List of bibliographic references
Number of relevant bibliographic references: 26.
[0-20] [
0 - 20][
0 - 26][
20-25][
20-40]
Ident. | Authors (with country if any) | Title |
---|
000083 (2007) |
Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
000451 (2005) |
Franc Ois De Me Dicis | Darius Milhaud and the Debate on Polytonality in the French Press of the 1920s |
000453 (2006) |
Brian Alegant ; John Levey | Octatonicism in Luigi Dallapiccola's Twelve‐Note Music |
000886 (2000) |
Tristram Pugin | Through the Spectrum: The New Intimacy in French Music (I) |
000A85 (1992) |
Marc Leman [Belgique] | The theory of tone semantics: Concept, foundation, and application |
000F21 (1986) |
Raymond Head | Holst and India (I) ‘Maya’ to ‘Sita’ |
001174 (1980) |
David Drew | Markevitch: The Early Works and Beyond |
001396 (1976) |
Oliver Knussen | David Del Tredici and ‘Syzygy’ |
001459 (2002) |
Barbara Milewski | Review: Krzysztof Penderecki's Music in the Context of 20th‐Century Theatre: Studies, Essays and Material |
001505 (1998) |
Isabelle Peretz [Canada] ; Lise Gagnon [Canada] ; Bernard Bouchard [Canada] | Music and emotion: perceptual determinants, immediacy, and isolation after brain damage |
001701 (2009) |
Rachel Sloan | THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN |
001703 (2012) |
Andrea Frova [Italie] | Audience reluctance in the face of twentieth century avant-garde music |
001910 (1992) |
William Forde Thompson [Canada] ; Shulamit Mor [Canada] | A perceptual investigation of polytonality |
001A00 (2012) |
Jean-Jacques Nattiez [Canada] | Is the search for universals incompatible with the study of cultural specificity? |
001B99 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
002102 (2007) |
Mark Anson-Cartwright | Elision and the Embellished Final Cadence in J. S. Bach's Preludes |
002247 (1995) |
Laurette Dubé ; Jean-Charles Chebat [Canada] ; Sylvie Morin | The effects of background music on consumers' desire to affiliate in buyer‐seller interactions |
002255 (2002) |
Steven Huebner | Zola the Sower |
002341 (2007) |
Colin Gough [Royaume-Uni] | Musical Acoustics |
002476 (2005) |
Alexandra Wilson | Modernism and the Machine Woman in Puccini’s ‘Turandot’ |
002507 (2006) |
Andrew Parsons [Nouvelle-Zélande] ; Denise Conroy [Nouvelle-Zélande] | Sensory stimuli and e‐tailers |
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Curation
HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Curation/AbsEn.i -k "context"
HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Curation/AbsEn.i \
-Sk "context" \
| HfdSelect -Kh $EXPLOR_AREA/Data/Istex/Curation/biblio.hfd
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Istex
|étape= Curation
|type= indexItem
|index= AbsEn.i
|clé= context
}}
| This area was generated with Dilib version V0.6.33. Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024 | |