The acquisition, representation and reconstruction of printed music by computer: A review
Identifieur interne : 001161 ( Main/Exploration ); précédent : 001160; suivant : 001162The acquisition, representation and reconstruction of printed music by computer: A review
Auteurs : N. P. Carter [Royaume-Uni] ; R. A. Bacon [Royaume-Uni] ; T. Messenger [Royaume-Uni]Source :
- Computers and the Humanities [ 0010-4817 ] ; 1988-06-01.
English descriptors
- KwdEn :
- Teeft :
- Abbreviation, American musicological society, Apple laserwriter, Apple macintosh, Ascii characters, Audio engineering society, Automatic pattern recognition, Automatic recognition, Basic types, Bibliography, Brook, Buxton, City university, Commercial system, Computational musicology newsletter, Computer, Computer applications, Computer music, Computer music journal, Computer pattern recognition, Computer program, Computer systems, Conference proceedings, Darms, Darms project, Digital typesetter, Dissertation, Donald byrd, Dotmatrix printer, Early work, Easie code, Easie code system, Editing, Editing facilities, Electrostatic printers, Elektronische datenverarbeitung, Elli, Encoding, Encoding language, Englewood cliffs, Enharmonic notation, Erickson, Fontes artis musicae, Form part, Function keys, Gomberg, Good editing, Good feedback, Graphics, Graphics tablet, Hewlett, Host computer, Humanities, Imaging area, Indiana university, Input device, Instrument names, Intelligent editor, Interactive, Interactive music system, Interactive score editors, International computer music conference, Keyboard, Keyboard music, Large amount, Large number, Laser, Laser printer, Letter names, Light source, Many notes, Massachusetts institute, Menlo park, Miscellaneous symbols, Molin, Multiple voices, Music analysis, Music composition, Music data, Music data entry, Music database, Music editor, Music engraving, Music library association, Music maker, Music notation, Music notation system, Music printing, Music research, Music scores, Music theory, Music transcription, Musical information retrieval, Musical instrument, Musical scores, Musical sound, Musicology, Mustran, Notating music, Notation, Notational symbols, Notational vocabulary, Octave, Orchestral scores, Organ keyboard, Organ keyboard input, Other symbols, Output device, Palo alto, Pattern recognition, Personal communication, Personal composer, Phototypesetter, Piszczalski, Playback facility, Plotter, Plotter output, Poor quality, Prentice hall, Princeton university, Printer, Printing music, Professional composer, Publicity material, Qwerty, Qwerty keyboard, Qwerty keyboard input, Random bits, Recent developments, Score reconstruction, Sheet music, Simple programming language, Slur, Software, Software package, Sound synthesis, Soundtrack analysis, Stanford university, Synthesizer, Tablet, Toppan, Transcription, Transposition, Transposition facility, Wenker, Western ontario, Wide range, Wide variety, Wittlich, Xerographic printer, Xerographic printers, Xerox palo alto research center.
Abstract
Abstract: Material published on the subject of Acquisition, Representation and Reconstruction of printed music by computer is reviewed. The paper is divided into three sections. 1. Acquisition covers music data entry by automatic pattern recognition, directly-connected keyboard, soundtrack analysis, purpose-built hardware and other, compromise, methods. 2. Representation deals with Music Representational Languages (with particular reference to DARMS, MUSTRAN and ALMA), their background, structure, software support, and associated problems concerning score reconstruction. 3. Reconstruction discusses briefly the hardware available for computerized printing of sheet music. An Appendix is included which lists a representative selection of the most significant computer systems for printing music. The Bibliography contains nearly 200 references from diverse publications.
Url:
DOI: 10.1007/BF00057651
Affiliations:
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system</term><term>Interactive score editors</term><term>International computer music conference</term><term>Keyboard</term><term>Keyboard music</term><term>Large amount</term><term>Large number</term><term>Laser</term><term>Laser printer</term><term>Letter names</term><term>Light source</term><term>Many notes</term><term>Massachusetts institute</term><term>Menlo park</term><term>Miscellaneous symbols</term><term>Molin</term><term>Multiple voices</term><term>Music analysis</term><term>Music composition</term><term>Music data</term><term>Music data entry</term><term>Music database</term><term>Music editor</term><term>Music engraving</term><term>Music library association</term><term>Music maker</term><term>Music notation</term><term>Music notation system</term><term>Music printing</term><term>Music research</term><term>Music scores</term><term>Music theory</term><term>Music transcription</term><term>Musical information retrieval</term><term>Musical instrument</term><term>Musical 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music</term><term>Simple programming language</term><term>Slur</term><term>Software</term><term>Software package</term><term>Sound synthesis</term><term>Soundtrack analysis</term><term>Stanford university</term><term>Synthesizer</term><term>Tablet</term><term>Toppan</term><term>Transcription</term><term>Transposition</term><term>Transposition facility</term><term>Wenker</term><term>Western ontario</term><term>Wide range</term><term>Wide variety</term><term>Wittlich</term><term>Xerographic printer</term><term>Xerographic printers</term><term>Xerox palo alto research center</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: Material published on the subject of Acquisition, Representation and Reconstruction of printed music by computer is reviewed. 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