Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?
Identifieur interne : 000766 ( Main/Corpus ); précédent : 000765; suivant : 000767Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?
Auteurs : Neil ForsythSource :
- International Journal of the Classical Tradition [ 1073-0508 ] ; 2000-03-01.
Abstract
Abstract: Milton’sParadise Lost is an epic opem about the origin of evil, mixing classical and Christian forms and sources. This essay first explores whether “evil” is primarily a classical or Judeo-Christian concept, and shows that it is a product of the religious syncretism of the Hellenistic period. Yet among the poets, we meet this new sense of malignance chiefly in Virgil, especially in such a figure as Allecto. The essay then shows how Milton’s language carefully discriminates among these origins, so that the imagery of Hell comes from Virgil, while the conception of evil remains principally Christian, both in the narrative and in philosophical reflection. But in the final section of the essay, we see that the being whose identity is the answer to the poem’s initiating epic question (‘Who first seduc’d them to that foul revolt?’), and whose actions drive the poem into motion and inaugurate its story—Stan—, is, like his daughter Sin, a complex and seductive blend of both—and this helps to explain some of the tension we feel in his presence. He is a much more complex answer than those required by the initiating questions in Homer or Virgil, and indeed it takes the whole poem to understand that answer.
Url:
DOI: 10.1007/BF02907069
Links to Exploration step
ISTEX:C0D025D9A9045625099E4E2B9B4168CDC6456B3CLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title><author><name sortKey="Forsyth, Neil" sort="Forsyth, Neil" uniqKey="Forsyth N" first="Neil" last="Forsyth">Neil Forsyth</name><affiliation><mods:affiliation>Faculté des Lettres, Section d’Anglais, Université de Lausanne, BFSH 2-5065, CH-1015, Lausanne-Dorigny, Switzerland</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:C0D025D9A9045625099E4E2B9B4168CDC6456B3C</idno><date when="2000" year="2000">2000</date><idno type="doi">10.1007/BF02907069</idno><idno type="url">https://api.istex.fr/document/C0D025D9A9045625099E4E2B9B4168CDC6456B3C/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000766</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000766</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title><author><name sortKey="Forsyth, Neil" sort="Forsyth, Neil" uniqKey="Forsyth N" first="Neil" last="Forsyth">Neil Forsyth</name><affiliation><mods:affiliation>Faculté des Lettres, Section d’Anglais, Université de Lausanne, BFSH 2-5065, CH-1015, Lausanne-Dorigny, Switzerland</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">International Journal of the Classical Tradition</title><title level="j" type="abbrev">Int class trad</title><idno type="ISSN">1073-0508</idno><idno type="eISSN">1874-6292</idno><imprint><publisher>Springer Netherlands</publisher><pubPlace>Dordrecht</pubPlace><date type="published" when="2000-03-01">2000-03-01</date><biblScope unit="volume">6</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="516">516</biblScope><biblScope unit="page" to="548">548</biblScope></imprint><idno type="ISSN">1073-0508</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">1073-0508</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: Milton’sParadise Lost is an epic opem about the origin of evil, mixing classical and Christian forms and sources. This essay first explores whether “evil” is primarily a classical or Judeo-Christian concept, and shows that it is a product of the religious syncretism of the Hellenistic period. Yet among the poets, we meet this new sense of malignance chiefly in Virgil, especially in such a figure as Allecto. The essay then shows how Milton’s language carefully discriminates among these origins, so that the imagery of Hell comes from Virgil, while the conception of evil remains principally Christian, both in the narrative and in philosophical reflection. But in the final section of the essay, we see that the being whose identity is the answer to the poem’s initiating epic question (‘Who first seduc’d them to that foul revolt?’), and whose actions drive the poem into motion and inaugurate its story—Stan—, is, like his daughter Sin, a complex and seductive blend of both—and this helps to explain some of the tension we feel in his presence. He is a much more complex answer than those required by the initiating questions in Homer or Virgil, and indeed it takes the whole poem to understand that answer.