Comic Stage Routines in Guarinonius' Medical Treatise of 1610
Identifieur interne : 000116 ( Istex/Corpus ); précédent : 000115; suivant : 000117Comic Stage Routines in Guarinonius' Medical Treatise of 1610
Auteurs : M. A. KatritzkySource :
- Theatre Research International [ 0307-8833 ] ; 2000.
Abstract
The theatrical descriptions of Hippolytus Guarinonius are among the most substantial of several significant discoveries of visual and textual documentation relating to the commedia dell'arte in recent decades. Not noted in the standard bibliography of the commedia dell'arte, they have made far less impact on theatre historians than their early date and richness of theatrical detail warrant. Here, selected descriptions are examined in the context of related textual and visual records, in order to highlight aspects of the new information they offer on the staging of comic routines, and to draw attention to some limitations of using material of this type as historical evidence for stage practice.
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DOI: 10.1017/S0307883300019684
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A.</forename><surname>Katritzky</surname></persName></author><idno type="istex">8C82EBE8396741C49D45F7A53D0134B022D9CE15</idno><idno type="ark">ark:/67375/6GQ-BN1K66KG-8</idno><idno type="DOI">10.1017/S0307883300019684</idno><idno type="PII">S0307883300019684</idno><idno type="article-id">01968</idno></analytic><monogr><title level="j">Theatre Research International</title><title level="j" type="abbrev">Theatre Research International</title><idno type="pISSN">0307-8833</idno><idno type="eISSN">1474-0672</idno><idno type="publisher-id">TRI</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="2000"></date><biblScope unit="volume">25</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="217">217</biblScope><biblScope unit="page" to="232">232</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2000</date></creation><langUsage><language ident="en">en</language></langUsage><abstract style="text-abstract"><p>The theatrical descriptions of Hippolytus Guarinonius are among the most substantial of several significant discoveries of visual and textual documentation relating to the commedia dell'arte in recent decades. Not noted in the standard bibliography of the commedia dell'arte, they have made far less impact on theatre historians than their early date and richness of theatrical detail warrant. Here, selected descriptions are examined in the context of related textual and visual records, in order to highlight aspects of the new information they offer on the staging of comic routines, and to draw attention to some limitations of using material of this type as historical evidence for stage practice.</p></abstract></profileDesc><revisionDesc><change when="2000">Published</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article dtd-version="2.2" article-type="research-article"><front><journal-meta><journal-id journal-id-type="publisher-id">TRI</journal-id><journal-title>Theatre Research International</journal-title><abbrev-journal-title>Theatre Research International</abbrev-journal-title><issn pub-type="ppub">0307-8833</issn><issn pub-type="epub">1474-0672</issn><publisher><publisher-name>Cambridge University Press</publisher-name><publisher-loc>Cambridge, UK</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1017/S0307883300019684</article-id><article-id pub-id-type="pii">S0307883300019684</article-id><article-id pub-id-type="publisher-id">01968</article-id><title-group><article-title>Comic Stage Routines in Guarinonius' Medical Treatise of 1610</article-title><alt-title alt-title-type="left-running">Theatre Research International</alt-title><alt-title alt-title-type="right-running">Comic Stage Routine</alt-title></title-group><contrib-group><contrib><name><surname>Katritzky</surname><given-names>M. A.