List of bibliographic references indexed by new
Number of relevant bibliographic references: 88.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000000 (2018-08) |
Jean-Christophe Branger [France] | Marianne Wheeldon, Debussy’s Legacy and The Construction of Reputation, New York, NY : Oxford University Press, 2017 |
| 000021 (2014-12-11) |
Adrien Bruschini [France] | Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893) |
| 000099 (2011) |
Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie] | Educational Possibilities of the Project Colour Visualization of Music |
| 000103 (2011) |
Phyllis Weliver | A Score of Change: Twenty Years of Critical Musicology and Victorian Literature |
| 000152 (2010) |
Kenneth Smith | ‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin |
| 000153 (2010) |
Giorgio Biancorosso | The Shark in the Music |
| 000158 (2010) |
W. P. Seeley | New Waves in Aesthetics edited by stock, kathleen and katherine thomson‐jones |
| 000223 (2009) |
Ernesto Carafoli [Italie] | Science and art: biology and psychology of creativity |
| 000233 (2009) |
Robert Hasegawa | Gérard Grisey and the ‘Nature’of Harmony |
| 000241 (2009) |
Kür Ad Ertu Rul [Turquie] | A READING OF THE TURKISH NOVEL: THREE WAYS OF CONSTITUTING THE “TURKISH MODERN” |
| 000312 (2008) |
Catherine Losada | The Process of Modulation in Musical Collage |
| 000322 (2008) |
Theodor W. Adorno | Form in the New Music |
| 000368 (2007) |
Eduardo De La Fuente [Australie] | The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts |
| 000372 (2007) |
Daniel K. L. Chua | Rioting with Stravinsky: a Particular Analysis of the Rite of Spring |
| 000389 (2007) |
Denis Herlin [France] | Maurice Emmanuel : un regard impartial sur Debussy |
| 000463 (2006) |
Christopher Wintle | Oxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.) |
| 000468 (2006) |
Gisèle Sapiro [France] | Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00 |
| 000473 (2006) |
Ben Earle [Royaume-Uni] | Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo |
| 000477 (2006) |
Christopher Raphael [États-Unis] | Aligning music audio with symbolic scores using a hybrid graphical model |
| 000603 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
| 000605 (2005) |
Alexandra Wilson | Modernism and the Machine Woman in Puccini’s ‘Turandot’ |
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