0027-4321 < 0027-4631 < 0028-0836

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List of bibliographic references indexed by 0027-4631

Number of relevant bibliographic references: 593.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000117 (2010)	Robert Samuels [Royaume-Uni]	The Double Articulation of Schubert: Reflections on Der Doppelgänger
000131 (2010)	Carl B. Schmidt [États-Unis]	Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship
000196 (2009)	Leonora Saavedra [États-Unis]	Manuel M. Ponce's Chapultepec and the Conflicted Representations of a Contested Space
000207 (2009)	Cristina Magaldi [États-Unis]	Cosmopolitanism and World Music in Rio de Janeiro at the Turn of the Twentieth Century
000271 (2008)	Philip Rupprecht [États-Unis]	“Something Slightly Indecent”: British Composers, the European Avant-garde, and National Stereotypes in the 1950s
000275 (2008)	Jann Pasler	Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity
000277 (2008)	Jenny Doctor	The Parataxis of “British Musical Modernism”
000280 (2008)	Jonathan Kregor [États-Unis]	Stylistic Reconstructions in Liszt's Late Arrangements
000281 (2008)	H. Colin Slim	Stravinsky's Four Star-Spangled Banners and His 1941 Christmas Card
000282 (2008)	Jeremy Barham [Royaume-Uni]	Scoring Incredible Futures: Science-Fiction Screen Music, and “Postmodernism” as Romantic Epiphany
000298 (2008)	Charles Edward Mcguire	Edward Elgar: “Modern” or “Modernist?” Construction of an Aesthetic Identity in the British Music Press, 1895–1934
000336 (2007)	Ralph P. Locke	Unacknowledged Exoticism in Debussy: The Incidental Music for Le martyre de saint Sébastien (1911)
000346 (2007)	Alexander Rothe	Rethinking Postwar History: Munich's Musica Viva during the Karl Amadeus Hartmann Years (1945–63)
000357 (2007)	James R. Noyes	Debussy's Rapsodie pour orchestre et saxophone Revisited
000603 (2005)	Lynn Hooker	Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912
000604 (2005)	Julie Hubbert	Modernism at the Movies: The Cabinet of Dr. Caligari and a Film Score Revisited
000756 (2004)	Leslie A. Sprout	Messiaen, Jolivet, and the Soldier–Composers of Wartime France
000758 (2004)	Daniel Harrison	Max Reger Introduces Atonal Expressionism
000762 (2004)	Leon Botstein	History and Max Reger
000771 (2004)	Carl Leafstedt [États-Unis]	Asheville, Winter of 1943–44: Béla Bartók and North Carolina
000772 (2004)	Reinhold Brinkmann [États-Unis]	A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century

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