Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
Identifieur interne : 000A63 ( Main/Curation ); précédent : 000A62; suivant : 000A64Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
Auteurs : Annie K. YihSource :
- Music Analysis [ 0262-5245 ] ; 2000-07.
English descriptors
- Teeft :
- Analysing, Analysing debussy, Annie, Bass line, Blackwell, Blackwell publishers, Cello, Cello part, Claude debussy, Debussy, Diatonic, Diatonic chords, Diatonic rpsc, Emphasised, First movement, Fourth movement, Harmonic, Harmonic motive, Hexachord, Hexachords, Inherent properties, Inversionally, Inversionally equivalent, Inverted form, Lesure, Lesure nichols, Melodic motives, Modal inflections, Motif, Motivic, Motivic significance, Motivic subsets, Motivic unity, Music analysis, Music theory, Octad, Octatonic, Octatonic hexachord, Octatonic hexachords, Octatonic octad, Pentachord, Perfect fifths, Pitch materials, Prime form, Principal motives, Referential, Rpsc, Schenkerian, Sonority, Specific pitches, String quartet, Subset, Substitution, Surface level, Symmetrical, Tetrachord, Tetrachords, Tonal, Tonal elements, Tonal principles, Tonal reading, Tonic, Tonic triad, Transposition level, Triad, Trichord, Various pitch materials, Yale university press.
Url:
DOI: 10.1111/1468-2249.00117
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Annie K. Yih<affiliation><wicri:noCountry code="no comma">Hong Kong Baptist University</wicri:noCountry>
</affiliation>
Le document en format XML
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<term>Schenkerian</term>
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<term>Tonal principles</term>
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