AbsEn.i
Exploration
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Exploration
Accueil
Racine

Serveur d'exploration Debussy - Exploration (Accueil)

Index « AbsEn.i » - entrée « however »
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List of bibliographic references indexed by however

Number of relevant bibliographic references: 40.
[0-20] [0 - 20][0 - 40][20-40]
Ident.Authors (with country if any)Title
000050 (2012-04-23) Delphine Chadefaux [France] ; Marcelo Wanderley [Canada] ; Jean-Loic Le Carrou [France] ; Benoît Fabre [France] ; Laurent Daudet [France]Experimental study of the musician / instrument interaction in the case of the concert harp
000064 (2012) Patrick Georges [Canada] ; Aylin Seçkin [Turquie]Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts
000220 (2009) Susan Von Rohr ScaffThe Vitality of Music in Mann and Joyce. Wagner in “Fullness of Harmony” and “Sirens”
000223 (2009) Ernesto Carafoli [Italie]Science and art: biology and psychology of creativity
000225 (2009) Isabella Mutschler [Allemagne, Suisse] ; Birgit Wieckhorst ; Andreas Schulze-Bonhage [Allemagne] ; Erich Seifritz [Suisse] ; Jürgen Hennig [Allemagne] ; Oliver Speck [Allemagne] ; Tonio Ball [Allemagne]Probabilistic Assignment of Brain Responses to the Human Amygdala and its Subregions using High Resolution Functional MRI
000226 (2009) Aaron Kozbelt [États-Unis]Performance time productivity and versatility estimates for 102 classical composers
000312 (2008) Catherine LosadaThe Process of Modulation in Musical Collage
000317 (2008) Françoise Jermann [Suisse] ; Martial Van Der Linden [Suisse] ; Maïté Laurençon [Suisse] ; Bruno Schmitt [France]Recollective Experience During Recognition of Emotional Words in Clinical Depression
000369 (2007) David Carr [Royaume-Uni] ; Robert Davis [Royaume-Uni]The Lure of Evil: Exploring Moral Formation on the Dark Side of Literature and the Arts
000376 (2007) Colin Gough [Royaume-Uni]Musical Acoustics
000378 (2007) Hugo Fastl [Allemagne] ; Eberhard Zwicker [Allemagne]Examples of Application
000453 (2006) Edward Venn‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000466 (2006) Graham Grindlay [États-Unis] ; David HelmboldModeling, analyzing, and synthesizing expressive piano performance with graphical models
000605 (2005) Alexandra WilsonModernism and the Machine Woman in Puccini’s ‘Turandot’
000755 (2004) Leo Beranek [États-Unis]Music and Acoustics
000832 (2003) Andy Hamilton [Royaume-Uni]The Art of Recording and the Aesthetics of Perfection
000A52 (2000) Caroline RaeHenri Dutilleux and Maurice Ohana: Victims of an Exclusion Zone?
000A59 (2000) Howard PollackCopland in Paris
000B01 (1999) Matthew Gandy [Royaume-Uni]The Paris Sewers and the Rationalization of Urban Space
000B16 (1999) Eduardo De La FuenteMusic as Negative Theology
000C43 (1997) Derek Gatherer [Royaume-Uni]The evolution of music—A comparison of Darwinian and dialectical methods

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