</given-names></name></contrib></contrib-group><pub-date pub-type="ppub"><season>Autumn</season><year>2000</year></pub-date><volume>25</volume><issue>3</issue><fpage seq="4">217</fpage><lpage>232</lpage><permissions><copyright-statement>Copyright © International Federation for Theatre Research 2000</copyright-statement><copyright-year>2000</copyright-year><copyright-holder>International Federation for Theatre Research</copyright-holder></permissions><abstract abstract-type="text-abstract"><p>The theatrical descriptions of Hippolytus Guarinonius are among the most substantial of several significant discoveries of visual and textual documentation relating to the <italic>commedia dell'arte</italic> in recent decades. Not noted in the standard bibliography of the <italic>commedia dell'arte</italic>, they have made far less impact on theatre historians than their early date and richness of theatrical detail warrant. Here, selected descriptions are examined in the context of related textual and visual records, in order to highlight aspects of the new information they offer on the staging of comic routines, and to draw attention to some limitations of using material of this type as historical evidence for stage practice.</p></abstract><counts><page-count count="16"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0307883300019684a.pdf</meta-value></custom-meta><custom-meta><meta-name>dispart</meta-name><meta-value>Articles</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><title>Notes</title><fn id="fn01" symbol="1."><label>1.</label><p><citation id="ref001" citation-type="journal"><name><surname>Valentin</surname><given-names>Jean-Marie</given-names></name>, ‘<article-title>Bouffons ou religieux? Le débat sur le théâtre dans l'Allemagne catholique au début du xvii<sup>e</sup> siècle (A. Albertinus, H. Guarinonius)</article-title>’, <source>Revue d'Allemagne</source>, <volume>12</volume> (<year>1980</year>), pp. <fpage>442</fpage>–76</citation> (reissued in <italic>Theatrum Catholicum. Les jésuites et la scène en Allemagne au xvi<sup>e</sup> et au xvii<sup>e</sup> siècles. Die Jesuiten und die Bühne im Deutschland des 16.–17. Jahrhunderts</italic> (Nancy: Presses Universitaires de Nancy, 1990, pp. 19–8);—<citation id="ref002" citation-type="book">‘Herr Pantalon und sein Knecht Zani: Zur Funktion und Bedeutung der <italic>welschen comedi</italic> in den <italic>Greweln dei Verwüstung</italic> des H. Guarinonius’, in <source>Theatrum Europaeum. Festschrift für Elida Maria Szaota</source>, <name><surname>Brinkmann</surname><given-names>Richard</given-names></name> <etal></etal>, eds., (<publisher-loc>Munich</publisher-loc>: <publisher-name>Wilhelm Fink</publisher-name>, <year>1982</year>), pp. <fpage>193</fpage>–<lpage>216</lpage></citation>;—<italic>Französischer ‘Roman comique’ und deutscher Schelmenroman</italic> (Opladen: Westdeutscher Verlag, 1992, Rheinisch-Westfälische Akademie der Wissenschaften, Vorträge G315), pp. 11, 26; <citation id="ref003" citation-type="journal"><name><surname>Sprengel</surname><given-names>Peter</given-names></name>, ‘<article-title>Herr Pantalon und sein Knecht Zanni. Zur frühen Commedia dell'arte in Deutschland</article-title>’, <source>Kleine Schriften der Gesellschaft für Theatergeschichte</source>, <fpage>34</fpage>–<lpage>35</lpage> (<year>1988</year>), pp. <fpage>5</fpage>–<lpage>18</lpage></citation>; and, for brief quotes, <citation