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For Children

Identifieur interne : 000191 ( Main/Corpus ); précédent : 000190; suivant : 000192

For Children

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DOI: 10.2307/3388569

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<meta-value> FOR CHILDREN A Skip-stop Plight around the World, compiled by Alfred Marlhom; biographies by Phillip Miller; piano transcriptions by Stanford King, Frances Williams, and Walter Rolfe; illustrations by Gibson Baker. [New York: Harold Flammer, Inc. 75c.] An album of early-grade piano transcriptions, this stimulating volume for world-conscious children contains imaginative maps, thumbnail sketches of composers of many lands, and pianistic of popular compositions. -Marion transcriptions Flagg Rime, Rhythm, and Song for the Child of Today, by Florence by Mariel Wilhoite. Martin and Elizabeth Burnett. Illustrations [Chicago: Hall & Mc Creary Company. $1.00.] Another good book F. of children' s songs, with timeliness for today' s children-M. Singing Games, Nursery Songs, Lulla Songs Children Sing: bies, Folk Songs, Patriotic Songs, Christmas Carols, Children' s Hymns, arr. and ed. by Florence Martin and Margaret Rose 154 pp. and Hall & Mc Creary Company. White. [Chicago: This collection contains many songs commonly Index. 50c.] The wide variety in type of used in the elementary grades. of the accomsongs, the correct vocal range, the simplicity and the low cost make the collection particularly paniments, book for the classroom teacher desirable as a supplementary T. Veazey -Lotta who teaches her own music. CHORAL MUSIC C. C. Birchard 8 Co., Boston Stuart and Man to Every Nation, by (1) Once Lowell Bliss Hoppin; words by James Russell (from “The Present Crisis”). SSATB, accomp' d, with obbligato trumpets. 18c. Separate trumpet parts in Bb, 15c. Orchestra and band Fine number for large chorus or festival parts available. Good music and stirring text. Easy but impressive. group. – (2) Our Souls Are Thine, America, by Henry Waller, arr. by words by Frederick Manley. SATB, ac Roy S. Stoughton; 15c. An easy patriotic number, appropriate for warcomp' d. Good program music. *- (3) Peter Piper, by Edtime usage. 18c. Also pub. for ward B. Whittredge. TTBB, a cappella. Fine for SSA. A very clever setting of the tongue-twister. Medium voice ranges *- (4) A the quartet or concert group. Prayer for These Days (“Dies irae”), by Dr. Joseph Parry, arr. 12c. TTBB, a cappella. by W. H. Anderson; text by arranger. Typically Welsh. *- (5) Saill Musically fine. Well arranged. for Australia, by Fran Aaboland, arr. by Morten J. Luvaas; 12c. transl. by William A. Hunter. TTeBB, optional a cappella. Swedish An excellent, jovial song for young male singers. tune.- (6) Sky-born Music, by Samuel Richards Gaines; text 16c. A fine musical SA, accomp' d. by Ralph Waldo Emerson. adds much to the Accompaniment setting for women' s voices. This would make Cheerful, flowing melody. two-part setting. Music by Roban excellent duet. -o (7) Wings Over America. ert W. Gibb; text by J. Lilian Vandevere. SATB, accomp' d. would appeal This composition 15c. TTBB, accomp' d. 16c. The stirring musical setting is dechorus. to the youthful Good Builds to a fine climax. Easy. scriptive of the text. TTBB arrangement preferred. audience appeal. -Harold Tallman Znc., N rew York Boosey-Hawkes-Belwin, (1) Cuckoo, by Liza Leh[Not the latest, but worth noting.] mann, arr. by Beatrice and Max Krone; words by W. B. Rands. of this The good voice-part arrangement SATB, accomp. 