List of bibliographic references indexed by development
Number of relevant bibliographic references: 35.
[0-20] [
0 - 20][
0 - 35][
20-34][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000090 (2011) |
C. H. C. Leung [Hong Kong] ; W. S. Chan [Hong Kong] | Semantic Music Information Retrieval Using Collaborative Indexing and Filtering |
| 000099 (2011) |
Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie] | Educational Possibilities of the Project Colour Visualization of Music |
| 000103 (2011) |
Phyllis Weliver | A Score of Change: Twenty Years of Critical Musicology and Victorian Literature |
| 000171 (2010) |
William Kumbier | Beethoven’s Birdstrokes: Figuration, Subjectivity, and the Force of the Score in the Pastoral Symphony and Copying Beethoven |
| 000383 (2007) |
Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
| 000454 (2006) |
Brian Hart | Vincent D’Indy and the Development of the French Symphony |
| 000727 (2004) |
Gerald James Larson | “A Beautiful Sunset... Mistaken for a Dawn”: Some Reflections on Religious Studies, India Studies, and the Modern University |
| 000766 (2004) |
Robert Walker | Cultural Memes, Innate Proclivities and Musical Behaviour: A Case Study of the Western Traditions |
| 000828 (2003) |
Sondra Wieland Howe | The NBC Music Appreciation Hour: Radio Broadcasts of Walter Damrosch, 1928–1942 |
| 000830 (2003) |
Stephanie Wilson [Australie] | The Effect of Music on Perceived Atmosphere and Purchase Intentions in a Restaurant |
| 000873 (2002) |
Roger Savage | Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists |
| 000903 (2002) |
Mark Delaere | Olivier Messiaen’s Analysis Seminar and the Development of Post–War Serial Music |
| 000985 (2001) |
Oliver Vitouch [Allemagne, Autriche] | When Your Ear Sets the Stage: Musical Context Effects in Film Perception |
| 000A58 (2000) |
Dean Keith Simonton | Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test |
| 000C43 (1997) |
Derek Gatherer [Royaume-Uni] | The evolution of music—A comparison of Darwinian and dialectical methods |
| 000E56 (1994) |
Bret Johnson | The Light and the Dark: contrasts in the Music of Jacob Druckman |
| 000E95 (1993) |
Raymond Head | Holst – Astrology and Modernism in ‘The Planets’ |
| 001011 (1991) |
Judith Blezzard | Richard Strauss A Cappella |
| 001056 (1990) |
J.-C. Risset [France] | The Computer, Music, and Sound Models |
| 001106 (1989) |
J.-C. Risset [France] | The Computer, Music, and Sound Models |
| 001174 (1988) |
Joseph G. Cunningham [États-Unis] ; Rebecca S. Sterling [États-Unis] | Developmental change in the understanding of affective meaning in music |
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