id="ref004" citation-type="book"><name><surname>Meissner</surname><given-names>Johannes</given-names></name>, <source>Die englischen Comoedianten zur Zeit Shakespeares in Oesterreich</source> (<publisher-loc>Vienna</publisher-loc>, <year>1884</year>), pp. <fpage>4</fpage>–<lpage>10</lpage></citation>;—‘Die englischen Komödianten in Oesterreich’, <italic>Jahrbuch der deutschen Shakespeare Gesellschaft</italic>, 19 (1884), pp. 113–154 (115–117, 129–30); <citation id="ref005" citation-type="journal"><name><surname>Trautmann</surname><given-names>Karl</given-names></name>, ‘<article-title>Italienische Schauspieler am bayrischen Hofe</article-title>’, <source>Jahrbuch für Münchener Geschichte</source>, <volume>1</volume> (<year>1887</year>), pp. <fpage>193</fpage>–<lpage>312</lpage> (232)</citation>; <citation id="ref006" citation-type="book"><name><surname>B</surname><given-names>Jürgen</given-names></name>ücking, <source>Kultur und Gesellschaft in Tirol um 1600. Des Hippolytus Guarinonius’ ‘Grewel der Verwüstung Menschlichen Geschlechts’ (1610) als kulturgeschichtliche Quelle des frühen 17. Jahrhunderts</source> (<publisher-loc>Lübeck & Hamburg</publisher-loc>: <publisher-name>Matthiesen</publisher-name>, <year>1968</year>, Historische Studien 401), pp. <fpage>95</fpage>–7.</citation></p></fn><fn id="fn02" symbol="2."><label>2.</label><p><citation id="ref007" citation-type="book"><name><surname>Heck</surname><given-names>Thomas F.</given-names></name>, <source>Commedia dell'arte: A Guide to the Primary and Secondary Literature</source> (<publisher-loc>New York & London</publisher-loc>: <publisher-name>Garland</publisher-name>, <year>1988</year>).</citation></p></fn><fn id="fn03" symbol="3."><label>3.</label><p><citation id="ref008" citation-type="book"><name><surname>Dörrer</surname><given-names>Anton</given-names></name> <etal></etal>, <source>Hippolytus Guarinonius (1571–1654). Zur 300. Wiederkehr seines Todestages</source> (<publisher-loc>Innsbruck</publisher-loc>: <publisher-name>Universitätsverlag Wagner</publisher-name>, <year>1954</year>, Schlern-Schriften <fpage>126</fpage>).</citation></p></fn><fn id="fn04" symbol="4."><label>4.</label><p><citation id="ref009" citation-type="journal"><name><surname>Graß</surname><given-names>Nikolaus</given-names></name>, ‘<article-title>Der Kampf gegen Fasnachtsveranstaltungen in der Fastenzeit. Nach Tiroler Quellen dargestellt</article-title>’, <source>Zeitschrift für Volkskunde</source>, <volume>53</volume> (<year>1956</year>/<year>1957</year>), pp. <fpage>204</fpage>–<lpage>237</lpage> (<fpage>220</fpage>–5).</citation></p></fn><fn id="fn05" symbol="5."><label>5.</label><p>Guarinonius' German translation of Pietro Giussano's substantial biography of Borromeo (1538–84), canonized in 1610, was published in 1618.</p></fn><fn id="fn06" symbol="6."><label>6.</label><p><citation id="ref010" citation-type="book"><name><surname>Guarinonius</surname><given-names>Hippolytus</given-names></name>, <source>Die Grewel der Verwüstung Menschlichen Geschlechts. In sieben unterschiedliche Bücher und unmeidenliche Hauptstucken</source> (<publisher-loc>Ingolstatt</publisher-loc>: <publisher-name>Andreas Angermayr</publisher-name>, <year>1610</year>)</citation>. A two volume facsimile reprint has been edited by <citation id="ref011" citation-type="other"><name><surname>Locher</surname><given-names>Elmar</given-names></name> (Bolzano: edition Sturzflüge, <year>1993</year>–<year>1994</year>).</citation></p></fn><fn id="fn07" symbol="7."><label>7.</label><p><citation id="ref012" citation-type="journal"><name><surname>Gerster</surname><given-names>C.