List of bibliographic references
Number of relevant bibliographic references: 55.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000014 (2011) |
Daniele V. Filippi | Earthly Music, Interior Hearing, and Celestial Harmonies: Philippe de Monte’s First Book of Spiritual Madrigals (1581) |
| 000020 (2011) |
Nele Gabriëls | Dedicating Music: The Case of Philippus de Monte’s Motet Prints |
| 000036 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000041 (2009) |
Thomas Schmidt-Beste | Private or Institutional—Small or Big? Towards a Typology of Polyphonic Sources of Renaissance Music |
| 000125 (2008) |
Richard Charteris | Some Early Music Editions in Brussels and Regensburg: their historical connections unveiled |
| 000162 (2007) |
Frank Dobbins | Music, Discipline and Arms in Early Modern France ‐ By Kate van Orden |
| 000178 (2006) |
Renata Pieragostini | UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM |
| 000184 (2006) |
Richard Freedman | Jean Guyot de Chatelet. Chansons, ed. Annie Coeurdevey and Philippe Vendrix. Collection Épitome musicale. (Minerve, Paris, 2001, €23. ISBN 2-86931-099-4.) Le Rossignol musical des chansons (Antwerp, 1597), ed. Gerald R. Hoekstra. Recent Researches in the Music of the Renaissance, 138. (A–R Editions, Middleton, Wis., 2004, $94. ISBN 0-89579-555-8.) |
| 000188 (2006) |
W. Jay Dowling | Book Review: Conceptualizing Music: Cognitive Structure, Theory and Analyses |
| 000200 (2005) |
| ‘Music & Letters’ Awards and Authors of Articles in This Issue |
| 000203 (2005) |
Roland Vaubel [Allemagne] | The Role of Competition in the Rise of Baroque and Renaissance Music |
| 000207 (2005) |
Anna Maria Busse Berger | Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music |
| 000219 (2005) |
Michael J. Levin [États-Unis] ; Steven Zohn [États-Unis] | Don Juan de Austria and the Venetian music trade |
| 000222 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000229 (2004) |
David Kidger | Willaert and Gabrieli secular music |
| 000230 (2004) |
Bernadette Nelson | The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526–c.1550: music, letters and the meeting of cultures |
| 000231 (2004) |
Thorsten Hindrichs | Review: The Guitar and its Music: From the Renaissance to the Classical Era |
| 000233 (2004) |
Ruth I. Deford | Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century |
| 000240 (2004) |
Franz Ko Rndle | Orlando di Lasso's ‘Fireworks’ music |
| 000273 (2002) |
Rebecca Wagner Oettinger [États-Unis] | RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp. |
| 000274 (2002) |
James Garratt | Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception |
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