Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850
Identifieur interne : 000303 ( Istex/Corpus ); précédent : 000302; suivant : 000304Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850
Auteurs : Owen ReesSource :
- Music and Letters [ 0027-4224 ] ; 2005-02.
English descriptors
- Teeft :
- Actas capitulares, Alfred novello, Altus, Altus primus, Altus secundus, Ancient music, Annotation, Anthem, Antiquarian, Asperges, Barrow, Bassus, Beata virgine, Beati, Beati mortui, Biblioteca, Bodleian, Bodleian copy, Bodleian library, British library, Caelo, Cantus, Cantus primus, Cantus primus part, Cantus primus solo, Cantus secundus, Cantus secundus part, Capilla, Choral response, Christ church, Coimbra, Copying, Copyist, Daily post, Defunctis, Domino, Domino moriuntur, Duarte, Duarte lobo, Dynamic markings, Early music, Edmund, Edmund warren, English copyists, English editors, Exemplar, False relation, Final note, Final syllable, Final volume, First volume, Fitzwilliam, Fitzwilliam museum, Fitzwilliam music, General history, Granada, Henry needler, Horsley, Immyns, James bartleman, Johannes lupi, John immyns, Katharine ellis, Last note, Liber, Liber missarum, Lisbon, Lobo, Lupi, Lupus, Madrigal, Madrigal society, Madrigal society manuscripts, Magnificat settings, Manuel cardoso, Manuscript, Manuscript copies, Many cases, Michael noone, Minute book, Missa, Missa cantate domino, Missa dicebat jesus, Missa elisabeth zachariae, Missarum, Modern times, Modern writers, Moriuntur, Mortui, Motet, Motett society, Music books, Music manuscripts, Musical antiquarians, Musique, Musique ancienne, Needler, Nineteenth century, Novello, Olleson, Opening section, Organist, Other copies, Palestrina, Partbook copies, Partbooks, Pater, Penultimate note, Philip hayes, Philip olleson, Polyphony, Portuguese, Portuguese music, Portuguese polyphony, Prefatory material, Primus, Programme, Publishing music, Repertory, Rimbault, Royal academy, Royal college, Sacred music, Samuel picart, Samuel wesley, Second note, Secundus, Semibreve, Seventeenth centuries, Shelf mark, Syllable, Syncopated, Syncopated semibreves, Thomason, Thomason volume, Title page, Vidi, Vincent novello, Vocal polyphony, Vocem, Walond, Ward jones, William walond, William weber.
Abstract
Works from the Liber missarum (Antwerp, 1621) of the Portuguese composer Duarte Lobo (c.1565–1646) became established in the repertory of ‘ancient music’ cultivated in eighteenth-century England. In particular, the motet Audivi vocem de caelo enjoyed considerable and long-lasting popularity, indicated by numerous manuscript copies, published editions, and records of performances. Such familiarity with Lobo’s works probably stemmed from a copy of the Liber missarum presented to the Bodleian Library in 1659, and later consulted by William Walond senior and Henry Needler. Perhaps thanks to Needler, Lobo’s music entered the repertory of the Academy of Ancient Music. Other manuscript copies of Lobo’s works are by John Immyns, founder of the Madrigal Society; Audivi vocem featured in the Society’s repertory well into the nineteenth century. In 1827 Vincent Novello published an edition of Audivi vocem, and further editions appeared in Paris and England during the 1840s. Aspects of how the piece was performed can be established from manuscript annotations.
Url:
DOI: 10.1093/ml/gci003
Links to Exploration step
ISTEX:ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1Le document en format XML
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xml:lang="en">Works from the Liber missarum (Antwerp, 1621) of the Portuguese composer Duarte Lobo (c.1565–1646) became established in the repertory of ‘ancient music’ cultivated in eighteenth-century England. 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Portuguese composer Duarte Lobo (c.1565–1646) became established in the repertory of ‘ancient music’ cultivated in eighteenth-century England. In particular, the motet Audivi vocem de caelo enjoyed considerable and long-lasting popularity, indicated by numerous manuscript copies, published editions, and records of performances. Such familiarity with Lobo’s works probably stemmed from a copy of the Liber missarum presented to the Bodleian Library in 1659, and later consulted by William Walond senior and Henry Needler. Perhaps thanks to Needler, Lobo’s music entered the repertory of the Academy of Ancient Music. Other manuscript copies of Lobo’s works are by John Immyns, founder of the Madrigal Society; Audivi vocem featured in the Society’s repertory well into the nineteenth century. In 1827 Vincent Novello published an edition of Audivi vocem, and further editions appeared in Paris and England during the 1840s. 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New York and London, 1995</json:string><json:string>Granada, 1963</json:string><json:string>Manuel Cardoso, Duarte Lôbo, London, 1994</json:string><json:string>London, 1760</json:string><json:string>University of Washington, 1993</json:string><json:string>Oxford, 2001</json:string><json:string>Barcelona, 1954</json:string><json:string>Leipzig, 1732</json:string><json:string>Paris, 2000</json:string><json:string>London, 1906</json:string><json:string>London, 1776</json:string><json:string>London, 1841</json:string><json:string>London, 1824</json:string><json:string>Rome, 1672</json:string><json:string>Salamanca, 1610</json:string><json:string>London, 1978</json:string><json:string>Rodez, 1895</json:string><json:string>July 1659</json:string><json:string>Lisbon, 1923</json:string><json:string>Oxford, 1992</json:string><json:string>London, 