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List of bibliographic references indexed by Other hand

Number of relevant bibliographic references: 34.
[0-20] [0 - 20][0 - 34][20-33][20-40]
Ident.Authors (with country if any)Title
000022 (2011) Heikki Ruism Ki [Finlande] ; Antti Juvonen [Finlande]Life in Sounds, Colours and Atmospheres: A Case Study on Synaesthesia
000048 (2009) Massimiliano Locanto‘Composing with Intervals’: Intervallic Syntax and Serial Technique in Late Stravinsky
000053 (2009) José Luiz MartinezIcons in music: A Peircean rationale
000055 (2009) Jean-Luc Leroy [France]A General Model for the Dynamic Functioning of Musical Systems
000072 (2008) Christoph BurgerLate Medieval Piety expressed in Song Manuscripts of the Devotio Moderna
000104 (2006) Brian HartVincent D’Indy and the Development of the French Symphony
000135 (2005) Christine Lavrence“The Serbian Bastille”
000137 (2005) Tal Dingott AlkopherThe Social (and Religious) Meanings that Constitute War: The Crusades as Realpolitik vs. Socialpolitik
000139 (2005) Karl ShoemakerRevenge as a “Medium Good” in the Twelfth Century
000142 (2004) Peter MilwardThe Search for Shakespeare
000186 (2002) Roger Hillman [Australie]The Penumbra of Neorealism
000190 (2002) M. J. WardRemembrance
000192 (2002) Darko Suvin [Canada]Politics: What may the twentieth century amount to: initial thesis
000198 (2002) Book reviews
000210 (2000) Lucien Foldes [Royaume-Uni]Valuation and martingale properties of shadow prices: An exposition
000223 (1999) Berndt Hamm ; John M. FrymireNormative Centering in the Fifteenth and Sixteenth Centuries: Observations On Religiosity, Theology, and Iconology
000224 (1999) Berndt Hamm ; John M. FrymireNormative Centering in the Fifteenth and Sixteenth Centuries: Observations On Religiosity, Theology, and Iconology
000246 (1997) Boris ShaposhnikovTHE MUSEUM AS A WORK OF ART 9
000249 (1997) A. G. Gordon [Royaume-Uni]Do musical hallucinations always arise from the inner ear?
000282 (1994) Reviews
000290 (1993) David Ingram [États-Unis]The Copernican Revolution revisited: paradigm, metaphor and incommensurability in the history of science- Blumenberg's response to Kuhn and Davidson

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