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List of bibliographic references

Number of relevant bibliographic references: 22.
[0-20] [0 - 20][0 - 22][20-21][20-40]

Ident.	Authors (with country if any)	Title
000004 (2012)	Hanns-Werner Heister [Allemagne]	Invariance and Variance of Motives: A Model of Musical Logic and/as Fuzzy Logic
000006 (1968)	Malcolm Boyd	Britten, Verdi and the Requiem
000015 (2010)	Ignaas Devisch [Belgique]	Doing Justice to Existence: Jean-Luc Nancy and ‘The Size of Humanity’
000020 (1962)	Peter Evans	Britten's ‘War Requiem’
000062 (1973)	Stephen Walsh	Sergei Rachmaninoff 1873 – 1943
000071 (1986)	Richard E. Mcgregor	Peter Maxwell Davies: The Early Works
000083 (2009)	Massimiliano Locanto	‘Composing with Intervals’: Intervallic Syntax and Serial Technique in Late Stravinsky
000087 (1999)	Peter Palmer	Heinz Holliger at Sixty
000199 (2010)	Ignaas Devisch [Belgique]	Oughtonomy in healthcare. A deconstructive reading of Kantian autonomy
000221 (1980)	Calum Macdonald	John Foulds and the String Quartet
000349 (1966)	Hugo Cole	Aaron Copland (II)
000356 (1977)	John Buller	‘The Mime of Mick, Nick and the Maggies’
000387 (1990)	Bret Johnson	Benjamin Lees: Quo Vadis?
000396 (1997)	Ian Pace	Music of the Absurd? Thoughts on recent Kagel
000439 (1998)	Aaron Kramer [États-Unis]	Creative Defiance in a Death-Camp
000498 (1997)	A. G. Gordon [Royaume-Uni]	Do musical hallucinations always arise from the inner ear?
000549 (1982)	Elmer Schönberger ; Louis Andriessen	The Apollonian Clockwork: Extracts from a book by Elmer Schönberger and Louis Andriessen
000552 (1967)	Peter Evans	Sonata Structures in Early Britten
000708 (2012)	Lawrence T. Nichols [États-Unis]	Sorokin as Lifelong Russian Intellectual: The Enactment of an Historically Rooted Sensibility
000723 (2010)	Martin Abraham	Carl Theodor Dreyer: Film und Literatur, Melodrama und Tragödie, Abstraktion und Realismus, Gut und Böse – Teil 2
000749 (2000)	Neil Forsyth [Suisse]	Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?

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