1840</json:string><json:string>Lisbon, 2003</json:string><json:string>Granada, 1994</json:string><json:string>Thirteenth Annual Report (London, 1846</json:string><json:string>Lisbon, 1900</json:string><json:string>Paris, 1869</json:string><json:string>London, 1746</json:string><json:string>Antwerp, 1621</json:string><json:string>London, 1811</json:string><json:string>Ninth Annual Report (London, 1842</json:string><json:string>recorded as Masterpieces of Portuguese Polyphony (London, 1986</json:string><json:string>Aldershot, 1997</json:string><json:string>Granada, 1993</json:string><json:string>London, 1844</json:string><json:string>Coimbra, 1956</json:string><json:string>Portuguese Polyphony, Munich, 1992</json:string><json:string>London, 1872</json:string><json:string>London, 1838</json:string><json:string>Liber motettorum, 1855</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/HXZ-0T61NH6B-X</json:string></ark><categories><wos></wos><scienceMetrix><json:string>arts & humanities</json:string><json:string>visual & performing arts</json:string><json:string>music</json:string></scienceMetrix><scopus><json:string>1 - Social Sciences</json:string><json:string>2 - Arts and Humanities</json:string><json:string>3 - Music</json:string></scopus><inist><json:string>sciences humaines et sociales</json:string><json:string>prehistoire et protohistoire</json:string></inist></categories><publicationDate>2005</publicationDate><copyrightDate>2005</copyrightDate><doi><json:string>10.1093/ml/gci003</json:string></doi><id>ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Oxford University Press</publisher><availability><licence><p>© Oxford University Press 2005; all rights reserved</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-GTWS0RDP-M">oup</p></availability><date>2005</date></publicationStmt><notesStmt><note type="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850</title><author xml:id="author-0000"><persName><forename type="first">Owen</forename><surname>Rees</surname></persName><affiliation>University of Oxford</affiliation></author><idno type="istex">ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1</idno><idno type="ark">ark:/67375/HXZ-0T61NH6B-X</idno><idno type="DOI">10.1093/ml/gci003</idno><idno type="local">gci003</idno></analytic><monogr><title level="j">Music and Letters</title><title level="j" type="abbrev">Music and Letters</title><idno type="pISSN">0027-4224</idno><idno type="eISSN">1477-4631</idno><idno type="publisher-id">musicj</idno><idno type="PublisherID-hwp">musicj</idno><imprint><publisher>Oxford University Press</publisher><date type="published" when="2005-02"></date><biblScope unit="volume">86</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="42">42</biblScope><biblScope unit="page" to="73">73</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2005</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Works from the Liber missarum (Antwerp, 1621) of the Portuguese composer Duarte Lobo (c.1565–1646) became established in the repertory of ‘ancient music’ cultivated in eighteenth-century England. In particular, the motet Audivi vocem de caelo enjoyed considerable and long-lasting popularity, indicated by numerous manuscript copies, published editions, and records of performances. Such familiarity with Lobo’s works probably stemmed from a copy of the Liber missarum presented to the Bodleian Library in 1659, and later consulted by William Walond senior and Henry Needler. Perhaps thanks to Needler, Lobo’s music entered the repertory of the Academy of Ancient Music. Other manuscript copies of Lobo’s works are by John Immyns, founder of the Madrigal Society; Audivi vocem featured in the Society’s repertory well into the nineteenth century. In 1827 Vincent Novello published an edition of Audivi vocem, and further editions appeared in Paris and England during the 1840s. Aspects of how the piece was performed can be established from manuscript annotations.</p></abstract></profileDesc><revisionDesc><change when="2005-02">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-10-6">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/ADB961ABAAD5BB8CE6C0C7CB5DB0F99620C9B4B1/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus oup, element #text not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article xml:lang="en" article-type="research-article">
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<p>Works from the <italic>Liber missarum</italic> (Antwerp, 1621) of the Portuguese composer Duarte Lobo (<italic>c</italic>.1565–1646) became established in the repertory of ‘ancient music’ cultivated in eighteenth-century England. In particular, the motet <italic>Audivi vocem de caelo</italic> enjoyed considerable and long-lasting popularity, indicated by numerous manuscript copies, published editions, and records of performances. Such familiarity with Lobo’s works probably stemmed from a copy of the <italic>Liber missarum</italic> presented to the Bodleian Library in 1659, and later consulted by William Walond senior and Henry Needler. Perhaps thanks to Needler, Lobo’s music entered the repertory of the Academy of Ancient Music. Other manuscript copies of Lobo’s works are by John Immyns, founder of the Madrigal Society; <italic>Audivi vocem</italic> featured in the Society’s repertory well into the nineteenth century. In 1827 Vincent Novello published an edition of <italic>Audivi vocem</italic>, and further editions appeared in Paris and England during the 1840s. Aspects of how the piece was performed can be established from manuscript annotations.</p>
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