Choral: The Grasshopper
Identifieur interne : 000030 ( Istex/Corpus ); précédent : 000029; suivant : 000031Choral: The Grasshopper
Auteurs : Susan T. CanfieldSource :
- Music educators journal [ 0027-4321 ] ; 1934-09.
English descriptors
- Teeft :
- Alec rowley, Amazing amount, Amusing lines, Antiphonal phrases, Arthur edward johnston, Arthur seyaccompaniment mour sullivan, Arthur sullivan, Bach chorus, Birchard boston, Birchard company, Birchard comthis tragical tale, Black bugs, Brahms cradle song, Brahms motets, Byng johnson, Cappella, Cappella choirs, Capwilliam pella, Century arpastourelle, Cherubim nikolaievitch, Choral innes randolph, Choral movement, Choral octavo, Chorale, Clarence dickinson, Clean heart, Coletta francois arauguste gevaert, Coltcherepnin laboration, Confirma city, Couninteresting terpoint, Crocker comfort, Cycle voices, Difficult songs, Double chorus passages, Double number, Edmund waller, Eminent elizabethan, English ballad, English words, Entire group, Entire number, Eric delamarter, Exceptional group, Fine freedom, Fine knacks, First prize, Fitzsimons book, Folk song, Free rhythms, Galaxy music corporation, German ballad, Gladys pitcher, Gordon jacob, Gray company, Green thicket, Harmonic sonority, Harmonic variety, Harold geer, Hazel watts cooke, High sopranos, Hollis dann, Holy dimitrievitch kastalsky, Holy melody, Huldah jane kenley, Instrumental combinations, Insurmountable difficulties, Interesting changes, International hymn, Italian chorus, John dowland, John vincent dethier, Joseph clokey, Josephine daskam bacon, Journal review, Kerry dance, Less charnew version, Levity style, Lightful selections, Lilting folk quality, Little david, Lord clough leighter, Lordsix parts, Louis victor saar, Lovely parts, Lovely song, Makfor grades, Male choir, Male chorus, Male voices, Many unctuous words, Marzialsemil soderstrom, Merrill lewis, Merry experience, Michael ivanovitch glinka, Mildred lund tyson, Modern perversions, Motet, Music company, Music publishing cornew york city, Musical score, Musical stunt, Musical styles, Musical theme, Musical times, Nations association, Nationwide contest, Nmund interest, Norman grayson, Oliver ditson company, Opening chorus, Organ accompaniment, Other parts, Part chorus, Part song, Part songs, Peace programs, Piano accompaniment, Pinathe arrangement, Polyphonic passages, Popular prices, Priceless bach chorale, Program patchy, Publishers merits, Quality advance, Real contribution, Review liat, Rhythm handling, Ruth davies wilson, Saar, Sacred choruses, Scale motion, Schickfour parts, School group, Scotch chorale, Scottish song, Small groups, Solo alto, Spanish melody, Speeches ened, Spring folk song arenglish, Stanley arthur, Sullivan scores, Superior quality, Tcherepnin cloughfor, Tenor solo, Tenorless land, Treble voices, Twickenham ferry theo, Ukrainian church service, Unaccompanied, Unaccompanied anthem, Unfinished opera, Various combinations, Vittoria pella, Vocal quality, Voices piano, Walter aschenbrenner, Walter goddell, Water arspiritual, York city, Young voices.