</div></front></TEI><istex><corpusName>springer-journals</corpusName><author><json:item><name>Neil Forsyth</name><affiliations><json:string>Faculté des Lettres, Section d’Anglais, Université de Lausanne, BFSH 2-5065, CH-1015, Lausanne-Dorigny, Switzerland</json:string></affiliations></json:item></author><articleId><json:string>BF02907069</json:string><json:string>Art2</json:string></articleId><arkIstex>ark:/67375/VQC-FNMBZDZ6-D</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>OriginalPaper</json:string></originalGenre><abstract>Abstract: Milton’sParadise Lost is an epic opem about the origin of evil, mixing classical and Christian forms and sources. This essay first explores whether “evil” is primarily a classical or Judeo-Christian concept, and shows that it is a product of the religious syncretism of the Hellenistic period. Yet among the poets, we meet this new sense of malignance chiefly in Virgil, especially in such a figure as Allecto. The essay then shows how Milton’s language carefully discriminates among these origins, so that the imagery of Hell comes from Virgil, while the conception of evil remains principally Christian, both in the narrative and in philosophical reflection. But in the final section of the essay, we see that the being whose identity is the answer to the poem’s initiating epic question (‘Who first seduc’d them to that foul revolt?’), and whose actions drive the poem into motion and inaugurate its story—Stan—, is, like his daughter Sin, a complex and seductive blend of both—and this helps to explain some of the tension we feel in his presence. He is a much more complex answer than those required by the initiating questions in Homer or Virgil, and indeed it takes the whole poem to understand that answer.</abstract><qualityIndicators><score>9.436</score><pdfWordCount>20772</pdfWordCount><pdfCharCount>95897</pdfCharCount><pdfVersion>1.3</pdfVersion><pdfPageCount>33</pdfPageCount><pdfPageSize>489.28 x 720 pts</pdfPageSize><refBibsNative>false</refBibsNative><abstractWordCount>203</abstractWordCount><abstractCharCount>1224</abstractCharCount><keywordCount>0</keywordCount></qualityIndicators><title>Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title><genre><json:string>research-article</json:string></genre><host><title>International Journal of the Classical Tradition</title><language><json:string>unknown</json:string></language><publicationDate>2000</publicationDate><copyrightDate>2000</copyrightDate><issn><json:string>1073-0508</json:string></issn><eissn><json:string>1874-6292</json:string></eissn><journalId><json:string>12138</json:string></journalId><volume>6</volume><issue>4</issue><pages><first>516</first><last>548</last></pages><genre><json:string>journal</json:string></genre><subject><json:item><value>Humanities / Arts</value></json:item><json:item><value>Humanities, general</value></json:item><json:item><value>Classical Studies</value></json:item><json:item><value>Languages and Literature</value></json:item><json:item><value>Cultural Heritage</value></json:item><json:item><value>Arts</value></json:item></subject></host><ark><json:string>ark:/67375/VQC-FNMBZDZ6-D</json:string></ark><publicationDate>2000</publicationDate><copyrightDate>2000</copyrightDate><doi><json:string>10.1007/BF02907069</json:string></doi><id>C0D025D9A9045625099E4E2B9B4168CDC6456B3C</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/C0D025D9A9045625099E4E2B9B4168CDC6456B3C/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/C0D025D9A9045625099E4E2B9B4168CDC6456B3C/fulltext/zip</uri></json:item><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/C0D025D9A9045625099E4E2B9B4168CDC6456B3C/fulltext/txt</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/C0D025D9A9045625099E4E2B9B4168CDC6456B3C/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Springer Netherlands</publisher><pubPlace>Dordrecht</pubPlace><availability><licence><p>Springer, 