</given-names></name>, ‘<article-title>Ueber einige Diätetiker des 16. und 17. Jahrhunderts</article-title>’, <source>Deutsche medicinische Wochenschrift</source>, <volume>44</volume> (<year>1899</year>), pp. <fpage>727</fpage>–9(728).</citation></p></fn><fn id="fn08" symbol="8."><label>8.</label><p><citation id="ref013" citation-type="book"><name><surname>Fischer</surname><given-names>Alfons</given-names></name>, ‘Der tiroler Arzt Hippolyt Guarinonius als Erzieher zur Gesundheitspflicht und Vorkämpfer für den Ausbau des Gesundheitsrechts’, in <source>Geschichte des deutschen Gesundheitswesens</source>, <volume>I</volume> (<publisher-loc>Berlin</publisher-loc>, <year>1933</year> (Hildesheim: Georg Olms, 1965)), pp. <fpage>282</fpage>–92</citation>; <citation id="ref014" citation-type="other"><name><surname>Dörrer</surname></name> <etal></etal>, <italic>Hippolytus Guarinonius</italic>: articles by Franz Grass (pp. <fpage>9</fpage>–<lpage>17</lpage>, <fpage>41</fpage>–<lpage>90</lpage>, <fpage>113</fpage>–18)</citation>, <citation id="ref015" citation-type="other"><name><surname>Schadelbauer</surname><given-names>Karl</given-names></name> (pp. <fpage>91</fpage>–<lpage>111</lpage>)</citation>, <citation id="ref016" citation-type="other"><name><surname>Mayr</surname><given-names>Elfriede</given-names></name> (pp. <fpage>119</fpage>–<lpage>136</lpage>)</citation>; <citation id="ref017" citation-type="journal"><name><surname>Mann</surname><given-names>Gunter</given-names></name>, ‘<article-title>Gesundheitswesen und Hygiene in der Zeit des Übergangs von der Renaissance zum Barock</article-title>’, <source>Medizinhistorisches Journal</source>, <volume>1</volume> (<year>1967</year>), pp. <fpage>107</fpage>–<lpage>123</lpage> (<fpage>114</fpage>–18).</citation></p></fn><fn id="fn09" symbol="9."><label>9.</label><p><citation id="ref018" citation-type="book"><name><surname>Scala</surname><given-names>Flaminio</given-names></name>, <source>Il teatro delle Fauole rappresentatiue, overo la Ricreatione Comica, Boscareccia, e Tragica: divisa in cinquanta giornate</source> (<publisher-loc>Venice</publisher-loc>: <publisher-name>Gio. Battista Pulciani</publisher-name>, <year>1611</year>).</citation></p></fn><fn id="fn10" symbol="10."><label>10.</label><p>MS della Biblioteca Comunale di Perugia, segnatura A-20(1734).</p></fn><fn id="fn11" symbol="11."><label>11.</label><p><citation id="ref019" citation-type="other"><name><surname>Valentin</surname></name>, ‘Funktion und Bedeutung–3</citation>; and <italic>Theatrum Catholicum</italic>, pp. 27–8, 43; <citation id="ref020" citation-type="other"><name><surname>Sprengel</surname></name>, ‘Zur frühen Commedia dell'arte’, p. <fpage>13</fpage>.</citation></p></fn><fn id="fn12" symbol="12."><label>12.</label><p><citation id="ref021" citation-type="other"><name><surname>Valentin</surname></name>, ‘Funktion und Bedeutung’, p. <fpage>197</fpage></citation>; see also <citation id="ref022" citation-type="book"><name><surname>van Gemert</surname><given-names>Guillaume</given-names></name>, ‘Tridentische Geistigkeit und Mor-aldidaxis in Guarinonius' “Greweln”. Der Arzt als geistlicher Autor’, in <name><surname>Locher</surname><given-names>Elmar</given-names></name>, ed., <source>Hippolytus Guarinonius im interkulturellen Kontext seiner Zeit. Acta der Tagung Neustift 1993</source> (<publisher-loc>Bozen</publisher-loc>: <publisher-name>edition sturzflüge</publisher-name>, <year>1995</year>), pp. <fpage>45</fpage>–<lpage>63</lpage>.</citation></p></fn><fn id="fn13" symbol="13."><label>13.