List of bibliographic references indexed by aesthetic
Number of relevant bibliographic references: 30.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000026 (2014-09-10) |
Alexis Clay [France] ; Gaël Domenger [France] ; Julien Conan [France] ; Axel Domenger ; Nadine Couture [France] | Integrating Augmented Reality to Enhance Expression, Interaction & Collaboration in Live Performances: a Ballet Dance Case Study |
| 000085 (2011) |
Brian Watkins | The Kantian Aesthetic: From Knowledge to the Avant‐Garde by crowther, paul |
| 000167 (2010) |
Theodore Gracyk | Elective Affinities: Musical Essays on the History of Aesthetic Theory by goehr, lydia |
| 000221 (2009) |
Rachel Sloan | THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN |
| 000313 (2008) |
Amy Bauer | The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’ |
| 000368 (2007) |
Eduardo De La Fuente [Australie] | The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts |
| 000369 (2007) |
David Carr [Royaume-Uni] ; Robert Davis [Royaume-Uni] | The Lure of Evil: Exploring Moral Formation on the Dark Side of Literature and the Arts |
| 000384 (2007) |
Aaron Kozbelt [États-Unis] | A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity |
| 000390 (2007) |
Marik Froidefond [France] | De l’ostinato au pastiche : approche comparée du comique de répétition en poésie et musique au XXesiècle |
| 000456 (2006) |
Debbie Hindle [Royaume-Uni] ; Susie Godsil [Royaume-Uni] | The song of the siren: Some thoughts on idealization and creativity in Martinů's Julietta |
| 000613 (2005) |
Franc Ois De Me Dicis | Darius Milhaud and the Debate on Polytonality in the French Press of the 1920s |
| 000738 (2004) |
Jim Samson | Review: Liszt and the Birth of Modern Europe: Music as a Mirror of Religious, Political, Cultural, and Aesthetic Transformations. Proceedings of the International Liszt Conference held at the Villa Serbelloni, Bellagio (Como), 14–18 December 1998 |
| 000753 (2004) |
Alexander Stein [Niger] | Music, Mourning, and Consolation |
| 000757 (2004) |
Eduardo De La Fuente [Australie] | Max Weber and Charles Ives |
| 000770 (2004) |
Michael Korfmann [Brésil] ; Marcelo Nogueira [Brésil] | Avant-Garde in Brazil |
| 000832 (2003) |
Andy Hamilton [Royaume-Uni] | The Art of Recording and the Aesthetics of Perfection |
| 000856 (2003) |
James Ross | D'Indy's ‘Fervaal’: Reconstructing French Identity at the ‘Fin de Siècle’ |
| 000998 (2001) |
Antoine Hennion | Music Lovers |
| 000A58 (2000) |
Dean Keith Simonton | Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test |
| 000C16 (1998) |
Morris B. Holbrook [États-Unis] | The Dangers of Educational and Cultural Populism: Three Vignettes on the Problems‐of Aesthetic Insensitivity, the Pitfalls of Pandering, and the Virtues of Artistic Integrity |
| 000E64 (1994) |
Dean Keith Simonton [États-Unis] | Computer Content Analysis of Melodic Structure: Classical Composers and Their Compositions |
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