Henry Krehbiel: German American, Music Critic
Identifieur interne : 000201 ( Main/Exploration ); précédent : 000200; suivant : 000202Henry Krehbiel: German American, Music Critic
Auteurs : Joseph HorowitzSource :
- The Journal of the Gilded Age and Progressive Era [ 1537-7814 ] ; 2009-04.
Abstract
The “dean” of New York's music critics a century ago, Henry Krehbiel–born in Ann Arbor to German immigrant parents—was emblematic of a vibrant intellectual community that blended Germanic and American traits. As a dominant propagator of a distinctively wholesome American Wagnerism, he embodied both German Kunst and American meliorism. As a self-made critic, he combined weighty scholarly learning and prose with a nose for news and a popularizing bent. During World War I, the German enemy incited no more patriotic response than his. But Krehbiel was increasingly stranded in postwar America. A bearer of genteel culture, he retained his iron criterion of uplift; no such aesthetic anchor would stabilize art in times to come.
Url:
DOI: 10.1017/S1537781400001134
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001910
- to stream Istex, to step Curation: 001909
- to stream Istex, to step Checkpoint: 000142
- to stream Main, to step Merge: 000201
- to stream Main, to step Curation: 000201
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>Henry Krehbiel: German American, Music Critic</title><author><name sortKey="Horowitz, Joseph" sort="Horowitz, Joseph" uniqKey="Horowitz J" first="Joseph" last="Horowitz">Joseph Horowitz</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:2317329AB273D2293940AD0B44271916D1D1BE3D</idno><date when="2009" year="2009">2009</date><idno type="doi">10.1017/S1537781400001134</idno><idno type="url">https://api.istex.fr/document/2317329AB273D2293940AD0B44271916D1D1BE3D/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001910</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001910</idno><idno type="wicri:Area/Istex/Curation">001909</idno><idno type="wicri:Area/Istex/Checkpoint">000142</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000142</idno><idno type="wicri:doubleKey">1537-7814:2009:Horowitz J:henry:krehbiel:german</idno><idno type="wicri:Area/Main/Merge">000201</idno><idno type="wicri:Area/Main/Curation">000201</idno><idno type="wicri:Area/Main/Exploration">000201</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a">Henry Krehbiel: German American, Music Critic</title><author><name sortKey="Horowitz, Joseph" sort="Horowitz, Joseph" uniqKey="Horowitz J" first="Joseph" last="Horowitz">Joseph Horowitz</name></author></analytic><monogr></monogr><series><title level="j">The Journal of the Gilded Age and Progressive Era</title><title level="j" type="abbrev">J. gilded age prog. era</title><idno type="ISSN">1537-7814</idno><idno type="eISSN">1943-3557</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="2009-04">2009-04</date><biblScope unit="volume">8</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="165">165</biblScope><biblScope unit="page" to="187">187</biblScope></imprint><idno type="ISSN">1537-7814</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">1537-7814</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract">The “dean” of New York's music critics a century ago, Henry Krehbiel–born in Ann Arbor to German immigrant parents—was emblematic of a vibrant intellectual community that blended Germanic and American traits. As a dominant propagator of a distinctively wholesome American Wagnerism, he embodied both German Kunst and American meliorism. As a self-made critic, he combined weighty scholarly learning and prose with a nose for news and a popularizing bent. During World War I, the German enemy incited no more patriotic response than his. But Krehbiel was increasingly stranded in postwar America. A bearer of genteel culture, he retained his iron criterion of uplift; no such aesthetic anchor would stabilize art in times to come.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Horowitz, Joseph" sort="Horowitz, Joseph" uniqKey="Horowitz J" first="Joseph" last="Horowitz">Joseph Horowitz</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000201 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000201 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:2317329AB273D2293940AD0B44271916D1D1BE3D
|texte= Henry Krehbiel: German American, Music Critic
}}
| This area was generated with Dilib version V0.6.33. |  |