centuries < century < cerebral

Facettes : Author.f AffPays.f AffRegion.f AffVille.f AffOrg.f KwdFr.f Mesh.f MeshFr.f Teeft.f

List of bibliographic references indexed by century

Number of relevant bibliographic references: 76.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000035 (2013-06-01)	Makis Solomos [France]	De la musique au son. L'émergence du son dans la musique des XXe-XXIe siècles (introduction)
000058 (2012)	H Kan Andersson [Suède]	The Tort Law Culture(s) of Scandinavia
000065 (2012)	Andrea Frova [Italie]	Audience reluctance in the face of twentieth century avant-garde music
000103 (2011)	Phyllis Weliver	A Score of Change: Twenty Years of Critical Musicology and Victorian Literature
000108 (2010-09-30)	Andy Arleo [France]	Laura Nyro's Eli and the Thirteenth Confession
000152 (2010)	Kenneth Smith	‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000154 (2010)	Jon Solomon [États-Unis]	The Reception of Ancient Greek Music in the Late Nineteenth Century
000170 (2010)	Vincent Giroud	CRISES AND RENEWAL IN TWENTIETH‐CENTURY FRENCH OPERA
000226 (2009)	Aaron Kozbelt [États-Unis]	Performance time productivity and versatility estimates for 102 classical composers
000318 (2008)	Catherine Pickstock	Messiaen and Deleuze
000325 (2008)	Daniel S. Mollod [États-Unis]	BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY
000371 (2007)	Michael Russ	Some Observations on Pm,n Relations within Set Classes
000383 (2007)	Allen Forte	Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
000390 (2007)	Marik Froidefond [France]	De l’ostinato au pastiche : approche comparée du comique de répétition en poésie et musique au XXesiècle
000473 (2006)	Ben Earle [Royaume-Uni]	Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
000601 (2005)	Rob Haskins	Review: Exploring Twentieth-Century Music: Tradition and Innovation
000606 (2005)	Peter Hawkins	Léo Ferré: Modernism, Postmodernism and the Avant-Garde in Popular Chanson
000772 (2004)	Reinhold Brinkmann [États-Unis]	A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century
000776 (2004)	Makis Solomos [France]	XENAKIS AS A SOUND SCULPTOR
000829 (2003)	Lesley A. Wright	The Keys to French Opera in the Nineteenth Century
000831 (2003)	Andy Hamilton	The Cambridge History of Nineteenth‐century Music

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