and wished that great composers from other periods had written equally good and equally easy idiomatic little gems. Notation is large and clear, and in the earlier pieces, judicious ornamentation has been written out. Pictures of the keyboard predecessors of the modern piano-virginals, clavichords, harpsichords, spinets, and a gravecembalo col piano e fortehave been printed in the back of the collection. $2.50. WHAT' S OP, POP? A collection of essays on The New American Arts, edited by Richard Kostelanetz, is a serious attempt to let the average twentiethcentury square know what' s going on all around him in the arts. In the chapter on music, Eric Salzman defines “the preconditions of the new American music in terms of pluralism and the extension of the possible.” Salzman differentiates between two concepts of contemporary music and electronic music-performed shows in examining a wide music-and selection of twentieth-century composers how each concept is rapidly fulfilling its possibilities, performing music in the area of improvisation and electronic music in the area of controlled sound. He points out that in the handling of sound the old battles are finished. “Four minutes and thirty-three seconds of silence (as in John Cage' s 4 ‘33”) may be nonsense or some kind of attempt to reduce aesthetic distance or to bring in the real world; but it can no longer pose any real issues. “In the words of one of the twentieth century' s best-loved squares,” They' ve gone about as fer as they can go. “Mr. Salzman' s discussion obviously will provoke every music teacher to do some serious thinking about how to present contemporary music in the classroom. At the very least, a teacher ought to enjoy contemplating exactly four minutes and thirty-three seconds of undisturbed silence. In addition to the subject of music, film, theater, painting, poetry, dance, and fiction have chapters devoted to them. The 270-page paperback is published by Collier Books, A Division of The Macmillan Company, 866 Third Avenue, New York 10022. $1.95. MUSIC & ARTISTS, a new publication of the Music Journal, will include articles, interviews, profiles, and departments on artists, orchestras, opera companies, music festivals, concerts, auditorium openings, premieres, television performances, and the like. Music & Artists will publish five times a year, with a sixth issue, the Annual Directory, taking the place of the Music Journal Artists' Directory. During the introductory year, the subscription rate will be $5.00 for one year and $9.00 for two. Subscription orders should be sent to Music & Artists, 1776 Broadway, New York, New York 10019. LP RECORD I-AN OMNIPHONY (ORLP-11) featuring Tod Dockstader and James Reichert, combines electronic and instrumental music. Also released by Owl Records, 1229 University Avenue, Boulder, Colorado 80302, is The Hungarian Quartet (ORLP-10) playing two compositions never before recorded Porter' s String Quartet No. 7 -Quincy and Cecil Effinger' s String Quartet No. 5. MUSIC EDUCATORS JOURNAL June 10-21 June 17-21 July 7-20 July 21-27 June 9-August 25 June 10-July 25 July 8-19 Electronic Music Workshop: Hubert Howe, clinician Choral Workshop:Donald Craig, clinician High School Music Camp-Band, Orchestra, Chorus, Piano Music Theatre Directors' Workshop S.I.U. Summer Music Theatre Repertoire Company: William Taylor, director S.I.U. Summer Opera Workshop (at Hot Springs, Arkansas):Marjorie Lawrence, director Band Instrument Repair Workshop: Woodrow Maloney, clinician 1968 Summer Session, with work leading to: June 17-August 30 Bachelor of Music with emphasis in (1) Applied Music, (2) Theory-Composition,(3) History Literature, (4) Music Education, Instrumental, or (5) Music Education, Choral Master of Music in Theory-Composition, Hisand Applied Music tory-Literature, Master of Music Education Doctor of Philosophy in Secondary Education, with emphasis in Music Education For further information, write: Dr. Robert House, Chairman Department of Music Southern Illinois University Carbondale, Illinois 62901 University June of to Oslo, August Norway School International Summer 29 9, 1968 GRIEG OF GRADUATE THE SPECIAL COURSE, MUSIC EDVARD Write: North American Admissions Office Oslo International Summer School, c/o St. Olaf College Northfield, Minnesota 55057 120 I WANT TO QUIT! What do parents do when they hear those words uttered fiercely by their budding musician offspring? Sidney J. Lawrence attempts to provide the answers in a twelve-page pamphlet entitled, This Business of Music Practicing. Directed to the parent of the music student, the advice is de Order signed to prevent a dropout. from Workshop Music Teaching