List of bibliographic references indexed by composer
Number of relevant bibliographic references: 85.
[0-20] [
0 - 20][
0 - 50][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000021 (2014-12-11) |
Adrien Bruschini [France] | Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893) |
| 000064 (2012) |
Patrick Georges [Canada] ; Aylin Seçkin [Turquie] | Black notes and white noise: a hedonic approach to auction prices of classical music manuscripts |
| 000065 (2012) |
Andrea Frova [Italie] | Audience reluctance in the face of twentieth century avant-garde music |
| 000084 (2011) |
James Wierzbicki | The postmodern in music |
| 000101 (2011) |
Nicolas Bouleau [France] | Daring the Abstract in Art |
| 000103 (2011) |
Phyllis Weliver | A Score of Change: Twenty Years of Critical Musicology and Victorian Literature |
| 000152 (2010) |
Kenneth Smith | ‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin |
| 000154 (2010) |
Jon Solomon [États-Unis] | The Reception of Ancient Greek Music in the Late Nineteenth Century |
| 000171 (2010) |
William Kumbier | Beethoven’s Birdstrokes: Figuration, Subjectivity, and the Force of the Score in the Pastoral Symphony and Copying Beethoven |
| 000226 (2009) |
Aaron Kozbelt [États-Unis] | Performance time productivity and versatility estimates for 102 classical composers |
| 000313 (2008) |
Amy Bauer | The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’ |
| 000318 (2008) |
Catherine Pickstock | Messiaen and Deleuze |
| 000325 (2008) |
Daniel S. Mollod [États-Unis] | BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY |
| 000383 (2007) |
Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
| 000389 (2007) |
Denis Herlin [France] | Maurice Emmanuel : un regard impartial sur Debussy |
| 000454 (2006) |
Brian Hart | Vincent D’Indy and the Development of the French Symphony |
| 000465 (2006) |
Brian Alegant ; John Levey | Octatonicism in Luigi Dallapiccola's Twelve‐Note Music |
| 000468 (2006) |
Gisèle Sapiro [France] | Jane F. Fulcher. The Composer as Intellectual: Music and Ideology in France 1914-1940. New York: Oxford University Press. 2005. Pp. xiv, 473. $74.00 |
| 000473 (2006) |
Ben Earle [Royaume-Uni] | Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo |
| 000480 (2006) |
Denis Herlin [France] | André Hellé et La Boîte à joujoux : interview, conférence et texte intégral de L'Histoire d'une Boîte à joujoux |
| 000591 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
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