List of bibliographic references
Number of relevant bibliographic references: 25.
[0-20] [
0 - 20][
0 - 25][
20-24][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000140 (2012) |
Leon Gunther [États-Unis] | Tuning, Intonation, and Temperament: Choosing Frequencies for Musical Notes |
| 000281 (1950) |
Hans Keller | Arthur Benjamin and the Problem of Popularity. A Critical Appreciation |
| 000505 (1980) |
D. B. Fry [Royaume-Uni] | The singer and the auditorium |
| 000846 (1952) |
Robert Wangermée | Some Contemporary Walloon Composers |
| 000964 (2000) |
Martin Anderson | A Century in Music: Manuel Rosenthal in Conversation |
| 000A13 (1968) |
Ylda Novik [États-Unis] | Schooling Musicians in Eastern Europe |
| 000E45 (1947) |
Eric Blom | Manuel de Falla |
| 000E57 (2006) |
Graham Grindlay [États-Unis] ; David Helmbold | Modeling, analyzing, and synthesizing expressive piano performance with graphical models |
| 001038 (2006) |
Claudio E. Benzecry [États-Unis, Argentine] | Curtain rising, baton falling: The politics of musical conducting in contemporary Argentina |
| 001222 (1991) |
Judith Blezzard | Richard Strauss A Cappella |
| 001C31 (2002) |
Nicky Losseff | Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Phyllis Weliver |
| 001E16 (1989) |
Ella Wilcox ; Ward Swingle | Spotlight on Ward Swingle |
| 001E84 (1972) |
Benjamin Suchoff | Bartók as Man of Letters |
| 001E88 (1981) |
D. Epstein | On Musical Continuity |
| 001F52 (1984) |
Nigel Osborne | Panufnik at 70 |
| 002104 (1987) |
Robert Walker [Canada] | Musical Perspectives on Psychological Research and Music Education |
| 002157 (2000) |
Warren Brodsky [Israël] | Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians |
| 002176 (2004) |
Robert Walker | Cultural Memes, Innate Proclivities and Musical Behaviour: A Case Study of the Western Traditions |
| 002209 (1972) |
Roberto Gerhard ; Mátyás Seiber | England, Spring 1945 |
| 002256 (2005) |
Anna Rita Addessi [Italie] ; Roberto Caterina [Italie] | Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1 |
| 002302 (2008) |
Dmitri Tymoczko [États-Unis] | Scale Theory, Serial Theory and Voice Leading |
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