List of bibliographic references indexed by case
Number of relevant bibliographic references: 30.
[0-20] [
0 - 20][
0 - 30][
20-29][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000026 (2014-09-10) |
Alexis Clay [France] ; Gaël Domenger [France] ; Julien Conan [France] ; Axel Domenger ; Nadine Couture [France] | Integrating Augmented Reality to Enhance Expression, Interaction & Collaboration in Live Performances: a Ballet Dance Case Study |
| 000050 (2012-04-23) |
Delphine Chadefaux [France] ; Marcelo Wanderley [Canada] ; Jean-Loic Le Carrou [France] ; Benoît Fabre [France] ; Laurent Daudet [France] | Experimental study of the musician / instrument interaction in the case of the concert harp |
| 000065 (2012) |
Andrea Frova [Italie] | Audience reluctance in the face of twentieth century avant-garde music |
| 000066 (2012) |
D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis] | An investigation of the second- and higher-order spectra of music |
| 000221 (2009) |
Rachel Sloan | THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN |
| 000310 (2008) |
Riccardo Lombardi [Italie] | Time, Music, and Reverie |
| 000313 (2008) |
Amy Bauer | The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’ |
| 000367 (2007) |
Mariana Maduell [Royaume-Uni] ; Alan M. Wing [Royaume-Uni] | The dynamics of ensemble: the case for flamenco |
| 000384 (2007) |
Aaron Kozbelt [États-Unis] | A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity |
| 000591 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 000613 (2005) |
Franc Ois De Me Dicis | Darius Milhaud and the Debate on Polytonality in the French Press of the 1920s |
| 000766 (2004) |
Robert Walker | Cultural Memes, Innate Proclivities and Musical Behaviour: A Case Study of the Western Traditions |
| 000B05 (1999) |
Thomas Berg [Allemagne] | Stress Variation in British and American English |
| 000B70 (1998) |
Isabelle Peretz [Canada] ; Lise Gagnon [Canada] ; Bernard Bouchard [Canada] | Music and emotion: perceptual determinants, immediacy, and isolation after brain damage |
| 000C08 (1998) |
D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis] | An investigation of the second- and higher-order spectra of music |
| 000C71 (1997) |
Mara J. Lpezhuertas | Thesaurus structure design a conceptual approach for improved interaction |
| 001015 (1991) |
Saville Kushner | Musicians Go to School: A Case of Knowledge, Control, and Cross-Professional Action |
| 001021 (1991) |
Geoffrey Poole | Alban Berg and the Fateful Number |
| 001122 (1989) |
Kacper Miklaszewski [Pologne] | A Case Study of a Pianist Preparing a Musical Performance |
| 001204 (1987) |
Barbara Docherty | English Song and the German Lied 1904–34 |
| 001349 (1984) |
Susan Bradshaw | The Music of Edison Denisov |
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