Ident. | Authors (with country if any) | Title |
---|
000000 (2014) |
Marilyn Mccord Adams [États-Unis] | Psalm 85 |
000012 (2012) |
Lawrence T. Nichols [États-Unis] | Sorokin as Lifelong Russian Intellectual: The Enactment of an Historically Rooted Sensibility |
000040 (2009) |
Craig H. Russell [États-Unis] | Serra and Sacred Song at the Founding of California's First Missions |
000051 (2009) |
John R. Albright [États-Unis] | TIME AND ETERNITY: HYMNIC, BIBLICAL, SCIENTIFIC, AND THEOLOGICAL VIEWS |
000071 (2008) |
Jonathan Kregor [États-Unis] | Stylistic Reconstructions in Liszt's Late Arrangements |
000079 (2008) |
Paul Hawkshaw [États-Unis] | Anton Bruckner's Counterpoint Studies at the Monastery of Saint Florian, 1845–55 |
000084 (2008) |
Daniel S. Mollod [États-Unis] | BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY |
000106 (2006) |
Alan H. Goldman [États-Unis] | The Experiential Account of Aesthetic Value |
000146 (2004) |
Robert H. Woody [États-Unis] | Reality-Based Music Listening in the Classroom: Considering Students' Natural Responses to Music |
000150 (2004) |
Michael J. Oliver [États-Unis] ; Hugh Pemberton | Learning and Change in 20th‐Century British Economic Policy |
000152 (2004) |
Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
000197 (2002) |
Helmut Feld ; James P. Sickinger [États-Unis] ; David Konstan [États-Unis] ; Helen King [Royaume-Uni] ; Hugh H. Benson [États-Unis] ; D. M. Hooley [États-Unis] ; Stanley M. Burstein [États-Unis] ; Géza Alföldy [Allemagne] ; Richard Jenkyns [Royaume-Uni] ; John M. Riddle [États-Unis] ; J. Verheyden ; Alain Le Boulluec ; François Paschoud [Suisse] ; Reinhold F. Glei [Allemagne] ; Brendan Dooley ; Charles Fantazzi [États-Unis] ; Franz-Hubert Robling [Allemagne] ; Daniel Katz [France] | Book reviews |
000208 (2001) |
Meredith Faith [États-Unis] ; Julian F. Thayer [États-Unis] | A dynamical systems interpretation of a dimensional model of emotion |
000227 (1999) |
R. Beverly Raney [États-Unis] | Music, medicine, and modus moriendi |
000242 (1998) |
Aaron Kramer [États-Unis] | Creative Defiance in a Death-Camp |
000286 (1994) |
Pasquale Accardo [États-Unis] | Arnoldisms |
000290 (1993) |
David Ingram [États-Unis] | The Copernican Revolution revisited: paradigm, metaphor and incommensurability in the history of science- Blumenberg's response to Kuhn and Davidson |
000353 (1988) |
Marilyn C. Vincent [États-Unis] ; Margaret D. Merrion | Meeting the Expressive Needs of Junior High Students |
000354 (1988) |
Stephen Watson [États-Unis] | Levinas, the ethics of deconstruction, and the remainder of the sublime |
000359 (1987) |
Erwin Chargaff [États-Unis] | Engineering a molecular nightmare |
000360 (1987) |
David Carrier [États-Unis] | EKPHRASIS AND INTERPRETATION: TWO MODES OF ART HISTORY WRITING |
000392 (1984) |
David E. Dickinson [États-Unis] | Tunes That Go Bump in the Night |
000426 (1980) |
A. M. W. Glass [États-Unis] ; Keith R. Pierce [États-Unis] | Existentially complete lattice-ordered groups |
000427 (1980) |
Donald Gutierrez [États-Unis] | D.H. Lawrence and Modern Destructiveness |
000442 (1977) |
Jay Parini [États-Unis] | THE PROGRESS OF THE SOUL: DONNE AND HOPKINS IN MEDITATION |
000486 (1969) |
Elaine Brody [États-Unis] | ‘DIES IRAE’ |
000507 (1968) |
Richard L. Hoffman [États-Unis] | Structure and symbolism in the Judgment Day II |
000533 (1965) |
Paul Pascal [États-Unis] | The conclusion of the Pervigilium Veneris |
000544 (1963) |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
000547 (1963) |
Paul Henry Lang [États-Unis] | Lenox, Massachusetts |
000561 (1959) |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
000566 (1958) |
Morris Golden [États-Unis] | NOTES ON THREE GOLDSMITH ATTRIBUTIONS |
000626 (1949) |
Victor Lange [États-Unis] | Notes on the German Literary Scene 1946–1948 |
000635 (1947) |
A. A. Brill [États-Unis] | Thoughts on life and death |
000668 (1941) |
C. O. Arndt [États-Unis] ; Robert Kirkpatrick [États-Unis] | Exploring Foreign Languages and Cultures |
000758 (1898) |
Edward Mcgrath [États-Unis] | TENNYSON AND SCOTT |
000760 (1898) |
Richard H. Thornton [États-Unis] | A RHYMING WARNING TO BOOK-BORROWERS |