XENAKIS AS A SOUND SCULPTOR
Identifieur interne : 000776 ( Main/Exploration ); précédent : 000775; suivant : 000777XENAKIS AS A SOUND SCULPTOR
Auteurs : Makis Solomos [France]Source :
English descriptors
- mix :
Abstract
One of the main revolutions —and maybe the most important one— of twentieth century music is the emergence of sound. From Debussy to recent contemporary music, from rock'n'roll to electronica, the history of music has progressively and to some extent focused on the very foundation of music: sound. During this history —when, in some way, composition of sound takes the place of composition with sounds—, Xenakis plays a major role. Already from the 1950s, with orchestral pieces like Metastaseis (1953-54) or Pithoprakta (1955-56) and with electronic pieces like Diamorphoses (1957) or Concret PH (1958), he develops the idea of composition as composition-of-sound to such an extent that, if the expression was not already used for designating a new interdisciplinary artistic activity, we could characterize him as a " sound sculptor ".
Url:
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Hal, to step Corpus: 000019
- to stream Hal, to step Curation: 000019
- to stream Hal, to step Checkpoint: 000085
- to stream Main, to step Merge: 000777
- to stream Main, to step Curation: 000776
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en">XENAKIS AS A SOUND SCULPTOR</title>
<author><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-188359" status="VALID"> <orgName>Esthétiques, musicologie, danse et créations musicales - MUSIDANSE</orgName>
<desc> <address> <addrLine>2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine>
<country key="FR"></country>
</address>
</desc>
<listRelation> <relation name="EA1572" active="#struct-11141" type="direct"></relation>
</listRelation>
<tutelles><tutelle name="EA1572" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID"> <orgName>Université Paris 8 Vincennes-Saint-Denis</orgName>
<orgName type="acronym">UP8</orgName>
<desc> <address> <addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.univ-paris8.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">HAL</idno>
<idno type="RBID">Hal:hal-01202904</idno>
<idno type="halId">hal-01202904</idno>
<idno type="halUri">https://hal.archives-ouvertes.fr/hal-01202904</idno>
<idno type="url">https://hal.archives-ouvertes.fr/hal-01202904</idno>
<date when="2004">2004</date>
<idno type="wicri:Area/Hal/Corpus">000019</idno>
<idno type="wicri:Area/Hal/Curation">000019</idno>
<idno type="wicri:Area/Hal/Checkpoint">000085</idno>
<idno type="wicri:explorRef" wicri:stream="Hal" wicri:step="Checkpoint">000085</idno>
<idno type="wicri:Area/Main/Merge">000777</idno>
<idno type="wicri:Area/Main/Curation">000776</idno>
<idno type="wicri:Area/Main/Exploration">000776</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en">XENAKIS AS A SOUND SCULPTOR</title>
<author><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
<affiliation wicri:level="1"><hal:affiliation type="laboratory" xml:id="struct-188359" status="VALID"> <orgName>Esthétiques, musicologie, danse et créations musicales - MUSIDANSE</orgName>
<desc> <address> <addrLine>2 rue de la Liberté 93526 Saint-Denis Cedex</addrLine>
<country key="FR"></country>
</address>
</desc>
<listRelation> <relation name="EA1572" active="#struct-11141" type="direct"></relation>
</listRelation>
<tutelles><tutelle name="EA1572" active="#struct-11141" type="direct"><org type="institution" xml:id="struct-11141" status="VALID"> <orgName>Université Paris 8 Vincennes-Saint-Denis</orgName>
<orgName type="acronym">UP8</orgName>
<desc> <address> <addrLine>2 rue de la Liberté - 93526 Saint-Denis cedex</addrLine>
<country key="FR"></country>
</address>
<ref type="url">http://www.univ-paris8.fr/</ref>
</desc>
</org>
</tutelle>
</tutelles>
</hal:affiliation>
<country>France</country>
</affiliation>
</author>
</analytic>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><textClass><keywords scheme="mix" xml:lang="en"><term>Xenakis</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">One of the main revolutions —and maybe the most important one— of twentieth century music is the emergence of sound. From Debussy to recent contemporary music, from rock'n'roll to electronica, the history of music has progressively and to some extent focused on the very foundation of music: sound. During this history —when, in some way, composition of sound takes the place of composition with sounds—, Xenakis plays a major role. Already from the 1950s, with orchestral pieces like Metastaseis (1953-54) or Pithoprakta (1955-56) and with electronic pieces like Diamorphoses (1957) or Concret PH (1958), he develops the idea of composition as composition-of-sound to such an extent that, if the expression was not already used for designating a new interdisciplinary artistic activity, we could characterize him as a " sound sculptor ".</div>
</front>
</TEI>
<affiliations><list><country><li>France</li>
</country>
</list>
<tree><country name="France"><noRegion><name sortKey="Solomos, Makis" sort="Solomos, Makis" uniqKey="Solomos M" first="Makis" last="Solomos">Makis Solomos</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000776 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000776 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Main |étape= Exploration |type= RBID |clé= Hal:hal-01202904 |texte= XENAKIS AS A SOUND SCULPTOR }}
This area was generated with Dilib version V0.6.33. |