2000</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</p></availability><date>2000</date></publicationStmt><notesStmt><note type="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title><author xml:id="author-0000" corresp="yes"><persName><forename type="first">Neil</forename><surname>Forsyth</surname></persName><affiliation>Faculté des Lettres, Section d’Anglais, Université de Lausanne, BFSH 2-5065, CH-1015, Lausanne-Dorigny, Switzerland</affiliation></author><idno type="istex">C0D025D9A9045625099E4E2B9B4168CDC6456B3C</idno><idno type="ark">ark:/67375/VQC-FNMBZDZ6-D</idno><idno type="DOI">10.1007/BF02907069</idno><idno type="article-id">BF02907069</idno><idno type="article-id">Art2</idno></analytic><monogr><title level="j">International Journal of the Classical Tradition</title><title level="j" type="abbrev">Int class trad</title><idno type="pISSN">1073-0508</idno><idno type="eISSN">1874-6292</idno><idno type="journal-ID">true</idno><idno type="issue-article-count">9</idno><idno type="volume-issue-count">4</idno><imprint><publisher>Springer Netherlands</publisher><pubPlace>Dordrecht</pubPlace><date type="published" when="2000-03-01"></date><biblScope unit="volume">6</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="516">516</biblScope><biblScope unit="page" to="548">548</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2000</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Abstract: Milton’sParadise Lost is an epic opem about the origin of evil, mixing classical and Christian forms and sources. This essay first explores whether “evil” is primarily a classical or Judeo-Christian concept, and shows that it is a product of the religious syncretism of the Hellenistic period. Yet among the poets, we meet this new sense of malignance chiefly in Virgil, especially in such a figure as Allecto. The essay then shows how Milton’s language carefully discriminates among these origins, so that the imagery of Hell comes from Virgil, while the conception of evil remains principally Christian, both in the narrative and in philosophical reflection. But in the final section of the essay, we see that the being whose identity is the answer to the poem’s initiating epic question (‘Who first seduc’d them to that foul revolt?’), and whose actions drive the poem into motion and inaugurate its story—Stan—, is, like his daughter Sin, a complex and seductive blend of both—and this helps to explain some of the tension we feel in his presence. He is a much more complex answer than those required by the initiating questions in Homer or Virgil, and indeed it takes the whole poem to understand that answer.</p></abstract><textClass><keywords scheme="Journal-Subject-Group"><list><label>V</label><label>V20000</label><label>V21000</label><label>N29000</label><label>V35000</label><label>V30000</label><item><term>Humanities / Arts</term></item><item><term>Humanities, general</term></item><item><term>Classical Studies</term></item><item><term>Languages and Literature</term></item><item><term>Cultural Heritage</term></item><item><term>Arts</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2000-03-01">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-12-2">References added</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus springer-journals not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//Springer-Verlag//DTD A++ V2.4//EN" URI="http://devel.springer.de/A++/V2.4/DTD/A++V2.4.dtd" name="istex:docType"></istex:docType><istex:document><Publisher><PublisherInfo><PublisherName>Springer Netherlands</PublisherName><PublisherLocation>Dordrecht</PublisherLocation></PublisherInfo><Journal><JournalInfo JournalProductType="ArchiveJournal" NumberingStyle="Unnumbered"><JournalID>12138</JournalID><JournalPrintISSN>1073-0508</JournalPrintISSN><JournalElectronicISSN>1874-6292</JournalElectronicISSN><JournalTitle>International Journal of the Classical Tradition</JournalTitle><JournalAbbreviatedTitle>Int class trad</JournalAbbreviatedTitle><JournalSubjectGroup><JournalSubject Code="V" Type="Primary">Humanities / Arts</JournalSubject><JournalSubject Code="V20000" Priority="1" Type="Secondary">Humanities, general</JournalSubject><JournalSubject Code="V21000" Priority="2" Type="Secondary">Classical Studies</JournalSubject><JournalSubject Code="N29000" Priority="3" Type="Secondary">Languages