List of bibliographic references indexed by Music theory
Number of relevant bibliographic references: 62.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000040 (2013) |
Bernard Gates | A Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera |
| 000152 (2010) |
Kenneth Smith | ‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin |
| 000228 (2009) |
| Musicological approaches to musical semiotics |
| 000233 (2009) |
Robert Hasegawa | Gérard Grisey and the ‘Nature’of Harmony |
| 000316 (2008) |
Dmitri Tymoczko [États-Unis] | Scale Theory, Serial Theory and Voice Leading |
| 000371 (2007) |
Michael Russ | Some Observations on Pm,n Relations within Set Classes |
| 000372 (2007) |
Daniel K. L. Chua | Rioting with Stravinsky: a Particular Analysis of the Rite of Spring |
| 000379 (2007) |
Mark Anson-Cartwright | Elision and the Embellished Final Cadence in J. S. Bach's Preludes |
| 000380 (2007) |
Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande] | Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis |
| 000382 (2007) |
Arnold Whittall [Royaume-Uni] | Allen Forte in Music Analysis |
| 000463 (2006) |
Christopher Wintle | Oxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.) |
| 000465 (2006) |
Brian Alegant ; John Levey | Octatonicism in Luigi Dallapiccola's Twelve‐Note Music |
| 000472 (2006) |
David Neumeyer [États-Unis] | Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis |
| 000617 (2005) |
Anna Rita Addessi [Italie] ; Roberto Caterina [Italie] | Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1 |
| 000730 (2004) |
Anthony Pople | Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project |
| 000736 (2004) |
W. Dean Sutcliffe | Review: Muzio Clementi: Studies and Prospects |
| 000741 (2004) |
Boyd Pomeroy | Review: Debussy's ‘Ibéria’ |
| 000750 (2004) |
Adam Ockelford [Royaume-Uni] | On Similarity, Derivation and the Cognition of Musical Structure |
| 000758 (2004) |
Daniel Harrison | Max Reger Introduces Atonal Expressionism |
| 000761 (2004) |
Kofi Agawu [États-Unis] | How We Got Out of Analysis, and How to Get Back In Again |
| 000767 (2004) |
| Books Received |
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