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List of bibliographic references

Number of relevant bibliographic references: 25.
[0-20] [0 - 20][0 - 25][20-24][20-40]

Ident.	Authors (with country if any)	Title
000325 (1963)	András Sz Ll Sy	Kodály's Melody
000479 (1949)	Sandor Veress	“Bluebeard's Castle”
000A46 (1951)	Silvia Ameringer	Teaching with Bartók's “Mikrokosmos”
000A61 (1999)	Monica Thomasson [Suède] ; Johan Sundberg [Suède]	Consistency of phonatory breathing patterns in professional operatic singers
000A62 (1998)	Arthur Upgren	The Moon
000C58 (1974)	Tom Schultheiss	Reference books in print
000E98 (1950)	Béla Bart K	The Inflence of Peasant Music on Modern Music
000F45 (2006)	Ben Earle [Royaume-Uni]	Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
001266 (1976)	Nicholas Maw	Thoughts on Rosen's ‘Schoenberg’
001396 (1976)	Oliver Knussen	David Del Tredici and ‘Syzygy’
001703 (2012)	Andrea Frova [Italie]	Audience reluctance in the face of twentieth century avant-garde music
001837 (1973)	Anthony Payne	The Music of Frank Bridge: 1) The Early Years
001943 (1943)	Mary Hoffman	Does Rural Teaching Pay?
001B64 (1988)	John Woods [Canada]	Is philosophy progressive?
001E71 (1996)	Barbara Tillmann ; Emmanuel Bigand [France]	Does Formal Musical Structure Affect Perception of Musical Expressiveness?
001F72 (1926)		The Library World Volume 28 Issue 10
001F81 (1965)	John Mueller	The Arts and the Individual
002025 (1997)	Derek Gatherer [Royaume-Uni]	The evolution of music—A comparison of Darwinian and dialectical methods
002089 (1961)	James L. Jarrett	Music as a Fine Art
002230 (1963)	Frank Howes	Kodály in English
002256 (2005)	Anna Rita Addessi [Italie] ; Roberto Caterina [Italie]	Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1

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