and Literature</JournalSubject><JournalSubject Code="V35000" Priority="4" Type="Secondary">Cultural Heritage</JournalSubject><JournalSubject Code="V30000" Priority="5" Type="Secondary">Arts</JournalSubject></JournalSubjectGroup></JournalInfo><Volume><VolumeInfo TocLevels="0" VolumeType="Regular"><VolumeIDStart>6</VolumeIDStart><VolumeIDEnd>6</VolumeIDEnd><VolumeIssueCount>4</VolumeIssueCount></VolumeInfo><Issue IssueType="Regular"><IssueInfo TocLevels="0"><IssueIDStart>4</IssueIDStart><IssueIDEnd>4</IssueIDEnd><IssueArticleCount>9</IssueArticleCount><IssueHistory><CoverDate><DateString>Spring 2000</DateString><Year>2000</Year><Month>3</Month></CoverDate></IssueHistory><IssueCopyright><CopyrightHolderName>Springer</CopyrightHolderName><CopyrightYear>2000</CopyrightYear></IssueCopyright></IssueInfo><Article ID="Art2"><ArticleInfo ArticleType="OriginalPaper" ContainsESM="No" Language="En" NumberingStyle="Unnumbered" TocLevels="0"><ArticleID>BF02907069</ArticleID><ArticleDOI>10.1007/BF02907069</ArticleDOI><ArticleCitationID>516</ArticleCitationID><ArticleSequenceNumber>2</ArticleSequenceNumber><ArticleTitle Language="En"><Emphasis Type="Italic">Paradise Lost</Emphasis> and the origin of “evil”: Classical or Judeo-Christian?</ArticleTitle><ArticleFirstPage>516</ArticleFirstPage><ArticleLastPage>548</ArticleLastPage><ArticleHistory><RegistrationDate><Year>2008</Year><Month>5</Month><Day>9</Day></RegistrationDate></ArticleHistory><ArticleCopyright><CopyrightHolderName>Springer</CopyrightHolderName><CopyrightYear>2000</CopyrightYear></ArticleCopyright><ArticleGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ArticleGrants><ArticleContext><JournalID>12138</JournalID><VolumeIDStart>6</VolumeIDStart><VolumeIDEnd>6</VolumeIDEnd><IssueIDStart>4</IssueIDStart><IssueIDEnd>4</IssueIDEnd></ArticleContext></ArticleInfo><ArticleHeader><AuthorGroup><Author AffiliationIDS="Aff1" CorrespondingAffiliationID="Aff1"><AuthorName DisplayOrder="Western"><GivenName>Neil</GivenName><FamilyName>Forsyth</FamilyName></AuthorName></Author><Affiliation ID="Aff1"><OrgDivision>Faculté des Lettres, Section d’Anglais</OrgDivision><OrgName>Université de Lausanne</OrgName><OrgAddress><Street>BFSH 2-5065</Street><Postcode>CH-1015</Postcode><City>Lausanne-Dorigny</City><Country>Switzerland</Country></OrgAddress></Affiliation></AuthorGroup><Abstract ID="Abs1" Language="En"><Heading>Abstract</Heading><Para TextBreak="No">Milton’s<Emphasis Type="Italic">Paradise Lost</Emphasis> is an epic opem about the origin of evil, mixing classical and Christian forms and sources. This essay first explores whether “evil” is primarily a classical or Judeo-Christian concept, and shows that it is a product of the religious syncretism of the Hellenistic period. Yet among the poets, we meet this new sense of malignance chiefly in Virgil, especially in such a figure as Allecto. The essay then shows how Milton’s language carefully discriminates among these origins, so that the imagery of Hell comes from Virgil, while the conception of evil remains principally Christian, both in the narrative and in philosophical reflection. But in the final section of the essay, we see that the being whose identity is the answer to the poem’s initiating epic question (‘Who first seduc’d them to that foul revolt?’), and whose actions drive the poem into motion and inaugurate its story—Stan—, is, like his daughter Sin, a complex and seductive blend of both—and this helps to explain some of the tension we feel in his presence. He is a much more complex answer than those required by the initiating questions in Homer or Virgil, and indeed it takes the whole poem to understand that answer.</Para></Abstract><ArticleNote Type="Misc"><SimplePara>This article is based on a paper read at the Fourth Meeting of the ISCT, held at the University of Tübingen, July 29–August 2, 1998.</SimplePara></ArticleNote></ArticleHeader><NoBody></NoBody></Article></Issue></Volume></Journal></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?