Url:
DOI: 10.2307/3384930
Links to Exploration step
ISTEX:782823EBA7D299393FCAEE7EDFD4DEA9833157FFLe document en format XML
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<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3384930</article-id><article-id pub-id-type="publisher-id">10.2307_3384930</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Choral: The Grasshopper</article-title></title-group><contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Canfield</surname><given-names>Susan T.</given-names></name></contrib></contrib-group>
<pub-date pub-type="ppub"><month>09</month><year>1934</year></pub-date><volume>21</volume><issue>1</issue><fpage>58</fpage><lpage>58</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> H. M. S. Pinafore, by W. S. Gilbert and Arthur Sullivan. Abridged and simplified by W. Norman Grayson. [C. C. Birchard & Company, When Boston.] the need for an operetta has arisen at Gilbert many have looked longingly and Sullivan scores with their amusing lines and delightful but have music, found them too difficult for more than the very exceptional group. It is a very that Mr. Grayson has real contribution and abridging made in arranging Pinathe arrangement was fore. Although made for and produced by boys, it is useful for girls alone or for equally mixed groups. The most difficult songs, have and choruses been recitatives have been shortomitted, and speeches ened without destroying the quality of the operetta or taking any licenses with As it stands all either text or music. the work is for unison or two-part, makfor grades ing it possible seven and eight. T. Canfield –Susan Other Operettas received for review Liat a later date: (1) Henry-Etta. bretto by Ruth Davies Wilson. Musical score by Stanley Arthur Day, from the press of Clayton F. Summy Co., Chicago. Books, lyrics and mu(2) Chaunticleer. sic by Oliver W. Robinson; published (3) Co., Chicago. by H. T. FitzSimons Book by Florence Peter Pickers' Plight. Crocker Comfort, music by Hazel Watts Cooke. [H. T. FitzSimons Co.] Choral Innes Randolph and The Grasshopper. Joseph Clokey. [C. C. Birchard & ComThis Tragical Tale was pany, Boston.] in 1878. It was comfirst copyrighted to a group which posed for presentation into the Wednesday later was organized An old theme is Club of Baltimore. handled with what the comcleverly In the poser calls modern perversions. a single told the performer original, tale with many unctuous words startling In making it availand vocal flourishes. Mr. Clokey has able for this generation, arranged Numbers 2 and 8 for duet and Numbers 6 and 10 for chorus, thus including an entire group. The chorus of the black bugs has lost much of its in the revival, heathen as its levity style, melody and words are less charnew version. acteristic in the The styles imitated are German ballad, English ballad, Scotch chorale, song, and Italian chorus. “The Grasshopper” is a musical stunt, which, given with unction to a group of people who know their musical styles, is a merry experience. -Susan T. Canfield The Sailor's Garland. Words by C. Fox Smith, music by Alec Rowley. [Novello & Co., Ltd., The H. W. Gray Co., New York City. Price $1.00.J A seafor mixed The Sailor's cycle voices, Garland is full of salt and spray, the call of the sea and the longing for thickets in spring once the sailor has embarked. The music is as lovely as Mr. Rowley's work always is, although less intimate as fits the subject. It varies in style from the opening chorus to the Chanty of No. 3 and the lilting folk quality of No. 5, The Green Thicket, which by the way requires a low bass with a low “f” as it is scored for the entire number. With this exception even “g” is seldom called for and the other parts are well scored for senior high school. The seven numbers may be purchased separately. The cycle is a denumber to take the place of odd lightful selections which make a program patchy. –Susan T. Canfield (Reviewed by Huldah Jane Kenley) H. T. FitzSimons, Chicago: (1) Jesus on the Water Side-Negro arspiritual ranged by Walter Aschenbrenner. (2) Praise the Lord-an offertory for Easter or for general use, Cesar Franck-Leo both for mixed Sowerby, voices. (3) Twickenham Ferry - Theo. MarzialsEmil Soderstrom, for male voices