The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts
Identifieur interne : 002698 ( Istex/Curation ); précédent : 002697; suivant : 002699The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts
Auteurs : Eduardo De La Fuente [Australie]Source :
- Cultural sociology [ 1749-9755 ] ; 2007-11.
English descriptors
- Teeft :
- Adorno, Aesthetic properties, Aesthetics, Artistic production, Artistic volition, Artistic work, Artwork, Basic point, Becker, California press, Cambridge university press, Chicago press, Commodity culture, Consumer goods, Contemporary architecture, Cultural science, Cultural sociology, Cultural sociology volume, Cultural studies, David inglis, Denora, Disciplinary specialization, Dominant tradition, Everyday life, Fifteenth century italy, Fuente, Good shape, Grand tradition, Howard becker, Hughson, Inglis, Invisible aesthetics, John hughson, Molotch, Monash university, Music sociology, Musical analysis, Musical event, November, Other disciplines, Other improvisations, Palgrave, Performance studies, Philosophical aesthetics, Professional associations, Social constructionism, Social determination, Social formation, Social history, Social life, Social process, Social science, Social sciences, Social scientists, Social structure, Social theory, Social variables, Social work, Sociological approaches, Sociological discourse, Sociological study, Sociologist, Sociology, Tanner, Theoretical perspectives.
Abstract
This article maps recent developments in social science writing about the arts and argues for seeing this work in terms of the label the `new sociology of art'. It considers four major lines of re-assessment being carried out by sociologists studying the arts: firstly, a reconsideration of the relationship between sociological and other disciplinary approaches to art; secondly, the possibility of an art-sociology as against a sociology of art; thirdly, the application of insights from the sociology of art to non-art `stuff '; and, fourthly, the sociology of the artwork conceived as a contingent social fact. The argument is made that these developments represent an advance on the tendency to limit sociological investigations of the arts to contextual or external factors. The `new sociology of art' is praised for framing questions about the aesthetic properties of art and artworks in a way that is compatible with social constructionsim.
Url:
DOI: 10.1177/1749975507084601
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It considers four major lines of re-assessment being carried out by sociologists studying the arts: firstly, a reconsideration of the relationship between sociological and other disciplinary approaches to art; secondly, the possibility of an art-sociology as against a sociology of art; thirdly, the application of insights from the sociology of art to non-art `stuff '; and, fourthly, the sociology of the artwork conceived as a contingent social fact. The argument is made that these developments represent an advance on the tendency to limit sociological investigations of the arts to contextual or external factors. The `new sociology of art' is praised for framing questions about the aesthetic properties of art and artworks in a way that is compatible with social constructionsim.</div></front></TEI></record>Pour manipuler ce document sous Unix (Dilib)
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