AbsEn.i
Exploration
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Exploration
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Serveur d'exploration Debussy - Exploration (Accueil)

Index « AbsEn.i » - entrée « works »
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List of bibliographic references indexed by works

Number of relevant bibliographic references: 81.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000011 (2016-06-14) Claire Habig [France]Movement and music, partance and partition in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix
000022 (2014-10-25) Vinciane Trancart [France]Harmony and Disharmony. Guitar Practices and Representations in Madrid and Andalusia from 1883 to 1922
000023 (2014-10-25) Vinciane Trancart [France]Harmony and Disharmony. Guitar Practices and Representations in Madrid and Andalusia from 1883 to 1922
000026 (2014-09-10) Alexis Clay [France] ; Gaël Domenger [France] ; Julien Conan [France] ; Axel Domenger ; Nadine Couture [France]Integrating Augmented Reality to Enhance Expression, Interaction & Collaboration in Live Performances: a Ballet Dance Case Study
000035 (2013-06-01) Makis Solomos [France]De la musique au son. L'émergence du son dans la musique des XXe-XXIe siècles (introduction)
000054 (2012) Renata GozdeckaObraz żywiołu wody w muzyce i sztukach plastycznych. Przyczynek do edukacji interdyscyplinarnej / The image of the element of water in music and plastic arts. A contribution to interdisciplinary education
000055 (2012) Mihály Szegedy-Maszák [Hongrie]Wagner or Beethoven?
000101 (2011) Nicolas Bouleau [France]Daring the Abstract in Art
000103 (2011) Phyllis WeliverA Score of Change: Twenty Years of Critical Musicology and Victorian Literature
000226 (2009) Aaron Kozbelt [États-Unis]Performance time productivity and versatility estimates for 102 classical composers
000233 (2009) Robert HasegawaGérard Grisey and the ‘Nature’of Harmony
000241 (2009) Kür Ad Ertu Rul [Turquie]A READING OF THE TURKISH NOVEL: THREE WAYS OF CONSTITUTING THE “TURKISH MODERN”
000312 (2008) Catherine LosadaThe Process of Modulation in Musical Collage
000313 (2008) Amy BauerThe Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000369 (2007) David Carr [Royaume-Uni] ; Robert Davis [Royaume-Uni]The Lure of Evil: Exploring Moral Formation on the Dark Side of Literature and the Arts
000379 (2007) Mark Anson-CartwrightElision and the Embellished Final Cadence in J. S. Bach's Preludes
000380 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000383 (2007) Allen ForteAlban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
000384 (2007) Aaron Kozbelt [États-Unis]A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity
000389 (2007) Denis Herlin [France]Maurice Emmanuel : un regard impartial sur Debussy
000454 (2006) Brian HartVincent D’Indy and the Development of the French Symphony

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