15c. number brings out the color of the contrasting interesting The melody is shared by all four moods to good advantage. The parts, and many clever, artistic vocal effects are possible. is well within the ability simple but effective accompaniment of any high-school accompanist. (2) Tramping Song (Hebrides folk song), arr. by Beatrice and Max Krone; text by the arrangers. SA, SSA, TTBB, SATB, accomp' d. 15c ea. A bright, Scotch breezy number making good use of several well-known relieves the rugged Scotch An a cappella tunes. passage of the accompaniment. The TTBB arrangement is rhythm good; it has a first-tenor part which does not go especially above F. A splendid composition for a United Nations program. (3) Who' ll Buy My Lavender, by Edward German, arr. by Beatrice and Max Krone; words by Caryl Battersby. SSA, flowing melody with interesting accomp ‘d. 15c. Attractive, Has good range and contrasting parts for all three voices. with variety of rhythmic effects. Tree (4) A Cherry passages by Alma Goatley; words by Margaret SA, Doth Bloom, Owen. 15c. in proaccomp' d. with Oriental effect Semi-canon form flowing accompaniment of voice The gression rapid, parts. becomes unless with monotonous considerable played artistry. (5) Music from arr. by George by Josef Heaven, Strauss, Walter; words by Walter Moody. SSA, SATB, a cappella. 15c ea. A lengthy waltz which would be effective without repetition. Range is all right; has a top A in soprano. (C) Oh, by Stephen Susanna, arr. by Carl Frangkiser. Foster, TTBB, SATB, 15c ea. Attractive arrangement for SATB. accomp' d Splendid for giving variety to an a cappella program. In the TTBB arrangement the demands on the first-tenor part are too severe for public-school work, making much use of top A. A splendid number for a United Nations program. (7) The Ships of Arcady, by Michael Ledwidge. Head; words by Francis SSA, 15c. A fantasy with interesting vocal parts accompvd. against a smooth-flowing accompaniment. Good range and interesting rhythms. Some difficult passages in vocal parts and in the accompaniment. (8) The Vagabond, by Ralph Vaughn Williams, arr. by Clarence C. Robinson; poem by Robert L. Stevenson; TTBB, accomp' d. 15c. A splendid song to capture the fancy of young men, both in text and music. It is rugged and virile, but vocally not too taxing. Interesting contrasting themes. Vocal range good. (9) When Childher Plays, by Walwords by T. E. Brown (from “Betsy Lee” ford Davies; 15c. A quaint text with a Fo' c ‘s' le Yarns). SA, accomp' d. setting that captures the childish fancy. Best suited for upperchorus: Good range, with first part limited to staff and grade second part only a third below. (10) Teasing Song, by B1la Bart6k; transl. by Elizabeth Herzog. SSA, a cappella or with orches. accomp' t. 15c. This humorous text is well treated in It a setting that catches the teasing mood in a fine way. should capture the fancy of young people and have audience Repetition of words becomes a little monotonous, but appeal. the fast speed of the tempo relieves this weakness. -Frank C. Biddle Other Bart6k numbers in this series include: Bread[Note: (SA), Loafer baking (SA), Don' t Leave Me! (SA), Hussar All have texts translated by (SSA), Only Tell Me (SSA). Elizabeth Herzog, and all are to be sung a cappella or with 15c ea.] orchestral accompaniment. Oliver Ditson Co., Theodore Presser Co., Distrib., Philadelphia Choruses for Mixed Voices: Kingdom Coming (The Year ob Jubilo), by Henry C. Work, arf. by William C. Steere. SSAA15c. Fun for the chorus that likes to sing TTBB, a cappella. Negro songs and really work on them. Not difficult, but must -R. J. be properly interpreted. Amusing. Chorales from “Finlandia”: O Morn of Beauty, by Jean 15c. SAB, accomp' d. Sibelius, arr. by H. Alexander Matthews. Another Also pub. for other voices, accomp' d and a cappella. but not tiresomely fine poem set to the familiar, so, “Fin-Ruth Jenkin landia.” Easy and enjoyable. J. Fischer & Bro., New York Patriotic Anthems by Harvey Gaul-From the State Papers of Great Americans: (1) Daniel Webster' s Collect for Americans. SSAA with soprano solo, accomp' d. 