with piano, and (4) How Lovely are Thy solo alto, male choir and Dwellings-for organ, Eric Delamarter. There is here a More Choral Octavo in quality advance very apparent over some of the material offered previously by this house. Kay and Kay Music Publishing CorNew York City: poration, A dozen or so chorals for various combinations of mixed, male and treble voices, many of which are arrangements of instrumental combinations or of familiar vocal comsuch as the Kerry Dance, or positions a Brahms Cradle Song. Oliver Ditson Company, Inc., Boston: Finale from the opera, A Life of the Michael Ivanovitch Glinka. Czar–by The accompaniment for two pianos has been transcribed Hinkle by Norwood and the orchestration is available. The twenty-five pages consist of chorus and double chorus passages of breadth and vigor, with no insurmountable difficulties for a strong high school and chorus with a few high sopranos low basses. Hall and McCreary, offer a Chicago, 1934 edition of a booklet of about forty spirituals arranged Negro by Walter Goddell for male voices, at popular prices. Music Company, BosE. C. Schirmer ton. For mixed voices: (1) Schickfour parts with piano, salslied-Brahms, thirty pages with both German and English words. (2) Cherubim Song-Nikolai Nikolaievitch in colTcherepnin laboration with Henry Clough-Leighter, for eight parts, a cappella. (3) It is Meet and Right in Truth-(song to the Blessed Virgin) Tcherepnin - Cloughfor S.S.A.T.T.B., a cappella. Leighter, (4) Praise Ye the Name of the Lordsix parts, a Tcherepnin-Clough-Leighter, cappella. (5) We Sing to Thee, O Lord - Clough - Leighter, -Tcherepnin eight (6) Matona, Lovely parts, a cappella. Maiden-four-part madrigal, unaccompanied, Orlando Di Lasso (1532-1594). (7) O vos Omnes-four-part motet a capTommaso Da Vittoria pella, Ludovico (circa 1540-1613). For male voices: (1) Choruses from Four parts, with four-hand Pinafore-for piano, Arthur Seyaccompaniment mour Sullivan, arranged by Archibald T. Davison, 52 pages, listed at sixty cents. Ave Verum–Mozart, (2) arranged by Louis Victor Saar. (3) Coletta - Francois arAuguste Gevaert, ranged by Louis Victor Saar. (4) The Heavens are Telling –Beethoven-Saar. (5) Hail, Holy Light-Alexander Dimitrievitch Kastalsky, arranged by Louis Victor Saar. For women's voices: Two re(1) from the motet Aus dem 51 sponses Psalm-Brahms: Make in me a (a) clean heart, O God, for four voices. (b) Grant me again the Joy of Thy Salvation, for three voices. (2) Three chorales from Brahms motets: (a) To us salvation now is come. In peace (b) and joy I now depart. (c) O, Saviour Both the responses open heaven wide. and chorales have been arranged by E. Harold Geer. All are unaccompanied. Crucifixus-from (3) the Mass in Bminor, Bach, arranged by Katherine K. Davis for four voices and piano. (4) Now thank we all our God-melody by Cruger, setting by Bach, arranged by E. Harold and Geer, for four voices piano. (5) Roses are Blooming-fourwith piano, Brahms. part chorus, (6) Ave Maria-from the unfinished opera, Lorely, by Felix rMendelssohn-Bartholdy, arranged for three voices and piano by Louis Victor Saar. (7) Menuet de Martini-an 18th century arpastourelle ranged by Louis Victor Saar for three parts with piano accompaniment. (8) folk song arranged Gute Nacht–German for four-part chorus by Katherine K. Davis, with piano accompaniment. The superior quality of the material from these publishers merits greater attention than space permits. It is sufficient to say that their usual high standard is maintained and that they have made available still more of the fine choral compositions we are always so glad to find. 3. Fischer & Bro., New York City: (1) part song for S.S.A. May in Japan-a by Mildred Lund Tyson. (2) Little David, Play on Yo Harp-arranged for male chorus by H. Merrill Lewis. (3) O Filii et Filiae–by Cyr de Brant for S.A.T.B., S.S.A.A., T.T.B.B., in each case with organ accompaniment. (4) Come Under My Plaidie-old Scottish song arranged by Harry Gilbert for T.T.B.B. and soprano or tenor solo, unaccompanied. (5) April Dances-by F. J. Gossec -Cyr de Brant, in arrangements for S.A., S.S.A. and S.A.B., with piano. (6) Spring Idyl-an folk song arEnglish ranged by Cyr de Brant for S.A. and T.T.B.B., with piano. (7) Going