AbsEn.i
Exploration
Accueil
Racine
Exploration
Accueil
Racine

Serveur d'exploration Debussy - Exploration (Accueil)

Index « AbsEn.i » - entrée « perception »
Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.
perceptible < perception < perceptions  Facettes :

List of bibliographic references indexed by perception

Number of relevant bibliographic references: 21.
[0-20] [0 - 20][0 - 21][20-20][20-40]
Ident.Authors (with country if any)Title
000090 (2011) C. H. C. Leung [Hong Kong] ; W. S. Chan [Hong Kong]Semantic Music Information Retrieval Using Collaborative Indexing and Filtering
000099 (2011) Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie]Educational Possibilities of the Project Colour Visualization of Music
000216 (2009) When Language is a Delicate Timepiece: Mavis Gallant in conversation with Marta Dvorak
000233 (2009) Robert HasegawaGérard Grisey and the ‘Nature’of Harmony
000310 (2008) Riccardo Lombardi [Italie]Time, Music, and Reverie
000376 (2007) Colin Gough [Royaume-Uni]Musical Acoustics
000605 (2005) Alexandra WilsonModernism and the Machine Woman in Puccini’s ‘Turandot’
000617 (2005) Anna Rita Addessi [Italie] ; Roberto Caterina [Italie]Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1
000750 (2004) Adam Ockelford [Royaume-Uni]On Similarity, Derivation and the Cognition of Musical Structure
000985 (2001) Oliver Vitouch [Allemagne, Autriche]When Your Ear Sets the Stage: Musical Context Effects in Film Perception
000C71 (1997) Mara J. LpezhuertasThesaurus structure design a conceptual approach for improved interaction
000D37 (1996) Barbara Tillmann ; Emmanuel Bigand [France]Does Formal Musical Structure Affect Perception of Musical Expressiveness?
000D91 (1995) Marc Leman [Belgique]Schema and Control
000F46 (1992) Marc Leman [Belgique]The theory of tone semantics: Concept, foundation, and application
000F61 (1992) William Forde Thompson [Canada] ; Shulamit Mor [Canada]A perceptual investigation of polytonality
001060 (1990) Irene Deliege ; Abdessadek El Ahnmadi [Belgique]Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio
001160 (1988) Frank A. Biocca [États-Unis]The pursuit of sound: radio, perception and utopia in the early twentieth century
001199 (1987) Robert Walker [Canada]Musical Perspectives on Psychological Research and Music Education
001664 (1977) Warren F. Prince [États-Unis]Measuring Discrimination of Complex Musical Events
001877 (1971) Hugh Mullins [États-Unis]The Art of Listening: Developing Musical Perception
001A84 (1965) John MuellerThe Arts and the Individual

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration

HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Exploration/AbsEn.i -k "perception" 

HfdIndexSelect -h $EXPLOR_AREA/Data/Main/Exploration/AbsEn.i  \
                -Sk "perception" \
         | HfdSelect -Kh $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    DebussyV1
   |flux=    Main
   |étape=   Exploration
   |type=    indexItem
   |index=    AbsEn.i
   |clé=    perception
}}
Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024