</label><p>The manuscript of approximately the first two-thirds of the treatise, and some sections of its unpublished companion volume, are among four volumes of <italic>autographa</italic> by Guarinonius in the University Library, Innsbruck (=UBI) cod. 110, vols. 1–4 (<citation id="ref023" citation-type="book"><name><surname>Neuhauser</surname><given-names>Walter</given-names></name>, <source>Katalog der Handschriften der Universitätsbibliothek Innsbruck, Teil 2, Cod.101–200</source> (<publisher-name>Vienna</publisher-name>, <year>1991</year>), pp. <fpage>32</fpage>–7)</citation>. My thanks to the Manuscripts Librarian, Sieglinde Sepp.</p></fn><fn id="fn14" symbol="14."><label>14.</label><p><citation id="ref024" citation-type="book"><name><surname>Katritzky</surname><given-names>M. A.</given-names></name>, ‘Orlando di Lasso and the <italic>Commedia dell'arte</italic>’, in <name><surname>Schmid</surname><given-names>Bernhold</given-names></name>, ed., <source>Orlando di Lasso in der Musikgeschichte</source> (<publisher-loc>Munich</publisher-loc>: <publisher-name>Bayerische Akademie der Wissenschaften</publisher-name>, <year>1996</year>), pp. <fpage>133</fpage>–55 (Figures 12; 13).</citation></p></fn><fn id="fn15" symbol="15."><label>15.</label><p><citation id="ref025" citation-type="journal"><name><surname>Artioli</surname><given-names>Umberto</given-names></name>, ‘<article-title>A Palazzo Berla la casa delle maschere</article-title>’, <source>Quadrante padano, cultura, arte, storia e attualità</source>, <volume>19</volume> (<year>1998</year>), pp. <fpage>47</fpage>–<lpage>50</lpage></citation>;—‘Le grottesche di Palazzo Berla’, <italic>Prima fila, mensile di teatro e di spettacolo dal vivo</italic>, 5 (1999), pp. 20–5.</p></fn><fn id="fn16" symbol="16."><label>16.</label><p><citation id="ref026" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, p. <fpage>214</fpage></citation> (MS: UBI cod.110 vol.1, f.308v).</p></fn><fn id="fn17" symbol="17."><label>17.</label><p><citation id="ref027" citation-type="other"><name><surname>Meissner</surname></name>, <italic>Die englischen Comoedianten</italic></citation>; ‘Die englischen Komödianten’, <citation id="ref028" citation-type="journal"><name><surname>Morris</surname><given-names>Irene</given-names></name>, ‘<article-title>A Hapsburg Letter</article-title>’, <source>Modern Language Review</source>, <volume>69</volume> (<year>1974</year>), pp. <fpage>12</fpage>–<lpage>22</lpage> (17)</citation>; <citation id="ref029" citation-type="book"><name><surname>Limon</surname><given-names>Jerzy</given-names></name>, <source>Gentlemen of a Company: English Players in Central and Eastern Europe 1590–1660</source> (<publisher-loc>Cambridge</publisher-loc>: <publisher-name>Cambridge University Press</publisher-name>, <year>1985</year>), p. <fpage>120</fpage>.</citation></p></fn><fn id="fn18" symbol="18."><label>18.</label><p><citation id="ref030" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, p. <fpage>180</fpage> (=HG.1).</citation></p></fn><fn id="fn19" symbol="19."><label>19.</label><p><xref ref-type="bibr" rid="ref030">Ibid.</xref>, pp. 215, 221–3, 1256. His position regarding Italy was considerably more complex than the ‘Italian=negative, German=positive’ allowed by <citation id="ref031" citation-type="journal"><name><surname>Battafarano</surname><given-names>Italo Michele</given-names></name> (in ‘<article-title>Zettelkraut statt Zitronen. Nationaler Stolz aus defensiver Kritik an Ausländerei und Exotismus bei Hippolytus Guarinonius</article-title>, <source>Simpliciana</source>, <volume>17</volume> (<year>1995</year>), pp. <fpage>141</fpage>–53</citation>;—‘Hippolytus Guarinonius. Gli italiani ci disprezzano e corrompono la nostra gioventù’, chapter n in <italic>L'Italia ir-reale. Descritta dai tedeschi negli ultimi cinque secoli e raccontata agli italiani dal loro punto di vista</italic> (Taranto: Scorpione Editrice, 1995), pp. 25–8).