Publications, Inc., 315 Mill Road, Hewlett, New York 11557. Three copies for $1.15; twelve for $3.80. The MUSICOLOGY. AUSTRALIAN first annual volume of Studies in Music, an Australian journal of musicology, has been published by the University of Western Australia Press. According to editor Frank Callaway, head of the department of music at the University of Western Australia, the primary purpose of the new journal is to report the results of musicological activity in Australia, as well as to print contributions from scholars in other countries and to provide a forum for the discussion of all facets of musical thought. Slipped into the back of the journal are the first two publications in the publisher' s Music Series, a set of scholarly editions to be printed in conjunction with articles in the journal. This first volume contains articles on the Australian didjeridu instrument, on the music of Richard Dering, Beethoven, and on the emergence of the eighteenth-century French cantata. In addition there is a listing of theses and research projects on musical subjects carried out at Australian and New Zealand universities. Subscriptions may be ordered from the University Bookshop, Nedlands, Western Australia, for $1.50 plus $.25 postage (British Commonwealth postage: $.13). PERCUSSION POINTERS, a new series of educational articles, has been prepared for the student and teacher by Rogers Drums. Subjects include a unique method for drummers to develop a faster ride cymbal beat, the importance of properly tuned drums, and specific instructions on tuning snare, tom-tom, and bass drums. Future issues may emphasize material on techniques not normally covered in texts. Available free of charge to students and educators, complete sets of Percussion Pointers may be ordered from Rogers Drums, Department of Education and Research, Box 127, Covington, Ohio 45318. TEACHERS COLLEGE PRESS. Bright Underachievers ($6.75) deals with two studies of underachievement in intellectually superior students. Authors Jane B. Raph, Miriam L. Goldberg, and A. Harry Passow contend that many “superior” students are unaware of their own abilities because of the stigma of the grading system. Before First Grade ($2.95), by Susan W. Gray and others, reports on a research-demonstration study involving preschool children from deprived homes. Researchers adapted readily available materials to the aptitudes of each child in an attempt to improve language and concept development. Patricia Albjerg Graham presents a critical evaluation of the Progressive Education Association in the book Progressive Education: From Arcady to Academe ($5.75), pointing out both criticisms and contributions of this controversial association. Further information on these three books may be obtained by writing Teachers College Press, Columbia University, 525 West 120 Street, New York, New York 10027.) MARCH. NINETEEN SIXTY-EIGHT 2toate UNUe iot yNLYo Atb Aba dF I Mwu Vo Depc)Qtmrt FINDLAY COCKRELL piano MARJORIE FULLER voice KARL PETERSON director, choral ensembles THE AMERICAN STRING TRIO in residence MARVIN MORGENSTERN violin KAREN TUTTLE viola JOHN GOBERMAN violoncello EMMETT YOSHIOKA flute PATRICIA GRIGNET oboe, chamber ensembles WILLIAM HUDSON clarinet; conductor, symphony orchestra & concert bands JUNE PARTCH bassoon DANIEL NIMETZ music history, french horn New campus with uniquely designed music building Undergraduate degrees with a major in music and concentrations in JAMES MORRIS trumpet, trombone, chamber ensembles MARJORIE HARTZELL harp LAURENCE FARRELL theory COMPOSITION HISTORY & LITERATURE PERFORMANCE THEORY DREW HARTZELL music history JOEL CHADABE composition; director, electronic music studio CHARLES STOKES department chairman, viola includes: Bach Faculty background Casals For information & brochure write: Chairman, Music Department State University of New York at Albany Albany, N. Y. 12203 Aria Group, Festival, Cincinnati Symphony Orchestra, City Center Opera, Los Angeles Marlboro Philharmonic, Music Festival, NBC Company, Symphony, Robert Shaw Chorale, San Francisco Symphony. Metropolitan Opera come to washington, d.c. the choral american department of music offers a university workshop art july vito e. 1-1, mason 1968 an intensive two week study of choral techniques and literature credit: two semester hours on campus housing and meals available all classes will be held in the new and fully air conditioned Kreeger Music Building. conductor: Inquire: Chairman, Music Department American University Washington, D.C. 20016 121 I I Teachers College Columbia University Summer Study in Music Music Education June and 9 27 - August THE PERSISTENT PIANIST is written for the “late