20c. An arrangement for women' s voices of a number previously reviewed in the “Journal.” Martial and highly dramatic, with a powerful climax. Effective with a large and competent chorus. Modern, full time: 6 minharmony; difficult accompaniment. Performing utes. for His Family. SATB with (2) Washington' s Prayer 16c. Text taken from Washington' s soprano solo, a cappella. solo and choral parts Sunday-Morning Prayer. Alternating otherwise skillfully Useful may prove monotonous; arranged. for historical or other types of program. Performing time: 3 minutes. -Paul W. Mathews Galaxy Music Corporation, New York (1) Thou Art the, Way, by Carl F. Mueller. SATB, accomp' d. 16c. A very fine anthem for use at Easter or as a general It is not difficult. Easy range for all parts. Excellent anthem. organ accompaniment. w- (2) Awake, My Soul, from Slumber! Swedish folk melody arr. by Edwin Liemohn. SATB, a cappella. 18c. A soprano solo supported by humming chorus leads into full chorus in which there is effective treble combination sup(3) When Johnny Comes Marching ported by male voices. *Home, freely arr. by George Mead. SSA and TBB, accomp' d. 18c ea. Unique treatment of the familiar tune. Both arrangements are effective and very singable. -F. H. D. Remick Music Corp., New York (1) Don' t Give Up the Ship, by Harry Warren, arr. by Douglas Mac Lean. TTBB, accomp' d. 16c. A rousing number, good for any boys' glee club. Range is not difficult-one high G – (2) Shine On, Harvest Moon, for tenors. The boys will like it. Nora Bayes and Jack Norworth, arr. by Douglas Mac Lean. by TTBB, accomp' d. 15c. Any boys' glee club will like to sing this of a long-favorite arrangement “harmony” number. First tenors have a few F-sharps. – (3) Thank God for America, by Madalyn arr. by William Stickles. 16c. A Phillips, SSA, accomp' d. stirring patriotic number. The musical setting lends effectiveness to the text, which expresses our appreciation for what H. D. we have and what others are doing in this time of war.-F. G. icordi & Co., Inc., N ew York Six Folk Songs of Normandy, harm. and arr. by Ruggero Ven6; English versions by, Margaret Mc Kee. SSA, accomp' d. 15c ea. Comprising: “Le mari jaloux” (The Jealous Husband), “J' ai fait faire un beau bouquet” (I Have Picked a Nosegay Fair), “Le cur6 d' Argenton” (The Priest of Argenton), “La a Child), falira don dasse” I Was “Le petit sabot” (When (The Little Wooden Shoe), “Le meunier” (The Miller). Would make a very effective of mood, rhythm, program Variety group. and tonal Voice not extreme. fourth Optional feeling. parts All numbers have effective H. D. parts. accompaniments.-F “G. Schirmer, Inc., New York (1) The 29th Psalm (0 ye mighty, give unto the Lord glory and strength), Full chorus with Richter. alto and by Willy bass 20c. Brilliant festival solos, anthem, accomp' d. deeply h and with strong contrasts. musical, (2) Still, Still with Thee, with o ogar Jacobsen. 15c. by Henry SATB, piano accomp' t. Devotional Thou prano and musical anthem. anthem. A welcome reissue. .- (3) Be and effective Faithful unto Death, by Willy and bass solos, organ accomp' t. .- (4) The Carol of the Birds, Richter. SATB, 15c. Grateful, with somusical, by John Jacob Niles, arr. by Lewis Henry Horton. SSA, with soprano solo and children' s chorus, a cappella. 12c. Fresh, charming, well-arranged.-.(5) Hallelujah, Amen, from “Judas Maccabaeus,” by George Frederick Handel, arr. by David Shand, SSAA, accomp' d. 15c. Arranged most satisfactorily for women' s voices. ?(6) Benedixisti Domine (Thou Gayest Thy Blessing), and Laudate Dominum (Praise Ye the Lord), by Steffano Bernardi, transc, by C. A. Rosenthal. SSATB, a cappella. 12c ea. Welcome additions to 17th-century polyphonic song.–M. F. January, Nineteen Forty-four Page 47 </meta-value>
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