List of bibliographic references
Number of relevant bibliographic references: 17.
| Ident. | Authors (with country if any) | Title |
|---|
| 000029 (1987) |
Robert Lilienfeld | Music and society in the 20th century: Georg Lukacs, Ernst Bloch, and Theodor Adorno |
| 000441 (2012) |
Mihály Szegedy-Maszák [Hongrie] | Wagner or Beethoven? |
| 000794 (2009) |
Robert Hasegawa | Gérard Grisey and the ‘Nature’of Harmony |
| 000A47 (2011) |
Michael J. Puri | Memory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales |
| 000A85 (1992) |
Marc Leman [Belgique] | The theory of tone semantics: Concept, foundation, and application |
| 000C60 (1976) |
Bayan Northcott | Robin Holloway |
| 000D00 (2000) |
Dean Keith Simonton | Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test |
| 001038 (2006) |
Claudio E. Benzecry [États-Unis, Argentine] | Curtain rising, baton falling: The politics of musical conducting in contemporary Argentina |
| 001701 (2009) |
Rachel Sloan | THE CONDITION OF MUSIC: WAGNERISM AND PRINTMAKING IN FRANCE AND BRITAIN |
| 001837 (1973) |
Anthony Payne | The Music of Frank Bridge: 1) The Early Years |
| 001B99 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 001E70 (1981) |
Peter Paul Nash | The Wind Quintet |
| 002019 (1999) |
Lieven D'Hulst [Belgique] ; Jan Herman [Belgique] ; Lieven Tack [Belgique] | Les Pierrot Lunaire d'Albert Giraud, O.E. Hartleben et Arnold Schönberg: Pour une Analyse des Transferts Interculturels et Intersémiotiques |
| 002133 (1977) |
Warren F. Prince [États-Unis] | Measuring Discrimination of Complex Musical Events |
| 002142 (1989) |
Richard Parncutt [Australie] | Applications |
| 002456 (2004) |
Anthony Pople | Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project |
| 002476 (2005) |
Alexandra Wilson | Modernism and the Machine Woman in Puccini’s ‘Turandot’ |
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