List of bibliographic references indexed by 1741-7260
Number of relevant bibliographic references: 42.
| Ident. | Authors (with country if any) | Title |
|---|
| 000867 (2002) |
Dinko Fabris | François Lesure, 1923–2001 |
| 000925 (2001) |
Susan Wollenberg | The musical picturesque |
| 000928 (2001) |
Benjamin Davies | The Historiography of the Reformation, or the reformation of historiography |
| 000972 (2001) |
Jim Samson | Chopin, past and present |
| 000B48 (1998) |
| Recordings reviewed |
| 000B74 (1998) |
| Main Index |
| 000C12 (1998) |
Roger Savage | A dynastic marriage celebrated |
| 000C38 (1997) |
Eric Van Tassel | ‘Something utterly new’: listening to Schubert Lieder |
| 000C40 (1997) |
Gretchen Peters | Urban musical culture in late medieval southern France |
| 000C41 (1997) |
Nicholos Kenyon | Time to talk back to treatises! |
| 000C59 (1997) |
Joshua Rifkin | Page turns, players and ripieno parts: more questions of scoring in Bach's vocal music |
| 000C62 (1997) |
Christopher Page [Royaume-Uni] | Listening to to the trouvères |
| 000C68 (1997) |
Clemens Goldberg | A listener's odyssey |
| 000C98 (1996) |
José-Máximo Leza | Spanish Baroque zarzuela: discovery and recovery |
| 000D15 (1996) |
Jonathan Katz | Music and aesthetics: an early Indian perspective |
| 000D22 (1996) |
Bonnie J. Blackburn | Binchois tout seul? |
| 000E13 (1994) |
Brian Newbould | Two 19th-century symphonies |
| 000E16 (1994) |
Eric Cross | The eclectic Telemann |
| 000E25 (1994) |
Peter Phillips | Reconsidering Palestrina |
| 000E41 (1994) |
Nicholas Toller | From fortepiano to pianoforte |
| 000E47 (1994) |
Richard Sherr | Competence and incompetence in the papal choir in the age of Palestrina |
| 000E55 (1994) |
Keith Elcombe | A Baroque primer |
| 000E71 (1993) |
Graham Sadler | Vincent d'Indy and the Rameau Oeuvres complètes: a case of forgery? |
| 000E73 (1993) |
John Kitchen | Skip Sempé, Jacques Champion de Chambonnières; Ursula Duetschler, Claude Benigne Balbastre; Diana Petech, Johann Sebastian Bach; Colin Booth, Carl Philipp Emanuel Bach; Andreas Staier, Domenico Scarlatti |
| 000E75 (1993) |
Nicholas Anderson | Rameau in the recording studio: A survey of recordings of French Baroque opera |
| 000E84 (1993) |
Jeremy Montagu | Instruments |
| 000F05 (1992) |
Richard Taruskin | Tradition and authority |
| 000F31 (1992) |
Ivan Moody | Macario Santiago Kastner (1908-92) |
| 000F42 (1992) |
Rob C. Wegman | BOOKS |
| 000F43 (1992) |
David Chadd | BOOKS |
| 001027 (1990) |
Stephen Bonta | The use of instruments in sacred music in Italy 1560–1700 |
| 001090 (1989) |
John Butt | RECORDINGS |
| 001093 (1989) |
Jeremy Montagu | Instruments |
| 001288 (1985) |
Christopher Page | BOOKS |
| 001289 (1985) |
Chris Nobbs | BOOKS |
| 001307 (1984) |
Nicholas Temperley | ‘The movement puts a stronger premium on novelty than on accuracy, and fosters misrepresentation’ |
| 001308 (1984) |
Richard Taruskin | ‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’ |
| 001338 (1984) |
Elizabeth Roche | BOOKS |
| 001339 (1984) |
David Fallows | BOOKS |
| 001435 (1982) |
Nick Sandon | Glasgow |
| 001647 (1977) |
James Haar | Music in the Renaissance |
| 001726 (1975) |
Julian Bream | On playing the lute |
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