Music of the Absurd? Thoughts on recent Kagel
Identifieur interne : 000399 ( Main/Corpus ); précédent : 000398; suivant : 000400Music of the Absurd? Thoughts on recent Kagel
Auteurs : Ian PaceSource :
- Tempo [ 0040-2982 ] ; 1997-04.
Abstract
In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in Tempo 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many country premières then available, but maybe because of a fashionable tendency to treat music of the 1960s and early 1970s as rather passé.
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DOI: 10.1017/S0040298200048415
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In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many country premières then available, but maybe because of a fashionable tendency to treat music of the 1960s and early 1970s as rather passé.</div></front></TEI><istex><corpusName>cambridge</corpusName><author><json:item><name>Ian Pace</name></json:item></author><articleId><json:string>04841</json:string></articleId><arkIstex>ark:/67375/6GQ-C4CT3SP8-0</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><abstract>In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. 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Thoughts on recent Kagel</article-title><alt-title alt-title-type="left-running">Music of the Absurd? Thoughts on recent Kagel</alt-title><alt-title alt-title-type="right-running">Music of the Absurd? Thoughts on recent Kagel</alt-title></title-group><contrib-group><contrib><name name-style="western"><surname>Pace</surname><given-names>Ian</given-names></name></contrib></contrib-group><pub-date pub-type="ppub"><month>04</month><year>1997</year></pub-date><issue>200</issue><fpage seq="8">29</fpage><lpage>35</lpage><permissions><copyright-statement>Copyright © Cambridge University Press 1997</copyright-statement><copyright-year>1997</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p>In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in <italic>Tempo</italic> 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many country premières then available, but maybe because of a fashionable tendency to treat music of the 1960s and early 1970s as rather passé.</p></abstract><counts><page-count count="7"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200048415a.pdf</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><fn id="fn01" symbol="1"><label><sup>1</sup></label><p>See <citation citation-type="other" id="ref001"><italic>Tempo</italic> 188 (March 1994), pp. <fpage>42</fpage>–<lpage>44</lpage>.</citation></p></fn><fn id="fn02" symbol="2"><label><sup>2</sup></label><p>‘Mauricio Kagel at 65 – Music of the Absurd’: QEH, Sunday 1 December 1996: London Sinfonietta, c. Reinbert de Leeuw. Roland Hermann (bar).</p></fn><fn id="fn03" symbol="3"><label><sup>3</sup></label><p><italic>5 Stücke der Windrose: Osten, Süden, Nordosten, Nordwesten, Südosten; Phantasiestück</italic>. Schönberg Ensemble c. Reinbert de Leeuw. Disques Montaigne MO 782017.</p></fn><fn id="fn04" symbol="4"><label><sup>4</sup></label><p><italic>Sankt-Bach-Passion</italic>. Anne Sofie von Otter (mezzo), Hans-Peter Blochwitz (ten), Roland Hermann (bar), Peter Roggisch (speaker), Gerd Zacher (organ), Limburger Domsingknaben: NDR-Chor Hamburg; Südfunk-Chor Stuttgart; Radio-Sinfonie-Orchester Stuttgart, c. Mauricio Kagel. Disques Montaigne MO 782044 (2 CDs).</p></fn><fn id="fn05" symbol="5"><label><sup>5</sup></label><p>See <citation citation-type="book" id="ref002"><source>Modern Music and After</source> by <name name-style="western"><surname>Griffiths</surname><given-names>Paul</given-names></name> (<publisher-loc>Oxford</publisher-loc>, <year>1995</year>) pp. <fpage>263</fpage>–4.</citation></p></fn><fn id="fn06" symbol="6"><label><sup>6</sup></label><p><italic>Nah und Fern.</italic> Arie Abbenes (bells of Domkerk Utrecht), Markus Stockhausen, Marco Blaaus, Andreas Adam, Achim Gorsch (tpts), c. Mauricio Kagel. Disques Montaigne MO 782062.</p></fn><fn id="fn07" symbol="7"><label><sup>7</sup></label><p><italic>Klangwölfe; Unguis incarnatus est; An Tasten; Trio.</italic> Sachko Gawriloff (vln), Siegfried Palm (vcl), Bruno Canino (pno). Disques Montaigne MO 782043.</p></fn><fn id="fn08" symbol="8"><label><sup>8</sup></label><p>‘Kagel: Music's Social Critic’ by <citation citation-type="journal" id="ref003"><name name-style="western"><surname>Toop</surname><given-names>Richard</given-names></name> in <source>Music and Musicians</source> Vol.<volume>22</volume>, No.<issue>9</issue><month>05</month><year>1974</year></citation></p></fn><fn id="fn09" symbol="9"><label><sup>9</sup></label><p>This is described in <citation citation-type="book" id="ref004"><source>New Perspectives in Music</source> by <name name-style="western"><surname>Sutherland</surname><given-names>Roger</given-names></name> (<publisher-loc>London</publisher-loc>: <publisher-name>Sun Tavern Fields</publisher-name>, <year>1994</year>), p. <fpage>202</fpage>.</citation></p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Music of the Absurd? 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The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in Tempo 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many country premières then available, but maybe because of a fashionable tendency to treat music of the 1960s and early 1970s as rather passé.</abstract><relatedItem type="host"><titleInfo><title>Tempo</title></titleInfo><titleInfo type="abbreviated"><title>Tempo</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0040-2982</identifier><identifier type="eISSN">1478-2286</identifier><identifier type="PublisherID">TEM</identifier><part><date>1997</date><detail type="volume"><caption>vol.</caption><number>22</number></detail><detail type="issue"><caption>no.</caption><number>200</number></detail><extent unit="pages"><start>29</start><end>35</end><total>7</total></extent></part></relatedItem><identifier type="istex">A134ABE679CDFEF5A85882DA19E0E58C8F24F543</identifier><identifier type="ark">ark:/67375/6GQ-C4CT3SP8-0</identifier><identifier type="DOI">10.1017/S0040298200048415</identifier><identifier type="PII">S0040298200048415</identifier><identifier type="ArticleID">04841</identifier><accessCondition type="use and reproduction" contentType="copyright">Copyright © Cambridge University Press 1997</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource><recordOrigin>Copyright © Cambridge University Press 1997</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/A134ABE679CDFEF5A85882DA19E0E58C8F24F543/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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