beginner and adult restarter” by Eileen D. Robilliard, a teacher who has much experience and some success with older pupils. She approaches the subject with optimism, noting that the adult has a greater intellectual capacity for learning than a child, and that even a student of eighty is as capable of learning as a student of twelve. The major stumbling block, she feels, is a self-defeating attitude, either conscious or unconscious, which she tries to overcome with an encouiaging outline of what the adult can expect from his lessons. The author has added two appendixes, one an annotated bibliography, the other a graded repertoire. The paperback book is published by the Oxford University Press, 200 Madison Avenue, New York, New York 10016. $1.92. TO HELL WITH SKIING! is an innocent little crutch for the singing skier or the skiing singer. Lyrics and tunes originating with ski clubs, army ski troops, racers, instructors, patrolmen, (someareas, and ski lodges-seventybeen collected what) odd in all-have over a period of six years from all parts of the United States and Canada. Edited by Mike Cohen, the collection is illustrated with more than fifty photographs. It may be ordered from Oak Publications, 701 Seventh Avenue, New York, New York 10036, for $2.50. in the nation' s arts SHORTCOMINGS curriculum concern twelve educators in The Renaissance of the Arts and its Impact on Secondary Education, the 1967 yearbook of the New Jersey Secondary School Teachers Association. All contributors agree that both school and society have so far failed to provide significant, relevant experiences in the arts. Each educator then offers creative suggestions for remedying educational problems and for stimulating a cultural renaissance. Orders for this $2.00 publication should be sent to Mr. Lester D. Beers, 1035 Kenyon Avenue, Plainfield, New Jersey 07060. AND MUSIC. Robert LITERATURE G. Olson' s Music and English Literature is a new program that explores relationships between music and English literature from Anglo-Saxon times to the present. Designed primarily for classes in English literature and the humanities, the program consists of: (a) five twelveinch LP recordings of significant solo, ensemble, and symphonic works; (b) a full-color filmstrip entitled “Early Musical Instruments in England” with an audio accompaniment of narration and sound; (c) a student' s handbook that correlates music and literary works; and (d) a teacher' s guidebook with a selected recorddiscography of supplementary ings. The entire package sells for $39.90; additional student handbooks may be purchased separately. Publisher is Scott, Foresman & Co., 1900 East Lake Avenue, Glenview, Illinois 60025. FILM SLIDES FOR MUSIC “PR.” Robar Film Productions has produced two series of film slides depicting the advantages of a musical education. One series of one hundred slides is designed to encourage parents to let their children join the orchestra; a second series of one hundred slides is designed to encourage band participation. The slides fit any 35mm. projector. For further information, write Robar Film Productions, P.O. Box 266, Independence, Missouri 64050. MUSIC EDUCATORS JOURNAL Master of Arts and Doctor of Education * Performance and Composition * Research Training Program * Comprehensive Musicianship: coordination of theory, history, literature and performance. * Music Education: elementary, secondary, higher education, supervision and administration. * Foundations of Music Education Special Features June 3-21 An Overview of Piano Teaching Professor Robert Pace Master class in concert and opera literature for singers and accompanists. Ethel Evans, coach and assistant conductor of the American Opera Society. June 17-28 July 22-August 2 Chamber music coaching and performance. Hugo Fiorato, associate conductor, New York City Ballet For information: Frank D' Andrea Box 50, Teachers College Columbia University New York, N.Y. 10027 Professorial Faculty Gladys Tipton Robert Pace Charles Walton Ernest Harris Fred Mayer Craig Timberlake Frank D' Andrea Coeducational College Preparatory School MUSIC * ART DRAMA * DANCE Symphony Orchestra Interlochen Arts Accreditedby University of Michigan * Afiliated with National Music Camp Academy Grades8-12; small classes; individualized arts and academic programs. Director of Admissions, Room 26 Interlochen Arts Academy Interlochen, Michigan 49643 122 FOR PAMPHLET SUPERVISORS. Music… The Principal of the Thing is a product of the combined efforts of the California Association for Supervision Southand Curriculum Development, ern Section, and the California Elementary School Administrators Association, Southern Section. The publication is designed to assist the administrator in his task of establishing and/or evaluating the music program in the elementary school. Copies may be obtained at a cost of $.50 from Mrs. Winifred Foley, Music Consultant, Westminster School District, 14121 Cedarwood, Westminster, California 92683. ISTANBUL… CONSTANTINOPLE. It' s Warner Bros.