PETERASSI AND THE CONCERTO PRINCIPLE (II)
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Auteurs : Calum MacdonaldSource :
- Tempo [ 0040-2982 ] ; 2003-07.
Abstract
The first part of this article was published in Tempo No.194 (October 1995), pp. 2–11, and dealt with Goffredo Petrassi's first two Concertos for Orchestra as well as other works, notably the major choral compositions Coro di Morti and Noche Oscura. At the time Petrassi was 91 years of age and it was intended to complete the article within a few issues' time. Other commitments supervened, however; but the composer's death has given added urgency to the need to publish a second instalment concentrating on his concertos of the 1950s. A third and final instalment, covering Concertos 7 and 8 and some of the remarkable compositions of Petrassi's final period, is planned for 2004.
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DOI: 10.1017/S0040298203000214
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<front><div type="abstract">The first part of this article was published in Tempo No.194 (October 1995), pp. 2–11, and dealt with Goffredo Petrassi's first two Concertos for Orchestra as well as other works, notably the major choral compositions Coro di Morti and Noche Oscura. At the time Petrassi was 91 years of age and it was intended to complete the article within a few issues' time. Other commitments supervened, however; but the composer's death has given added urgency to the need to publish a second instalment concentrating on his concertos of the 1950s. A third and final instalment, covering Concertos 7 and 8 and some of the remarkable compositions of Petrassi's final period, is planned for 2004.</div>
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