SPECTRAL TECHNIQUES IN HORATIU RADULESCU'S SECOND PIANO SONATA
Identifieur interne : 000119 ( Main/Curation ); précédent : 000118; suivant : 000120SPECTRAL TECHNIQUES IN HORATIU RADULESCU'S SECOND PIANO SONATA
Auteurs : Bob GilmoreSource :
- Tempo [ 0040-2982 ] ; 2010-04.
Abstract
This article offers an analysis of the Second Piano Sonata ‘being and non-being create each other’, op. 82 (1990–91) by Horatiu Radulescu (1942–2008), the first work in which Radulescu applied the spectral techniques he had developed in his music since the late 1960s to that most apparently unpromising of instrumental media for this type of approach: the solo, equal-tempered piano. And it has a quite specific aim: to analyse Radulescu's sonata in a descriptive language as close as possible to that used by the composer himself.
Url:
DOI: 10.1017/S0040298210000197
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: Pour aller vers cette notice dans l'étape Curation :001E33
- to stream Istex, to step Curation: Pour aller vers cette notice dans l'étape Curation :001E32
- to stream Istex, to step Checkpoint: Pour aller vers cette notice dans l'étape Curation :000064
- to stream Main, to step Merge: Pour aller vers cette notice dans l'étape Curation :000117
Links to Exploration step
ISTEX:BA90C3D44B81E4D682803319FBAF3640F80E437BLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>SPECTRAL TECHNIQUES IN HORATIU RADULESCU'S SECOND PIANO SONATA</title>
<author><name sortKey="Gilmore, Bob" sort="Gilmore, Bob" uniqKey="Gilmore B" first="Bob" last="Gilmore">Bob Gilmore</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:BA90C3D44B81E4D682803319FBAF3640F80E437B</idno>
<date when="2010" year="2010">2010</date>
<idno type="doi">10.1017/S0040298210000197</idno>
<idno type="url">https://api.istex.fr/document/BA90C3D44B81E4D682803319FBAF3640F80E437B/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">001E33</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001E33</idno>
<idno type="wicri:Area/Istex/Curation">001E32</idno>
<idno type="wicri:Area/Istex/Checkpoint">000064</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000064</idno>
<idno type="wicri:doubleKey">0040-2982:2010:Gilmore B:spectral:techniques:in</idno>
<idno type="wicri:Area/Main/Merge">000117</idno>
<idno type="wicri:Area/Main/Curation">000119</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">SPECTRAL TECHNIQUES IN HORATIU RADULESCU'S SECOND PIANO SONATA</title>
<author><name sortKey="Gilmore, Bob" sort="Gilmore, Bob" uniqKey="Gilmore B" first="Bob" last="Gilmore">Bob Gilmore</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<title level="j" type="abbrev">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2010-04">2010-04</date>
<biblScope unit="volume">64</biblScope>
<biblScope unit="issue">252</biblScope>
<biblScope unit="page" from="66">66</biblScope>
<biblScope unit="page" to="78">78</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract">This article offers an analysis of the Second Piano Sonata ‘being and non-being create each other’, op. 82 (1990–91) by Horatiu Radulescu (1942–2008), the first work in which Radulescu applied the spectral techniques he had developed in his music since the late 1960s to that most apparently unpromising of instrumental media for this type of approach: the solo, equal-tempered piano. And it has a quite specific aim: to analyse Radulescu's sonata in a descriptive language as close as possible to that used by the composer himself.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000119 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Curation/biblio.hfd -nk 000119 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Main |étape= Curation |type= RBID |clé= ISTEX:BA90C3D44B81E4D682803319FBAF3640F80E437B |texte= SPECTRAL TECHNIQUES IN HORATIU RADULESCU'S SECOND PIANO SONATA }}
This area was generated with Dilib version V0.6.33. |