Home to Live with God-an unaccompanied anthem for mixed voices, adapted from a Negro spiritual by John W. Work. The H. W. Gray Company, New York City: Sacred Choruses: (1) In Joseph's hymn Lovely Garden-an Easter for Spanish melody arS.A.B., a traditional ranged simply and reverently by Clarence Dickinson. (2) The Lord's Prayer -from the Ukrainian church service, for mixed chorus a cappella, edited by Clarence Dickinson. This is characterized by antiphonal phrases, free rhythms and harmonic sonority and should have no difficulties for an able high school group or choir. The Musical Times: (1) Fine Knacks for Ladies-the old pedlar's song by John Dowland, for S.A.T.B., unaccompanied. (2) Pack, clouds, away-part song for S.A.T.B. by Gordon Jacob, a lilting lyric, with alternating homophonic and polyphonic passages and an amazing amount of scale motion for all parts. written Excellently and excellently suited to young voices in large or small groups. Part Songs: (1) Song of Youth in Winter-for SS.B., by unaccompanied, W. F. Byng Johnson. counInteresting terpoint, interesting changes of measure but fragmentary which might phrases make for difficulty. (2) The Green Linnet-a of the Wordscharming setting worth by Eric H. Thiman for verses two treble voices, with piano. & Company, C. C. Birchard Boston: (1) Annie Laurie-arranged for eight mixed voices by Arthur Edward Johnston, with accompaniment for two pianos -one optional. (2) The Fisherman-a sturdy setting of Whittier's poem by John Vincent Dethier for S.A.T.B. and piano, with interesting rhythmic and harmonic variety. (3) Hymn for the Nations - an international hymn, the poem, by Josephine Daskam Bacon, having been awarded first prize in a nationwide contest sponsored by the League of Nations Association, Inc., the musical theme from the choral movement of the Beethoven Ninth Symphony. It will be for mass singing warmly welcomed on peace programs. (4) A double number: (a) Jesu, Priceless Treasure-the fan-iliar Bach chorale for mixed voices, unaccompanied, (b) Death I Do Defy Thee -the Bach chorus for S.S.A.T.B., unacedited by Hollis Dann. companied, (5) Come, Holy Spirit-anonymous melody set by Bach, edited by Morten J. Luvaas. It is for four mixed voices, unaccompanied. (6 and 7) Two arrangements by Gladys Pitcher for tenor, baritone and bass: Drink to Me Only-the familiar old English air, and Passing By -Purcell. Both are unaccompaniedand will meet a need in a largely tenorless land. Galaxy Music Corporation, New York (1) Confirma City: Hoc Deus, (2) Siderum Rector-the first a motet, the second a hymn, both by the eminent Elizabethan, Byrd, both a capWilliam pella. They have been edited by EdH. Fellowes and should meet with nmund interest from serious a cappella choirs. (3) Go, Lovely song for Rose–part This carries a S.A.T.B., unaccompanied. 1926 copyright by Elkin and Co., Ltd., but has not appeared for a Journal review before. The words are by Edmund Waller the music by Eric (1606-1687), There is fine freedom and H. Thiman. comfortable of both rhythm handling and harmony, there is beauty of melody -and there is a finely sustained vocal quality throughout. Page 58 Music Educators Journal </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Choral: The Grasshopper</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Choral: The Grasshopper</title></titleInfo><name type="personal"><namePart type="given">Susan T.</namePart><namePart type="family">Canfield</namePart></name><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1934-09</dateIssued><copyrightDate encoding="w3cdtf">1934</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1934</date><detail type="volume"><caption>vol.</caption><number>21</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>58</start><end>58</end></extent></part></relatedItem><identifier type="istex">782823EBA7D299393FCAEE7EDFD4DEA9833157FF</identifier><identifier type="ark">ark:/67375/M70-LLJP1LV4-S</identifier><identifier type="DOI">10.2307/3384930</identifier><identifier type="ArticleID">10.2307_3384930</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/782823EBA7D299393FCAEE7EDFD4DEA9833157FF/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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