List of bibliographic references indexed by related
Number of relevant bibliographic references: 21.
[0-20] [
0 - 20][
0 - 21][
20-20][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000050 (2012-04-23) |
Delphine Chadefaux [France] ; Marcelo Wanderley [Canada] ; Jean-Loic Le Carrou [France] ; Benoît Fabre [France] ; Laurent Daudet [France] | Experimental study of the musician / instrument interaction in the case of the concert harp |
| 000087 (2011) |
Philippe Blanchard [Allemagne] ; Dimitri Volchenkov [Allemagne] | Structural Analysis of Networks and Databases |
| 000099 (2011) |
Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie] | Educational Possibilities of the Project Colour Visualization of Music |
| 000225 (2009) |
Isabella Mutschler [Allemagne, Suisse] ; Birgit Wieckhorst ; Andreas Schulze-Bonhage [Allemagne] ; Erich Seifritz [Suisse] ; Jürgen Hennig [Allemagne] ; Oliver Speck [Allemagne] ; Tonio Ball [Allemagne] | Probabilistic Assignment of Brain Responses to the Human Amygdala and its Subregions using High Resolution Functional MRI |
| 000226 (2009) |
Aaron Kozbelt [États-Unis] | Performance time productivity and versatility estimates for 102 classical composers |
| 000317 (2008) |
Françoise Jermann [Suisse] ; Martial Van Der Linden [Suisse] ; Maïté Laurençon [Suisse] ; Bruno Schmitt [France] | Recollective Experience During Recognition of Emotional Words in Clinical Depression |
| 000376 (2007) |
Colin Gough [Royaume-Uni] | Musical Acoustics |
| 000380 (2007) |
Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande] | Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis |
| 000466 (2006) |
Graham Grindlay [États-Unis] ; David Helmbold | Modeling, analyzing, and synthesizing expressive piano performance with graphical models |
| 000471 (2006) |
Amy Wygant [Royaume-Uni] | FIRE, SACRIFICE, IPHIGÉNIE |
| 000985 (2001) |
Oliver Vitouch [Allemagne, Autriche] | When Your Ear Sets the Stage: Musical Context Effects in Film Perception |
| 000C16 (1998) |
Morris B. Holbrook [États-Unis] | The Dangers of Educational and Cultural Populism: Three Vignettes on the Problems‐of Aesthetic Insensitivity, the Pitfalls of Pandering, and the Virtues of Artistic Integrity |
| 000C27 (1998) |
Roger Marsh | Foxes and vixens: an update on the music of Vic Hoyland |
| 000E93 (1993) |
Robert J. Valenza [États-Unis] | Matrices |
| 000F46 (1992) |
Marc Leman [Belgique] | The theory of tone semantics: Concept, foundation, and application |
| 001122 (1989) |
Kacper Miklaszewski [Pologne] | A Case Study of a Pianist Preparing a Musical Performance |
| 001174 (1988) |
Joseph G. Cunningham [États-Unis] ; Rebecca S. Sterling [États-Unis] | Developmental change in the understanding of affective meaning in music |
| 001771 (1974) |
Tom Schultheiss | Reference books in print |
| 001A15 (1967) |
Elsie Payne | MUSICAL TASTE AND PERSONALITY |
| 001B11 (1964) |
Lloyd C. Mitchell [États-Unis] | The Preparation for Teachers of Related Arts Courses |
| 001B12 (1964) |
John C. G. Waterhouse | The Italian Avant-Garde and National Tradition |
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