quelques < question < questioned

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List of bibliographic references indexed by question

Number of relevant bibliographic references: 18.

Ident.	Authors (with country if any)	Title
000022 (2014-10-25)	Vinciane Trancart [France]	Harmony and Disharmony. Guitar Practices and Representations in Madrid and Andalusia from 1883 to 1922
000023 (2014-10-25)	Vinciane Trancart [France]	Harmony and Disharmony. Guitar Practices and Representations in Madrid and Andalusia from 1883 to 1922
000072 (2011)	Michèle Audin [France]	The Great Prize, the framework
000312 (2008)	Catherine Losada	The Process of Modulation in Musical Collage
000384 (2007)	Aaron Kozbelt [États-Unis]	A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity
000453 (2006)	Edward Venn	‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000757 (2004)	Eduardo De La Fuente [Australie]	Max Weber and Charles Ives
000770 (2004)	Michael Korfmann [Brésil] ; Marcelo Nogueira [Brésil]	Avant-Garde in Brazil
000832 (2003)	Andy Hamilton [Royaume-Uni]	The Art of Recording and the Aesthetics of Perfection
000D37 (1996)	Barbara Tillmann ; Emmanuel Bigand [France]	Does Formal Musical Structure Affect Perception of Musical Expressiveness?
001172 (1988)	John Woods [Canada]	Is philosophy progressive?
001199 (1987)	Robert Walker [Canada]	Musical Perspectives on Psychological Research and Music Education
001440 (1982)	Elmer Schönberger ; Louis Andriessen	The Apollonian Clockwork: Extracts from a book by Elmer Schönberger and Louis Andriessen
001526 (1980)	Alice Mavrodin	What the Conductor Owes to the Composer
001697 (1976)	Nicholas Maw	Thoughts on Rosen's ‘Schoenberg’
001908 (1970)	Hans Keller	Shostakovich's Twelfth Quartet
001F12 (1950)	Hans Keller	Arthur Benjamin and the Problem of Popularity. A Critical Appreciation
002033 (1946)	Roland De Candé	The Paris Scene

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