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Music analysesstop < Music analysis < Music appreciation  Facettes :

List of bibliographic references indexed by Music analysis

Number of relevant bibliographic references: 45.
[0-20] [0 - 20][0 - 45][20-40]
Ident.Authors (with country if any)Title
000040 (2013) Bernard GatesA Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera
000096 (2011) Michael J. PuriMemory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000152 (2010) Kenneth Smith‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000153 (2010) Giorgio BiancorossoThe Shark in the Music
000233 (2009) Robert HasegawaGérard Grisey and the ‘Nature’of Harmony
000312 (2008) Catherine LosadaThe Process of Modulation in Musical Collage
000313 (2008) Amy BauerThe Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000316 (2008) Dmitri Tymoczko [États-Unis]Scale Theory, Serial Theory and Voice Leading
000322 (2008) Theodor W. AdornoForm in the New Music
000370 (2007) Annie K. YihThe Cambridge Companion to Debussy ‐ Edited by Simon Trezise
000371 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000372 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000379 (2007) Mark Anson-CartwrightElision and the Embellished Final Cadence in J. S. Bach's Preludes
000380 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000382 (2007) Arnold Whittall [Royaume-Uni]Allen Forte in Music Analysis
000383 (2007) Allen ForteAlban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
000453 (2006) Edward Venn‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000465 (2006) Brian Alegant ; John LeveyOctatonicism in Luigi Dallapiccola's Twelve‐Note Music
000467 (2006) Craig Ayrey [Royaume-Uni]Jankélévitch the Obscure(d)
000472 (2006) David Neumeyer [États-Unis]Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000473 (2006) Ben Earle [Royaume-Uni]Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo

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