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Index « AbsEn.i » - entrée « musical »
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List of bibliographic references

Number of relevant bibliographic references: 16.
Ident.Authors (with country if any)Title
000004 (2012) Hanns-Werner Heister [Allemagne]Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic
000020 (1962) Peter EvansBritten's ‘War Requiem’
000061 (1947) Willi ReichThe News from Switzerland
000072 (1984) Carey BlytonSondheim's ‘Sweeney Todd’—The Case for the Defence
000083 (2009) Massimiliano Locanto‘Composing with Intervals’: Intervallic Syntax and Serial Technique in Late Stravinsky
000093 (2008) Catherine LosadaThe Process of Modulation in Musical Collage
000219 (2001) Robert H. Woody ; Kimberly J. BurnsPredicting Music Appreciation with Past Emotional Responses to Music
000265 (2009) Arjan Van Baest ; Willem Marie SpeelmanThe Song of the Returned: A two-way analysis in musical semiotics
000273 (2009) Gioia FilocamoDemocratizing the Requiem: Mercantile Mentality and the Fear of Death in Italy
000387 (1990) Bret JohnsonBenjamin Lees: Quo Vadis?
000403 (2005) Katharine EllisReview: The Musical Madhouse: Les Grotesques de la musique
000452 (2004) Karina Williamson [Royaume-Uni]From Heavenly Harmony to Eloquent Silence: Representations of World Order from Dryden to Shelley
000498 (1997) A. G. Gordon [Royaume-Uni]Do musical hallucinations always arise from the inner ear?
000549 (1982) Elmer Schönberger ; Louis AndriessenThe Apollonian Clockwork: Extracts from a book by Elmer Schönberger and Louis Andriessen
000666 (2009) Jean-Luc Leroy [France]A General Model for the Dynamic Functioning of Musical Systems
000745 (2009) Jürgen Meyer [Allemagne]Tonal Characteristics of Musical Instruments

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