analysing < analysis < analyst

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List of bibliographic references indexed by analysis

Number of relevant bibliographic references: 59.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000021 (2014-12-11)	Adrien Bruschini [France]	Tonality, motives and interval structures in the melodies of Claude Debussy (1887-1893)
000050 (2012-04-23)	Delphine Chadefaux [France] ; Marcelo Wanderley [Canada] ; Jean-Loic Le Carrou [France] ; Benoît Fabre [France] ; Laurent Daudet [France]	Experimental study of the musician / instrument interaction in the case of the concert harp
000054 (2012)	Renata Gozdecka	Obraz żywiołu wody w muzyce i sztukach plastycznych. Przyczynek do edukacji interdyscyplinarnej / The image of the element of water in music and plastic arts. A contribution to interdisciplinary education
000055 (2012)	Mihály Szegedy-Maszák [Hongrie]	Wagner or Beethoven?
000083 (2011)	Stoyan V. Sgourev [France]	“Wall Street” meets Wagner: Harnessing institutional heterogeneity
000087 (2011)	Philippe Blanchard [Allemagne] ; Dimitri Volchenkov [Allemagne]	Structural Analysis of Networks and Databases
000090 (2011)	C. H. C. Leung [Hong Kong] ; W. S. Chan [Hong Kong]	Semantic Music Information Retrieval Using Collaborative Indexing and Filtering
000108 (2010-09-30)	Andy Arleo [France]	Laura Nyro's Eli and the Thirteenth Confession
000152 (2010)	Kenneth Smith	‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000225 (2009)	Isabella Mutschler [Allemagne, Suisse] ; Birgit Wieckhorst ; Andreas Schulze-Bonhage [Allemagne] ; Erich Seifritz [Suisse] ; Jürgen Hennig [Allemagne] ; Oliver Speck [Allemagne] ; Tonio Ball [Allemagne]	Probabilistic Assignment of Brain Responses to the Human Amygdala and its Subregions using High Resolution Functional MRI
000233 (2009)	Robert Hasegawa	Gérard Grisey and the ‘Nature’of Harmony
000321 (2008)	T. A. Hall [États-Unis]	German Glide Formation and the suffix –esk
000367 (2007)	Mariana Maduell [Royaume-Uni] ; Alan M. Wing [Royaume-Uni]	The dynamics of ensemble: the case for flamenco
000372 (2007)	Daniel K. L. Chua	Rioting with Stravinsky: a Particular Analysis of the Rite of Spring
000380 (2007)	Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]	Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000382 (2007)	Arnold Whittall [Royaume-Uni]	Allen Forte in Music Analysis
000384 (2007)	Aaron Kozbelt [États-Unis]	A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity
000389 (2007)	Denis Herlin [France]	Maurice Emmanuel : un regard impartial sur Debussy
000472 (2006)	David Neumeyer [États-Unis]	Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000473 (2006)	Ben Earle [Royaume-Uni]	Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
000617 (2005)	Anna Rita Addessi [Italie] ; Roberto Caterina [Italie]	Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1

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