Serveur d'exploration Debussy

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Le cluster analysis - tonal

Terms

19analysis
5tonal
5market
9space
5pitch
6class
4set

Associations

Freq.WeightAssociation
33analysis - tonal
55market - space
33pitch - space
33class - pitch
22space - tonal
22pitch - tonal
22pitch - set
22class - set
22analysis - set
22analysis - pitch

Documents par ordre de pertinence
000040 (2013) Bernard GatesA Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera
000380 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000472 (2006) David Neumeyer [États-Unis]Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000730 (2004) Anthony PopleUsing Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000858 (2003) Emmanuel Bigand ; David TemperleyBook Review: Tonal Pitch Space
000617 (2005) Anna Rita Addessi [Italie] ; Roberto Caterina [Italie]Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1
000A63 (2000) Annie K. YihAnalysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
000F54 (1992) Market Space
001409 (1983) Market Space
001482 (1981) The market space
001529 (1980) The market space
001570 (1979) The market space
000087 (2011) Philippe Blanchard [Allemagne] ; Dimitri Volchenkov [Allemagne]Structural Analysis of Networks and Databases
000152 (2010) Kenneth Smith‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000371 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000372 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000382 (2007) Arnold Whittall [Royaume-Uni]Allen Forte in Music Analysis
000384 (2007) Aaron Kozbelt [États-Unis]A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity
000761 (2004) Kofi Agawu [États-Unis]How We Got Out of Analysis, and How to Get Back In Again
000871 (2002) Bethany LoweWork Published in Music Analysis 1982–2001 (Vols. 1–20)
000903 (2002) Mark DelaereOlivier Messiaen’s Analysis Seminar and the Development of Post–War Serial Music
000B01 (1999) Matthew Gandy [Royaume-Uni]The Paris Sewers and the Rationalization of Urban Space
000C81 (1997) Hao HuangMusic Appreciation Class Broadening Perspectives
000E64 (1994) Dean Keith Simonton [États-Unis]Computer Content Analysis of Melodic Structure: Classical Composers and Their Compositions
000E96 (1993) Alan Smaill [Royaume-Uni] ; Geraint Wiggins [Royaume-Uni] ; Mitch Harris [Royaume-Uni]Hierarchical music representation for composition and analysis
001528 (1980) Dean Keith Simonton [États-Unis]Thematic fame and melodic originality in classical music: A multivariate computer‐content analysis
001582 (1979) Thomas Brosh [États-Unis]Music for Analysis: Examples from the Common Practice Period and the Twentieth Century
001671 (1977) Lawrence Starr [États-Unis]Educating the Ear: Strategies for Teaching Twentieth-Century Music Analysis
001969 (1968) I. N. Marshall [Royaume-Uni]The Four Functions: A Conceptual Analysis
001A00 (1967) Lothar KleinTwentieth-Century Analysis: Essays in Miniature
001A48 (1966) Lothar KleinFirst of a Series: Twentieth Century Analysis: Essays in Miniature
002131 (1942) Frank R. Arnold [États-Unis]More Benedictine in the French Class
002225 (1939) Albert Warner Dowling [États-Unis]La Dernière Classe: A Suggested Plan for the Last French Class

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