Serveur d'exploration Debussy - Exploration (Accueil)

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List of bibliographic references indexed by non

Number of relevant bibliographic references: 23.
[0-20] [0 - 20][0 - 23][20-22][20-40]
Ident.Authors (with country if any)Title
000061 (2012) Gilbert J. Rose [États-Unis]Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect
000103 (2011) Phyllis WeliverA Score of Change: Twenty Years of Critical Musicology and Victorian Literature
000164 (2010) G. Costantini [Italie] ; M. Todisco [Italie] ; M. Carota [Italie]Improving Piano Music Transcription by Elman Dynamic Neural Networks
000236 (2009) Joel Wapnick ; Louise Campbell ; Jeanne Siddell-Strebel ; Alice-Ann DarrowEffects of Non-Musical Attributes and Excerpt Duration on Ratings of High-Level Piano Performances
000313 (2008) Amy BauerThe Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000368 (2007) Eduardo De La Fuente [Australie]The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts
000376 (2007) Colin Gough [Royaume-Uni]Musical Acoustics
000457 (2006) Elaine C. KingThe roles of student musicians in quartet rehearsals
000458 (2006) Andrew Parsons [Nouvelle-Zélande] ; Denise Conroy [Nouvelle-Zélande]Sensory stimuli and e‐tailers
000617 (2005) Anna Rita Addessi [Italie] ; Roberto Caterina [Italie]Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1
000832 (2003) Andy Hamilton [Royaume-Uni]The Art of Recording and the Aesthetics of Perfection
000A49 (2000) Warren Brodsky [Israël]Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians
000B05 (1999) Thomas Berg [Allemagne]Stress Variation in British and American English
000B12 (1999) Nancy H. Barry [États-Unis] ; Kimberly C. Walls [États-Unis]Preservice Teachers' Reactions to Aural Examples of Various Styles and Genres
000B70 (1998) Isabelle Peretz [Canada] ; Lise Gagnon [Canada] ; Bernard Bouchard [Canada]Music and emotion: perceptual determinants, immediacy, and isolation after brain damage
000D24 (1996) Peter H. Nash [Canada] ; George O. CarneyTHE SEVEN THEMES OF MUSIC GEOGRAPHY
000D37 (1996) Barbara Tillmann ; Emmanuel Bigand [France]Does Formal Musical Structure Affect Perception of Musical Expressiveness?
000F46 (1992) Marc Leman [Belgique]The theory of tone semantics: Concept, foundation, and application
001060 (1990) Irene Deliege ; Abdessadek El Ahnmadi [Belgique]Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio
001261 (1986) Eckart Altenmüller [Allemagne]Hirnelektrische korrelate der cerebralen musikverarbeitung beim menschen
001349 (1984) Susan BradshawThe Music of Edison Denisov

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