-Seven Arts Music not Music Publishers Holding Corporation. The newly named company is a division of Warner Bros.-Seven Arts, Inc., 488 Madison Avenue, New York, New York 10022. TELEVISION EDUCATIONAL FILMS. Five new black and white, 16mm. films on music, each lasting a half hour, may be rented from the National Educational Television Film Service for classroom use. The Music Lesson shows how the Hoff Barthelson Music School makes use of student discovery and participation to teach children the language of music at an early age. Mrs. Mary Helton is shown as she leads a group of seven-year-olds through a series of musical games and exercises enabling them to read rhythm and tone from written musical notes. After the lesson, Mrs. Helton discusses the method with Morton Gould. Music of Shakespeare' s Time is a presentation of music by William Byrd, Thomas Morley, Tobias Hume, and John Dowland performed by the New York Pro Musica on reproductions of original instruments. Short discussions precede each number. The Renaissance Band features the music of Michael Praetorius. Original instruments are used by the New York Pro Musica: recorder, krummhorn, sackbut, dulcian, viola da gamba, and shawm. The Philadelphia Woodwind Quintet introduces students to the music of the woodwinds and the story of their evolution from the out-of-doors to the concert hall. Each member of The Philadelphia Woodwind Quintet contributes information about his instrument. Works by Haydn, Rosetti, and Pierne are performed. Secular Music of the Renaissance: Josquin des Pres introduces the work of the Flemish master of polyphony. Members of the New York Pro Musica talk about the music and instrumentation before performing each work. Each film may be rented for $5.40 from the NET Film Service, Indiana University, Audio-Visual Center, Bloomington, Indiana 47401. A catalog of available films may be requested from Mr. Thomas Sexton, Coordinator of Fact Sheets, at the same address. CRITICAL REVIEWS of musicals since 1921 are indexed in a new Scarecrow Press Publication, Guide to Critical Reviews-Part II. James M. Salem has collected information about the individuals involved in the production of each musical and listed the issues of The New York Times and various periodicals in which reviews of these productions may be found. The book may be ordered from The Scarecrow Press, Inc., P.O. Box 656, Metuchen, New Jersey 08840, for $9.00. MARCH, NINETEEN SIXTY-EIGHT ITHACA COLLEGE ITHACA, NEW YORK Craig Mc Henry, Dean 'pI SUMMER SCHOOL OF SESSION MUSIC July 8-August 16 Graduate Session-Maximum 8 hours credit. Applied Music, Theory, Music Literature, Music Education, General Education. Degrees: M. Sc. (Music Education), M. Music. Courses: Bach, Semantics, Analytical Technic, Bibliography and Research in Music, Measurement and Evaluation in Music, Instructional Media-Vocal Music, Instructional Media Instrumental Music, Seminar in Music Education, Administration and Supervision of Music Education, The Madrigal Group, New Developments and Techniques in String Pedagogy. Music in Europe-July-August 1968. Approved. 6-8 hours credit. Six Countries, Three Festivals, Twenty Performances. Write-Director of Graduate Services ORFF and KODALY SUMMER WORKSHOP July 8-26, 1968 Grace Nash Helaine Berley Arpad Darazs Laszlow Lukin (Budapest) DANA SCHOOL OF MUSIC Wellesley, Mass. 02181 Write for brochure Early registration advised 123 STATE UNIVERSITY OF NEW YORK AT BINGHAMTON NEW SOUNDS IN CLASS, a forty-page booklet, presents an approach to understanding and performing contemporary music in schools. A brief description of “music in the twentieth century” leads directly to the main body of the text, a description of a new, simplified notational system and the scores of twenty-two percussion pieces. The system is designed to encourage involvement, innovation, experimentation, and student composition. Scores are available in larger format for classroom use. The author is George Self, lecturer in music at the College of St. Mark and St. John, London. Order from Theodore Presser Company, Bryn Mawr, Pennsylvania 19010. $2.80. VIOLIN INTONATION STUDIES. Mental Training and Intonation Studies for Violin is Nathan Aaron' s sequel to his studies for viola. The book includes exercises for changing fingers, contractions and extensions, phrases, fourths, the