Serveur d'exploration Debussy - Exploration (Accueil)

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List of bibliographic references indexed by relation

Number of relevant bibliographic references: 16.
Ident.Authors (with country if any)Title
000050 (2012-04-23) Delphine Chadefaux [France] ; Marcelo Wanderley [Canada] ; Jean-Loic Le Carrou [France] ; Benoît Fabre [France] ; Laurent Daudet [France]Experimental study of the musician / instrument interaction in the case of the concert harp
000096 (2011) Michael J. PuriMemory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000316 (2008) Dmitri Tymoczko [États-Unis]Scale Theory, Serial Theory and Voice Leading
000371 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000873 (2002) Roger SavageVaughan Williams, the Romany Ryes, and the Cambridge Ritualists
000990 (2001) Robert GauldinThe DOUTH2 Relation as a Dramatic Signifier in Wagner's Music Dramas
000B70 (1998) Isabelle Peretz [Canada] ; Lise Gagnon [Canada] ; Bernard Bouchard [Canada]Music and emotion: perceptual determinants, immediacy, and isolation after brain damage
000C19 (1998) Richard Howitt [Australie]Scale as relation: musical metaphors of geographical scale
000C24 (1998) Andreas C. Lehmann ; K. Anders EricssonPreparation of a Public Piano Performance: The Relation between Practice and Performance
000E95 (1993) Raymond HeadHolst – Astrology and Modernism in ‘The Planets’
001174 (1988) Joseph G. Cunningham [États-Unis] ; Rebecca S. Sterling [États-Unis]Developmental change in the understanding of affective meaning in music
001200 (1987) Robert LilienfeldMusic and society in the 20th century: Georg Lukacs, Ernst Bloch, and Theodor Adorno
001737 (1975) Stephen PruslinReturns and Departures: recent Maxwell Davies
001854 (1972) Benjamin SuchoffBartók as Man of Letters
001A13 (1967) Roger Smalley ; Alexander Goehr ; Gordon Crosse ; John Taverner ; Albert GinasteraPerson Viewpoints — notes by five composers
001A15 (1967) Elsie PayneMUSICAL TASTE AND PERSONALITY

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HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Exploration/AbsEn.i  \
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