English Song and the German Lied 1904–34
Identifieur interne : 000A16 ( Istex/Curation ); précédent : 000A15; suivant : 000A17English Song and the German Lied 1904–34
Auteurs : Barbara DochertySource :
- Tempo [ 0040-2982 ] ; 1987-09.
Abstract
If it is Indeed the case that there is a landscape of the soul which song inhabits, few would dissent from the view that in England in 1900 it was a dead land. The ‘aesthetic tension’ between poetry and music which had stimulated Schubert, Schumann, and Wolf seemed entirely absent, and there was no English Eichendorff or Mörike. Stephen Banfield has asserted that English composers at this time aspired only to produce a ‘frictionless entity’ by providing a ‘pianistic’ accompaniment to Rupert Brooke's or Mathew Arnold's words.
Url:
DOI: 10.1017/S0040298200023366
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