List of bibliographic references
Number of relevant bibliographic references: 22.
[0-20] [
0 - 20][
0 - 22][
20-21][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000177 (1983) |
Roland Nadeau [États-Unis] | Critical Questions: On Music and Letters, Culture and Biography, 1940–1980 |
| 000281 (1950) |
Hans Keller | Arthur Benjamin and the Problem of Popularity. A Critical Appreciation |
| 000435 (1952) |
William Flanagan | Sergei Rachmaninoff: A Twentieth-Century Composer |
| 000441 (2012) |
Mihály Szegedy-Maszák [Hongrie] | Wagner or Beethoven? |
| 000453 (2006) |
Brian Alegant ; John Levey | Octatonicism in Luigi Dallapiccola's Twelve‐Note Music |
| 000555 (2011) |
Phyllis Weliver | A Score of Change: Twenty Years of Critical Musicology and Victorian Literature |
| 000630 (2011) |
C. H. C. Leung [Hong Kong] ; W. S. Chan [Hong Kong] | Semantic Music Information Retrieval Using Collaborative Indexing and Filtering |
| 000A54 (1974) |
Virginia R. Brubaker [États-Unis] | Richard Strauss: A Critical Commentary on His Life and Works, Volume Three |
| 000F21 (1986) |
Raymond Head | Holst and India (I) ‘Maya’ to ‘Sita’ |
| 000F45 (2006) |
Ben Earle [Royaume-Uni] | Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo |
| 000F95 (1954) |
John S. Weissmann | An Unfulfilled Promise |
| 001222 (1991) |
Judith Blezzard | Richard Strauss A Cappella |
| 001772 (2007) |
Aaron Kozbelt [États-Unis] | A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity |
| 001855 (2004) |
Tim Carter | Review: The Broadway Musical: A Critical and Musical Survey |
| 001B99 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 001D13 (2005) |
Lydia Goehr | Juliette fährt nach Mahagonny or a Critical Reading of Surrealist Opera |
| 001D67 (1961) |
Henry Raynor | Beecham Remembered |
| 001F64 (2011) |
James Wierzbicki | The postmodern in music |
| 002606 (2006) |
Edward Venn | ‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla |
| 002693 (2009) |
| When Language is a Delicate Timepiece: Mavis Gallant in conversation with Marta Dvorak |
| 002721 (2009) |
Kür Ad Ertu Rul [Turquie] | A READING OF THE TURKISH NOVEL: THREE WAYS OF CONSTITUTING THE “TURKISH MODERN” |
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Curation
HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Curation/AbsEn.i -k "critical"
HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Curation/AbsEn.i \
-Sk "critical" \
| HfdSelect -Kh $EXPLOR_AREA/Data/Istex/Curation/biblio.hfd
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Istex
|étape= Curation
|type= indexItem
|index= AbsEn.i
|clé= critical
}}
| This area was generated with Dilib version V0.6.33.
Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024 |  |
