List of bibliographic references indexed by debussy
Number of relevant bibliographic references: 26.
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Ident. | Authors (with country if any) | Title |
---|
000000 (2018-08) |
Jean-Christophe Branger [France] | Marianne Wheeldon, Debussy’s Legacy and The Construction of Reputation, New York, NY : Oxford University Press, 2017 |
000003 (2018) |
Inès Taillandier-Guittard [France] | « Le tempo, marqueur formel et vecteur expressif dans les “Danseuses de Delphes” de Claude Debussy » |
000005 (2017-03-30) |
Inès Taillandier-Guittard [France] | « Le tempo, marqueur formel et vecteur expressif dans les Danseuses de Delphes de Debussy » |
000009 (2016-06-30) |
Myriam Chimènes [France] | Pierre Boulez et Claude Debussy. Hommage |
000021 (2014-12-11) |
Adrien Bruschini [France] | Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893) |
000059 (2012) |
Dewey Faulkner | RECORDINGS IN REVIEW: DEBUSSY |
000106 (2011) |
Vincent Giroud [France] | Traduction anglaise de : Denis Herlin, « An artist high and low: Debussy and money », p. 149-202 |
000109 (2010-07-08) |
Inès Taillandier-Guittard [France] | « Alfred Cortot pianist and exegete : Chopin in the light of Debussy » |
000320 (2008) |
D P Stevens [États-Unis] | Handovers and Debussy |
000370 (2007) |
Annie K. Yih | The Cambridge Companion to Debussy ‐ Edited by Simon Trezise |
000595 (2005) |
Doug Martin [États-Unis] | The Cambridge Companion to Debussy |
000596 (2005) |
James R. Briscoe | The Cambridge Companion to Debussy. Ed. by Simon Trezise. pp. xviii + 326. Cambridge Companions to Music. (Cambridge University Press, Cambridge, 2003, £18.95. ISBN 0-521-65478-5.) Claude Debussy as I Knew Him and Other Writings by Arthur Hartmann. Ed. by Samuel Hsu, Sidney Grolnic, and Mark Peters. pp. xix + 339. (University of Rochester Press, Rochester, NY and Woodbridge, 2003, £60. ISBN 1-58046-104-2.) |
000600 (2005) |
David J. Code | Review: Mallarmé and Debussy: Unheard Music, Unseen Text |
000612 (2005) |
Beth Hart | Elliott Antokoletz, with the collaboration of Juana Canabal Antokoletz: Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious |
000741 (2004) |
Boyd Pomeroy | Review: Debussy's ‘Ibéria’ |
000874 (2002) |
William Ashbrook | Two Pelléas et Mélisandes. Claude Debussy |
000896 (2002) |
Roy Howat | Review: Debussy in Performance |
000916 (2002) |
Anya Suschitzky | Debussy's Rameau: French Music and Its Others |
000C83 (1997) |
Bruno H. Repp | Expressive Timing in a Debussy Prelude: A Comparison of Student and Expert Pianists |
000C88 (1997) |
Nicolas Hodges | Bill Hopkins's orchestration of Debussy's ‘Lindaraja’ |
000C92 (1997) |
Denis Herlin [France] | Sirens in the Labyrinth : amendments in the Nocturnes of Debussy |
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