List of bibliographic references indexed by terms
Number of relevant bibliographic references: 22.
[0-20] [
0 - 20][
0 - 22][
20-21][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000065 (2012) |
Andrea Frova [Italie] | Audience reluctance in the face of twentieth century avant-garde music |
| 000166 (2010) |
Roman Rosenbaum [Australie] | From the traditions of J-horror to the representation of kakusa shakai in Kurosawa's film Tokyo Sonata |
| 000367 (2007) |
Mariana Maduell [Royaume-Uni] ; Alan M. Wing [Royaume-Uni] | The dynamics of ensemble: the case for flamenco |
| 000368 (2007) |
Eduardo De La Fuente [Australie] | The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts |
| 000380 (2007) |
Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande] | Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis |
| 000463 (2006) |
Christopher Wintle | Oxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.) |
| 000727 (2004) |
Gerald James Larson | “A Beautiful Sunset... Mistaken for a Dawn”: Some Reflections on Religious Studies, India Studies, and the Modern University |
| 000878 (2002) |
Adam Ockelford [Royaume-Uni] | The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information |
| 000A44 (2000) |
Adrian C. North [Royaume-Uni] ; David J. Hargreaves [Royaume-Uni] ; Jennifer Mckendrick [Royaume-Uni] | The Effects of Music on Atmosphere in a Bank and a Bar |
| 000B30 (1999) |
Andrew Bowie | Adorno, Heidegger and the Meaning of Music |
| 000C15 (1998) |
Adrian C. North [Royaume-Uni] ; David J. Hargreaves [Royaume-Uni] | The Effect of Music on Atmosphere and Purchase Intentions in a Cafeteria |
| 000C43 (1997) |
Derek Gatherer [Royaume-Uni] | The evolution of music—A comparison of Darwinian and dialectical methods |
| 000D99 (1995) |
Alfonso Montuori ; Ronald E. Purser [États-Unis] | Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity |
| 000F46 (1992) |
Marc Leman [Belgique] | The theory of tone semantics: Concept, foundation, and application |
| 001015 (1991) |
Saville Kushner | Musicians Go to School: A Case of Knowledge, Control, and Cross-Professional Action |
| 001017 (1991) |
David Babcock | Dušan Martinček: An Introduction to His Music |
| 001060 (1990) |
Irene Deliege ; Abdessadek El Ahnmadi [Belgique] | Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio |
| 001623 (1978) |
Carlos Monsiváis | Notas Sobre Cultura Popular en Mexico |
| 001655 (1977) |
John Harbison | Roger Sessions and ‘Montezuma’ |
| 001808 (1973) |
Anthony Payne | The Music of Frank Bridge: 1) The Early Years |
| 001915 (1970) |
Sidney Fox [États-Unis] | From Rock to Bach (youth music on our terms) |
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