List of bibliographic references indexed by 0261-1430
Number of relevant bibliographic references: 20.
| Ident. | Authors (with country if any) | Title |
|---|
| 000128 (2010) |
Andy Birtwistle [Royaume-Uni] | Marking time and sounding difference: Brubeck, temporality and modernity |
| 000286 (2008) |
Jay Keister [États-Unis] ; Jeremy L. Smith [États-Unis] | Musical ambition, cultural accreditation and the nasty side of progressive rock |
| 000506 (2005) |
Brian Goedde | classical puts me to sleep |
| 000623 (2004) |
Nicola Dibben [Royaume-Uni] | Who Needs Classical Music? Cultural Choice and Musical Value . By Julian Johnson. Oxford University Press, 2002. 140 pp. ISBN 0-19-514681-6 |
| 000626 (2004) |
Jan Fairley | Voice of the Magi, Enchanted Journeys in Southeast Brazil . By Suzel Ana Reily. Chicago Studies in Ethnomusicology. The University of Chicago Press, 2002. 266 pp. ISBN 0-226-0939-8 |
| 000631 (2004) |
Adam Behr | The Last Party: Britpop, Blair and the Demise of English Rock . By John Harris. London: Fourth Estate, 2003. 448 pp. ISBN 0-00-713472-X |
| 000632 (2004) |
Rosalía Rodríguez-Vázquez [Royaume-Uni] | The Cambridge Companion to Singing . Edited by John Potter. Cambridge: Cambridge University Press, 2000. 286 pp. ISBN 0-521-62709-5 |
| 000690 (2004) |
Raymond Macdonald [Royaume-Uni] | Jazz and Death: Medical Profiles of Jazz Greats . By Fredrick J. Spencer. University Press of Mississippi, 2002. 311 pp. |
| 000694 (2004) |
Stephanie Pitts | How Popular Musicians Learn . By Lucy Green. Aldershot and Burlington: Ashgate, 2001. 238 pp. ISBN 0-7546-0338-5 |
| 000717 (2004) |
Jesse Samba Wheeler [États-Unis] | Bossa Nova: The Story of the Brazilian Music that Seduced the World . By Ruy Castro, trans. Lysa Salsbury. Chicago: A Cappella, 2000. 372 pp., discography, glossary, index, photos Tropical Truth: A Story of Music & Revolution in Brazil . By Caetano Veloso, trans. Isabel de Sena. New York: Knopf, 2002. 354 pp., glossary, index, photos |
| 000960 (2001) |
Hans Weisethaunet | Is there such a thing as the ‘blue note’? |
| 000C95 (1996) |
Suzel Ana Reily | Tom Jobim and the Bossa Nova Era |
| 000E15 (1994) |
J. Bradford Robinson | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany |
| 000E23 (1994) |
John Paynter | Renewal and revelation: Wilfrid Mellers at York |
| 000E70 (1993) |
Alf Björnberg | ‘Teach you to rock’? Popular music in the university music department |
| 000F34 (1992) |
Robert Walser | Eruptions: heavy metal appropriations of classical virtuosity |
| 001042 (1990) |
| PMU volume 9 issue 1 Back matter |
| 001125 (1989) |
William H. Tallmadge [États-Unis] | |
| 001126 (1989) |
Paul Oliver [Royaume-Uni] | |
| 001436 (1982) |
John Shepherd | A theoretical model for the sociomusicological analysis of popular musics |
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