</p></fn><fn id="fn20" symbol="20."><label>20.</label><p><xref ref-type="bibr" rid="ref031">Ibid.</xref>, pp. 296–7 (=HG.6); UBI cod. 110 vol. 1, ff. 435v–436r.</p></fn><fn id="fn21" symbol="21."><label>21.</label><p><xref ref-type="bibr" rid="ref031">Ibid.</xref>, pp. 373–4; UBI cod. 110 vol. 1, ff. 540–4.</p></fn><fn id="fn22" symbol="22."><label>22.</label><p><citation id="ref032" citation-type="thesis"><name><surname>McDowell</surname><given-names>John Huber</given-names></name>, An Iconographical Study of the Early Commedia dell'arte (1560–1650), (<publisher-name>Yale</publisher-name>, unpublished doctoral diss., <year>1937</year>)</citation>, part I, chapter IV: ‘Stage Business and <italic>Lazzi</italic>’, pp. 120–46; <citation id="ref033" citation-type="book"><name><surname>Hallar</surname><given-names>Marianne</given-names></name>, <source>Teaterspil og Tegn-sprog: Ikonografiske Studier i Commedia dell'arte</source> (<publisher-loc>Copenhagen</publisher-loc>: <publisher-name>Akademisk Forlag</publisher-name>, <year>1977</year>)</citation>, part III, ‘<italic>Lazzi</italic>’, pp. 76–142; <citation id="ref034" citation-type="book"><name><surname>Gordon</surname><given-names>Mel</given-names></name>, <source>Lazzi: The Comic Routines of the Commedia dell'arte</source> (<publisher-loc>New York</publisher-loc>: <publisher-name>Theatre Library Association</publisher-name>, <year>1981</year></citation> (Performing Arts Resources, vol.7); Performing Arts Journal Publications, 1983).</p></fn><fn id="fn23" symbol="23."><label>23.</label><p><citation id="ref035" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, p. <fpage>375</fpage> (=HG.8).</citation></p></fn><fn id="fn24" symbol="24."><label>24.</label><p><citation id="ref036" citation-type="book"><name><surname>Scott</surname><given-names>Virginia</given-names></name>, <source>The Commedia dell'arte in Paris 1644–1697</source> (<publisher-loc>Charlottesville</publisher-loc>: <publisher-name>University Press of Virginia</publisher-name>, <year>1990</year>), pp. <fpage>143</fpage>–4</citation>, in her translation.</p></fn><fn id="fn25" symbol="25."><label>25.</label><p><citation id="ref037" citation-type="book"><name><surname>Butterworth</surname><given-names>Philip</given-names></name>, <source>Theatre of Fire. Special Effects in Early English and Scottish Theatre</source> (<publisher-loc>London</publisher-loc>: <publisher-name>Society for Theatre Research</publisher-name>, <year>1998</year>).</citation></p></fn><fn id="fn26" symbol="26."><label>26.</label><p><citation id="ref038" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, pp. <fpage>1187</fpage>–8 (=HG.28–29).</citation></p></fn><fn id="fn27" symbol="27."><label>27.</label><p><xref ref-type="bibr" rid="ref038">Ibid.</xref>, p. 889 (=HG.22–23).</p></fn><fn id="fn28" symbol="28."><label>28.</label><p><citation id="ref039" citation-type="other"><name><surname>Gordon</surname></name>, <italic>Lazzi</italic>, p. <fpage>29</fpage>.</citation></p></fn><fn id="fn29" symbol="29."><label>29.</label><p><citation id="ref040" citation-type="other"><name><surname>Scott</surname></name>, <italic>The Commedia dell'arte in Paris</italic>, p. <fpage>72</fpage></citation>, in her translation.</p></fn><fn id="fn30" symbol="30."><label>30.</label><p><citation id="ref041" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, pp. <fpage>49</fpage>, <fpage>548</fpage>.</citation></p></fn><fn id="fn31" symbol="31."><label>31.