</title></titleInfo><name type="personal" displayLabel="corresp"><namePart type="given">Neil</namePart><namePart type="family">Forsyth</namePart><affiliation>Faculté des Lettres, Section d’Anglais, Université de Lausanne, BFSH 2-5065, CH-1015, Lausanne-Dorigny, Switzerland</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="OriginalPaper" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Springer Netherlands</publisher><place><placeTerm type="text">Dordrecht</placeTerm></place><dateIssued encoding="w3cdtf">2000-03-01</dateIssued><dateIssued encoding="w3cdtf">2000</dateIssued><copyrightDate encoding="w3cdtf">2000</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Abstract: Milton’sParadise Lost is an epic opem about the origin of evil, mixing classical and Christian forms and sources. This essay first explores whether “evil” is primarily a classical or Judeo-Christian concept, and shows that it is a product of the religious syncretism of the Hellenistic period. Yet among the poets, we meet this new sense of malignance chiefly in Virgil, especially in such a figure as Allecto. The essay then shows how Milton’s language carefully discriminates among these origins, so that the imagery of Hell comes from Virgil, while the conception of evil remains principally Christian, both in the narrative and in philosophical reflection. But in the final section of the essay, we see that the being whose identity is the answer to the poem’s initiating epic question (‘Who first seduc’d them to that foul revolt?’), and whose actions drive the poem into motion and inaugurate its story—Stan—, is, like his daughter Sin, a complex and seductive blend of both—and this helps to explain some of the tension we feel in his presence. He is a much more complex answer than those required by the initiating questions in Homer or Virgil, and indeed it takes the whole poem to understand that answer.</abstract><relatedItem type="host"><titleInfo><title>International Journal of the Classical Tradition</title></titleInfo><titleInfo type="abbreviated"><title>Int class trad</title></titleInfo><genre type="journal" displayLabel="Archive Journal" authority="ISTEX" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><originInfo><publisher>Springer</publisher><dateIssued encoding="w3cdtf">2000-03-01</dateIssued><copyrightDate encoding="w3cdtf">2000</copyrightDate></originInfo><subject><genre>Journal-Subject-Group</genre><topic authority="SpringerSubjectCodes" authorityURI="V">Humanities / Arts</topic><topic authority="SpringerSubjectCodes" authorityURI="V20000">Humanities, general</topic><topic authority="SpringerSubjectCodes" authorityURI="V21000">Classical Studies</topic><topic authority="SpringerSubjectCodes" authorityURI="N29000">Languages and Literature</topic><topic authority="SpringerSubjectCodes" authorityURI="V35000">Cultural Heritage</topic><topic authority="SpringerSubjectCodes" authorityURI="V30000">Arts</topic></subject><identifier type="ISSN">1073-0508</identifier><identifier type="eISSN">1874-6292</identifier><identifier type="JournalID">12138</identifier><identifier type="IssueArticleCount">9</identifier><identifier type="VolumeIssueCount">4</identifier><part><date>2000</date><detail type="volume"><number>6</number><caption>vol.</caption></detail><detail type="issue"><number>4</number><caption>no.</caption></detail><extent unit="pages"><start>516</start><end>548</end></extent></part><recordInfo><recordOrigin>Springer, 2000</recordOrigin></recordInfo></relatedItem><identifier type="istex">C0D025D9A9045625099E4E2B9B4168CDC6456B3C</identifier><identifier type="ark">ark:/67375/VQC-FNMBZDZ6-D</identifier><identifier type="DOI">10.1007/BF02907069</identifier><identifier type="ArticleID">BF02907069</identifier><identifier type="ArticleID">Art2</identifier><accessCondition type="use and reproduction" contentType="copyright">Springer, 2000</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Springer, 2000</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/C0D025D9A9045625099E4E2B9B4168CDC6456B3C/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DiesIraeV1/Data/Main/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000766 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Corpus/biblio.hfd -nk 000766 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DiesIraeV1
|flux= Main
|étape= Corpus
|type= RBID
|clé= ISTEX:C0D025D9A9045625099E4E2B9B4168CDC6456B3C
|texte= Paradise Lost and the origin of “evil”: Classical or Judeo-Christian?
}}
| This area was generated with Dilib version V0.6.33. |  |