The Venetian privilege and music-printing in the sixteenth century
Identifieur interne : 000217 ( Main/Curation ); précédent : 000216; suivant : 000218The Venetian privilege and music-printing in the sixteenth century
Auteurs : Richard J. AgeeSource :
- Early Music History [ 0261-1279 ] ; 1983-01.
Abstract
Any scholar involved in the study of sixteenth-century music printed in Venice is bound to be familiar with the phrase ‘con gratia et privilegio’; yet within the framework of music-printing as a whole, the uses and significance of the printing privilege have remained somewhat obscure. The Venetian prints on which the privilege indication appears now lie scattered across the globe, but Venice continues to guard part of her brilliant past – the archives of the Serenissima Repubblica still yield documents which clarify our understanding of the production and protection of prints during the Cinquecento.
Url:
DOI: 10.1017/S0261127900000036
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000409
- to stream Istex, to step Curation: Pour aller vers cette notice dans l'étape Curation :000409
- to stream Istex, to step Checkpoint: Pour aller vers cette notice dans l'étape Curation :000210
- to stream Main, to step Merge: Pour aller vers cette notice dans l'étape Curation :000217
Links to Exploration step
ISTEX:F8678137C86AF58DB3FCF4E9E5B1F6A6E961D834Curation
No country items
Richard J. Agee<affiliation><wicri:noCountry code="no comma">The Colorado College</wicri:noCountry>
</affiliation>
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">The Venetian privilege and music-printing in the sixteenth century</title>
<author><name sortKey="Agee, Richard J" sort="Agee, Richard J" uniqKey="Agee R" first="Richard J." last="Agee">Richard J. Agee</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:F8678137C86AF58DB3FCF4E9E5B1F6A6E961D834</idno>
<date when="1983" year="1983">1983</date>
<idno type="doi">10.1017/S0261127900000036</idno>
<idno type="url">https://api.istex.fr/document/F8678137C86AF58DB3FCF4E9E5B1F6A6E961D834/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000409</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000409</idno>
<idno type="wicri:Area/Istex/Curation">000409</idno>
<idno type="wicri:Area/Istex/Checkpoint">000210</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000210</idno>
<idno type="wicri:doubleKey">0261-1279:1983:Agee R:the:venetian:privilege</idno>
<idno type="wicri:Area/Main/Merge">000217</idno>
<idno type="wicri:Area/Main/Curation">000217</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">The Venetian privilege and music-printing in the sixteenth century</title>
<author><name sortKey="Agee, Richard J" sort="Agee, Richard J" uniqKey="Agee R" first="Richard J." last="Agee">Richard J. Agee</name>
<affiliation><wicri:noCountry code="no comma">The Colorado College</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Early Music History</title>
<idno type="ISSN">0261-1279</idno>
<idno type="eISSN">1474-0559</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="1983-01">1983-01</date>
<biblScope unit="volume">3</biblScope>
<biblScope unit="page" from="1">1</biblScope>
<biblScope unit="page" to="42">42</biblScope>
</imprint>
<idno type="ISSN">0261-1279</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0261-1279</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Any scholar involved in the study of sixteenth-century music printed in Venice is bound to be familiar with the phrase ‘con gratia et privilegio’; yet within the framework of music-printing as a whole, the uses and significance of the printing privilege have remained somewhat obscure. The Venetian prints on which the privilege indication appears now lie scattered across the globe, but Venice continues to guard part of her brilliant past – the archives of the Serenissima Repubblica still yield documents which clarify our understanding of the production and protection of prints during the Cinquecento.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/LassusV1/Data/Main/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000217 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Curation/biblio.hfd -nk 000217 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= LassusV1 |flux= Main |étape= Curation |type= RBID |clé= ISTEX:F8678137C86AF58DB3FCF4E9E5B1F6A6E961D834 |texte= The Venetian privilege and music-printing in the sixteenth century }}
This area was generated with Dilib version V0.6.33. |