tritone, the whole tone scale, enharmonics, and augmented seconds. It is available for $2.00 from the author at 2916 N. 29th St., Milwaukee, Wisconsin 53210. THE MAGIC OF MUSIC, Book Four, is part of a series for grades K-6 published by Ginn and Company. Sections of this book, intended for grade four, include “A Map to Music,” “Melodies from Masterworks,” and the “Magical Sound of Music.” Creative response is encouraged in all phases of the program. Children are invited to improvise simple rhythmic, melodic, and harmonic accompaniments for songs throughout the book. A special unit on musical creativity is titled “Learning to Compose.” The series is available from Ginn and Company, Statler Building, Boston, Massachuetts 02117. ILLINOIS JOURNAL. Music education in Illinois schools was the sole subject of the October 1967 Illinois Journal of Education. Included were such articles as: “The Gifted Child Project,” “Community Involvement in the School Music Education Program,” “Music and the Mentally Retarded at Lincoln State School,” and “Illinois Fine Arts Programs in Title III.” The Journal is issued by the Superintendent of Public Instruction, Room 302, State Office Building, Springfield, Illinois 62706. GREAT PERFORMERS, part of the series of Young Reader' s Guides to Music published by Henry Z. Walck, Inc., is a recounting of the lives of Paganini, Liszt, Caruso, Pavlova, and Toscanini. Author Patricia Young writes the biographies of these performers with an air of familiarity, picking out episodes and anecdotes and avoiding dates and dull chronology. The seventy-one-page, hard-cover volume reproduces twentysix cuts and plates of the performers and their habitats and is set in clear, well-spaced type. It is available from publisher Henry Z. Walck, Inc., 19 Union Square West, New York, New York 10003, for $3.50. MUSIC SUPERVISORS JOURNAL. Two editions of the Kraus Reprints of the MEJ, dating from the last four years of its life as the MSJ, are now available. They may be ordered as Volume 17-18 (1930-1932) and Volume 19-20 (19321934), paperbound, for $20 apiece. Kraus Reprints Corporation, 16 East 36th Street, New York, New York 10016. MUSIC EDUCATORS JOURNAL Graduate Studies in Music leading to the degrees MASTER OF ARTS and MASTER OF SCIENCE IN TEACHING The Department of Music graduate program is directed toward the development of the individual student, so that each may work closely with faculty and artists in residence in his particular specialty. Major areas of study offered are the History and Theory of Music, Composition, Performance, Music Education and Computer-Oriented Research. Artists-In-Residence: GUARNERI STRING QUARTET * NEW YORK WOODWIND QUINTET JEAN CASADESUS, PIANIST * KARL KORTE, COMPOSER Assistantships, Proctorships, Scholar Incentive Program are available to qualified students. Applications must be submitted by March 15. For detailed information, write to CHAIRMAN College Department Music, Harpur of State University New Yorkat Binghamton of BINGHAMTON, NEW YORK 13901 The American Matthay Association announces the I lth annual American Matthay … eight concerts Festival …discussions of literature and teaching materials by well-known pianists … lectures on the principles of Tobias Matthay August 6-14, 1968 University of Maryland air-conditioned facilities For details write Conferences and Institutes Division, University of Maryland College Park, Maryland 20742 301-454-2322 124 MUSEUM WITHOUT WALLS is the reworked and expanded first volume of The Voices of Silence, Andre Malraux' s brilliant history of art. The French scholar, now Minister of Culture in the De Gaulle government, describes how painting and sculpture have changed since the Middle Ages, and how the knowledge of art, vastly increased by modern archaeology, photography, and the diffusion of world culture, has utterly transformed the concept of what art is. Published in hard cover ($4.50) and soft cover ($2.95), Museum Without Walls is available from Doubleday & Company, Inc., 277 Park Avenue, New York, New York 10017. THEODORE PRESSER COMPANY has announced that it will act as sole agent for Tenuto Publications and Tritone Press. The catalogs of the two companies feature contemporary American music in usual and unusual combinations of instruments. “ON JANUARY 1, 1600, all of the Renaissance composers died and we find ourselves in a new era…” So begins the twelfth chapter of this tongue-incheek, foot-in-mouth spoof on the history of music. G. Welton Marquis describes music from the time of the bone flute up through Gottfried von Hohenlaufen' s failure to invent the football band march. Portraits of composers include G. F. Handel' s