</label><p>Artist, Peter Flötner; reproduced in <citation id="ref042" citation-type="journal"><name><surname>Rowlands</surname><given-names>John</given-names></name>, ‘<article-title>The Procession of Gluttony</article-title>’, <source>Print Quarterly</source>, <volume>4</volume> (<year>1987</year>), pp. <fpage>158</fpage>–62(159).</citation></p></fn><fn id="fn32" symbol="32."><label>32.</label><p><citation id="ref043" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, p. <fpage>718</fpage></citation> (=HG.15). The paragraph is part of a longer manuscript <italic>addendum</italic> that was not published in full (UBI Cod. 110 vol.2, ff. 461v–462r).</p></fn><fn id="fn33" symbol="33."><label>33.</label><p><xref ref-type="bibr" rid="ref043">Ibid.</xref>, p. 593 (=HG. 14).</p></fn><fn id="fn34" symbol="34."><label>34.</label><p><xref ref-type="bibr" rid="ref043">Ibid.</xref>, p. 1158 (=HG. 26).</p></fn><fn id="fn35" symbol="35."><label>35.</label><p><citation id="ref044" citation-type="other"><name><surname>Sprengel</surname></name>, ‘Zur frühen Commedia dell'arte’, p. <fpage>15</fpage>.</citation></p></fn><fn id="fn36" symbol="36."><label>36.</label><p><citation id="ref045" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, pp. <fpage>881</fpage>–2 (=HG. 21).</citation></p></fn><fn id="fn37" symbol="37."><label>37.</label><p>For example, ‘the tricks of Zannis and fools are fine words and wretched deeds’ (reproduced in <citation id="ref046" citation-type="other"><name><surname>Katritzky</surname></name>, ‘Hippolytus Guarinonius' Descriptions’, Figure 4 (pp. <fpage>77</fpage>, <fpage>97</fpage>, <fpage>125</fpage>)).</citation></p></fn><fn id="fn38" symbol="38."><label>38.</label><p><citation id="ref047" citation-type="book"><name><surname>Albertinus</surname><given-names>Ægidius</given-names></name>, <source>Der Landtstörtzer: Gusman von Alfarche oder Picaro genannt</source> (<publisher-loc>Munich</publisher-loc>: <publisher-name>Nicolaus Henricus</publisher-name>, <year>1615</year>), chapter 54, pp. <fpage>452</fpage>–60.</citation></p></fn><fn id="fn39" symbol="39."><label>39.</label><p><citation id="ref048" citation-type="other"><name><surname>Valentin</surname></name>, <italic>Theatrum Catholicum</italic>, pp. <fpage>34</fpage>–<lpage>41</lpage>.</citation></p></fn><fn id="fn40" symbol="40."><label>40.</label><p><citation id="ref049" citation-type="other"><name><surname>Albertinus</surname></name>, <italic>Gusman</italic>, p. <fpage>454</fpage>.</citation></p></fn><fn id="fn41" symbol="41."><label>41.</label><p><citation id="ref050" citation-type="other"><name><surname>Guarinonius</surname></name>, <italic>Grewel</italic>, p. <fpage>377</fpage> (=HG. 9).</citation></p></fn><fn id="fn42" symbol="42."><label>42.</label><p><citation id="ref051" citation-type="other"><name><surname>Scala</surname></name>, <italic>Il teatro delle Fauole rappresentatiue</italic></citation>, Giorn.6 (Il vecchio geloso).</p></fn><fn id="fn43" symbol="43."><label>43.</label><p><citation id="ref052" citation-type="journal"><name><surname>Moro</surname><given-names>Anna L.</given-names></name>, ‘<article-title>A semiotic interpretation of the “lazzi” of the <italic>commedia dell'arte</italic></article-title>’, <source>Theatre Symposium</source>, <volume>1</volume> (<year>1993</year>), pp. <fpage>66</fpage>–<lpage>76</lpage> (66).</citation></p></fn><fn id="fn44" symbol="44."><label>44.</label><p>For further album illustrations featuring stock <italic>commedia dell'arte</italic> characters, including others from some of the albums illustrated here, see <citation id="ref053" citation-type="journal"><name><surname>Katritzky</surname><given-names>M. A.