Symbols of Faith in Music: Siglind Bruhn’s Analysis of Olivier Messiaen’s Music
Identifieur interne : 000052 ( Main/Exploration ); précédent : 000051; suivant : 000053Symbols of Faith in Music: Siglind Bruhn’s Analysis of Olivier Messiaen’s Music
Auteurs : Namji KimSource :
- Religion and the Arts [ 1079-9265 ] ; 2012.
English descriptors
- Teeft :
- Bach motif, Bruhn, Bruhn offfers, Divine love, Divine truth, Fairy tales, French troubadours, Golden tentacles, Great piano cycles, Hindu rhythms, Introductory chapters, Magical sound colors, Medieval theology, Messiaen, Middle ages, Musical elements, Musical patterns, Musical symbols, Olivier messiaen, Ondes martenot, Opening chapters, Opera saint, Organ meditations, Other writers, Pendragon press, Religious symbols, Saint francis, Sainte trinit, Second book, Second piano, Song cycle, Song cycles, Subject matter, Subsequent movements, Surrealist poets, Third book, Tristan myth, Tristan trilogy, Trois petites liturgies, Typographical errors, Various sources.
Url:
DOI: 10.1163/156852912X615900
Affiliations:
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Le document en format XML
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