expulsion from Public School 13 in Dusseldorf for drawing obscene pictures, Beethoven and his black leather jacket, and others. Prentice-Hall, Englewood Cliffs, New Jersey 07632, publishes this irreverent history titled, Yes Sir, That' s My Wolfgang. Illustrated. $3.95. BALLET TERMINOLOGY is defined and phoneticized in Dover Publication' s new edition of the Technical Manual and Dictionary of Classical Ballet by Gail Grant. The author has added nearly one hundred new terms, as well as a bibliography. Diagrams help the reader visualize certain basic steps. It may be ordered for $1.50 from Dover Publications, Inc., 180 Varick Street, New York, New York 10014. MAJOR CONCERT WORKS catalog. A new catalog of major concert works available on a rental basis to performing organizations has been released by Mills Music. Composers represented include Leroy Anderson, Richard Rodney Bennett, Mario Castelnuovo-Tedesco, Carlos Chavez, Paul Creston, Irving Fine, Roberto Gerhard, Morton Gould, Roy Harris, Ernst Krenek, Darius Milhaud, and Ernst Toch. In the Mills rental library are works for orchestra, band, and chamber ensemble. Over five hundred works by 153 composers are listed. Requests for the Mills catalog, or for examination materials, should be on the letterhead of the performing organization and sent to Mills Music, Inc., 1790 Broadway, New York, New York 10019, Attention: Rental Department. NEA RESEARCH MEMO. Guide to Sources of Information on Student Aid outlines the kinds of aid in higher education as well as particular programs and plans. A comprehensive list of references is included for the student' s continued research. Single copy orders are received by the NEA Research Division, 1201 Sixteenth Street N.W., Washington, D.C. 20036. Quantity orders are not accepted, but reprints are permitted. MARCH, NINETEEN SIXTY-EIGHT TEMPLE UNIVERSITY oFMUSIC I COLLEGE announces the Second Annual WORKSHOP PIANIST June FOR THE HIGH SCHOOL AND 20, VOCALIST 1968 30-July running concurrently with the Temple University Music Festival & Institute on the beautiful 180-acre suburban Ambler Campus of Temple University, Ambler, Pennsylvania. A three-week intensified programincluding: * Daily classes in solfeggio, vocal ensemble, chorus and dance movement. * Two private lessons per week in either voice or piano. * Free admission to campus concerts by the Chamber Symphony of Philadelphia, Lenox Quartet, Pennsylvania Ballet Company, Van Cliburn, Ella Fitzgerald, Leonard Rose, Eugene Istomin, Elisabeth Schwarzkopf, Guiomar Novaes, and Benny Goodman. * Participation in fully staged presentation of Orff' s CARMINA BURANA, with Chamber Symphony of Philadelphia and Pennsylvania Ballet. Enrollment maximum of 40 students. Scholarshipassistanceavailable. FACULTY PIANO:Alexander Fiorillo, Sarah Croom Morris, Harvey Wedeen VOICE:Florence Berggren, William Murphy, William Yeats CHORAL:Jay Braman, Carolyn Bruno, William Decker, Gail Poch, Carol Sedden DANCE: Gerald Teijelo Forinformationand application blanks, write: Robert Page, Director, High School Choral Workshop Temple University Collegeof Music, Philadelphia, Pennsylvania19122 BOSTON CONSERVATORY of MUSIC A College of Music, Drama and Dance 8 Fenway, Boston, Mass. 02215 Herbert J. Philpott, Dean George A. Brambilla, President Courses in Applied Music, Composition and Music Education leading to B. M. and M. M. degrees. Drama and Dance courses leading to B. F. A. degrees. of 60 including faculty Distinguished members of Boston Symphony Orchestra. Dormitories for women Catalog on request Full Member of National Association of Schools of Music Fall Term Sept. 16, 1968 Summer Term June 24, 1968 125 </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Professional Materials</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Professional Materials</title></titleInfo><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1968-03</dateIssued><copyrightDate encoding="w3cdtf">1968</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1968</date><detail type="volume"><caption>vol.</caption><number>54</number></detail><detail type="issue"><caption>no.</caption><number>7</number></detail><extent unit="pages"><start>119</start><end>125</end></extent></part></relatedItem><identifier type="istex">C1D38F16460EF33D499FEE38690D8C4569B0AE4D</identifier><identifier type="ark">ark:/67375/M70-FT2XXLS1-D</identifier><identifier type="DOI">10.2307/3391255</identifier><identifier type="ArticleID">10.2307_3391255</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/C1D38F16460EF33D499FEE38690D8C4569B0AE4D/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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