</given-names></name>, ‘<article-title>Was <italic>Commedia dell'arte</italic> Performed by Mountebanks? <italic>Album amicorum</italic> Illustrations and Thomas Platter's Description of 1598</article-title>’, <source>Theatre Research International</source>, <volume>23</volume> (<year>1998</year>), pp. <fpage>104</fpage>–26</citation> (Colour Plate 7 is from the New York album); ‘Hippolytus Guarinonius' Descriptions’ (Figure 3 is f. 8v of the Wintholtz album); ‘Orlando di Lasso’ (Figure 15 is f. 37r of the Harsdor-fer album); ‘Carnival and comedy in Georg Straub of St. Gallen's printed <italic>album amicorum</italic> of 1600’, in <citation id="ref054" citation-type="book"><source>Künste und Natur in Diskursen der Frühen Neuzeit</source>, <name><surname>Laufhütte</surname><given-names>Hartmut</given-names></name>, ed. (<publisher-loc>Wiesbaden</publisher-loc>: <publisher-name>Harrassowitz</publisher-name>, <year>2000</year>, Wolfenbütteler Arbeiten zur Barockforschung 35), pp. <fpage>603</fpage>–33 (Plate 11 is from the New York album).</citation></p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo><title>Comic Stage Routines in Guarinonius' Medical Treatise of 1610</title></titleInfo><titleInfo type="alternative"><title>Theatre Research International</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title>Comic Stage Routines in Guarinonius' Medical Treatise of 1610</title></titleInfo><name type="personal"><namePart type="given">M. A.</namePart><namePart type="family">Katritzky</namePart><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">2000</dateIssued><copyrightDate encoding="w3cdtf">2000</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract">The theatrical descriptions of Hippolytus Guarinonius are among the most substantial of several significant discoveries of visual and textual documentation relating to the commedia dell'arte in recent decades. Not noted in the standard bibliography of the commedia dell'arte, they have made far less impact on theatre historians than their early date and richness of theatrical detail warrant. Here, selected descriptions are examined in the context of related textual and visual records, in order to highlight aspects of the new information they offer on the staging of comic routines, and to draw attention to some limitations of using material of this type as historical evidence for stage practice.</abstract><relatedItem type="host"><titleInfo><title>Theatre Research International</title></titleInfo><titleInfo type="abbreviated"><title>Theatre Research International</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0307-8833</identifier><identifier type="eISSN">1474-0672</identifier><identifier type="PublisherID">TRI</identifier><part><date>2000</date><detail type="volume"><caption>vol.</caption><number>25</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>217</start><end>232</end><total>16</total></extent></part></relatedItem><identifier type="istex">8C82EBE8396741C49D45F7A53D0134B022D9CE15</identifier><identifier type="ark">ark:/67375/6GQ-BN1K66KG-8</identifier><identifier type="DOI">10.1017/S0307883300019684</identifier><identifier type="PII">S0307883300019684</identifier><identifier type="ArticleID">01968</identifier><accessCondition type="use and reproduction" contentType="copyright">Copyright © International Federation for Theatre Research 2000</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource><recordOrigin>Copyright © International Federation for Theatre Research 2000</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/8C82EBE8396741C49D45F7A53D0134B022D9CE15/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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