Bruckner’s Way: The Adagio of the Ninth Symphony
Identifieur interne : 002726 ( Istex/Corpus ); précédent : 002725; suivant : 002727Bruckner’s Way: The Adagio of the Ninth Symphony
Auteurs : Derrick PuffettSource :
- Music Analysis [ 0262-5245 ] ; 1999-03.
English descriptors
- Teeft :
- Adagio, Alternate notes, Appoggiatura, Ascent, Bars, Bars period, Bass instruments, Bergreifen, Blackwell, Blackwell publishers, Bruckner, Cadence, Chord, Chord note, Chronological journey, Clarinet, Coda, Cresc, Dagio, Derrick, Derrick puffett, Derrick puffett period, Development section, Diatonic, Different ways, Dissonance, Dissonant, Downbeat, Edward laufer, Fanfare, Final cadence, Final chord, First chord, First half, First interval, First inversion, First movement, First note, First theme, Flute, Fundamental line, Grail, Grail motive, Harmonic, Harmony moves, Hypermetre, Inth, Inversion, Last note, Late mahler, Laufer, Major chord, Minor chord, Mirror inversion, Music analysis, Neighbour, Next period, Ninth symphony, Normal resolution, Notional, Notional continuation, Oboe, Octave, Opening figure, Original form, Original pitch, Original theme, Outer parts, Outer voices, Parallel positions, Parsifal, Period analysis, Pizz, Progression, Publisher, Puffett, Recapitulation, Root position, Ruckner, Same note, Same time, Same voice, Schenker, Schenkerian, Schenkerian analysis, Schoenberg, Second chord, Second half, Second note, Second theme, Second violins, Sehr langsam, Semitone, Seventh chord, Seventh symphony, Short sections, Short stretches, Sixth chord, Sonata form, Spelt, Step blackwell publishers, Step music analysis, Tonic, Tonic chord, Tpts, Triad, Tristan, Tritone, Tuba, Unprepared appoggiatura, Upper note, Upper voice, Voice exchange, Wagner tuba, Wagner tubas, Whole period, Whole tone, Whole tones, William drabkin, Ymphony.
Url:
DOI: 10.1111/1468-2249.00083
Links to Exploration step
ISTEX:6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBBLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Bruckner’s Way: The Adagio of the Ninth Symphony</title><author><name sortKey="Puffett, Derrick" sort="Puffett, Derrick" uniqKey="Puffett D" first="Derrick" last="Puffett">Derrick Puffett</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB</idno><date when="1999" year="1999">1999</date><idno type="doi">10.1111/1468-2249.00083</idno><idno type="url">https://api.istex.fr/document/6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">002726</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">002726</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">Bruckner’s Way: The Adagio of the Ninth Symphony</title><author><name sortKey="Puffett, Derrick" sort="Puffett, Derrick" uniqKey="Puffett D" first="Derrick" last="Puffett">Derrick Puffett</name></author></analytic><monogr></monogr><series><title level="j" type="main">Music Analysis</title><title level="j" type="alt">MUSIC ANALYSIS</title><idno type="ISSN">0262-5245</idno><idno type="eISSN">1468-2249</idno><imprint><biblScope unit="vol">18</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="5">5</biblScope><biblScope unit="page" to="99">99</biblScope><biblScope unit="page-count">95</biblScope><publisher>Blackwell Publishers Ltd</publisher><pubPlace>Oxford, UK and Boston, USA</pubPlace><date type="published" when="1999-03">1999-03</date></imprint><idno type="ISSN">0262-5245</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0262-5245</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Adagio</term><term>Alternate notes</term><term>Appoggiatura</term><term>Ascent</term><term>Bars</term><term>Bars period</term><term>Bass instruments</term><term>Bergreifen</term><term>Blackwell</term><term>Blackwell publishers</term><term>Bruckner</term><term>Cadence</term><term>Chord</term><term>Chord note</term><term>Chronological journey</term><term>Clarinet</term><term>Coda</term><term>Cresc</term><term>Dagio</term><term>Derrick</term><term>Derrick puffett</term><term>Derrick puffett period</term><term>Development section</term><term>Diatonic</term><term>Different ways</term><term>Dissonance</term><term>Dissonant</term><term>Downbeat</term><term>Edward laufer</term><term>Fanfare</term><term>Final cadence</term><term>Final chord</term><term>First chord</term><term>First half</term><term>First interval</term><term>First inversion</term><term>First movement</term><term>First note</term><term>First theme</term><term>Flute</term><term>Fundamental line</term><term>Grail</term><term>Grail motive</term><term>Harmonic</term><term>Harmony moves</term><term>Hypermetre</term><term>Inth</term><term>Inversion</term><term>Last note</term><term>Late mahler</term><term>Laufer</term><term>Major chord</term><term>Minor chord</term><term>Mirror inversion</term><term>Music analysis</term><term>Neighbour</term><term>Next period</term><term>Ninth symphony</term><term>Normal resolution</term><term>Notional</term><term>Notional continuation</term><term>Oboe</term><term>Octave</term><term>Opening figure</term><term>Original form</term><term>Original pitch</term><term>Original theme</term><term>Outer parts</term><term>Outer voices</term><term>Parallel positions</term><term>Parsifal</term><term>Period analysis</term><term>Pizz</term><term>Progression</term><term>Publisher</term><term>Puffett</term><term>Recapitulation</term><term>Root position</term><term>Ruckner</term><term>Same note</term><term>Same time</term><term>Same voice</term><term>Schenker</term><term>Schenkerian</term><term>Schenkerian analysis</term><term>Schoenberg</term><term>Second chord</term><term>Second half</term><term>Second note</term><term>Second theme</term><term>Second violins</term><term>Sehr langsam</term><term>Semitone</term><term>Seventh chord</term><term>Seventh symphony</term><term>Short sections</term><term>Short stretches</term><term>Sixth chord</term><term>Sonata form</term><term>Spelt</term><term>Step blackwell publishers</term><term>Step music analysis</term><term>Tonic</term><term>Tonic chord</term><term>Tpts</term><term>Triad</term><term>Tristan</term><term>Tritone</term><term>Tuba</term><term>Unprepared appoggiatura</term><term>Upper note</term><term>Upper voice</term><term>Voice exchange</term><term>Wagner tuba</term><term>Wagner tubas</term><term>Whole period</term><term>Whole tone</term><term>Whole tones</term><term>William drabkin</term><term>Ymphony</term></keywords></textClass></profileDesc></teiHeader></TEI><istex><corpusName>wiley</corpusName><keywords><teeft><json:string>music analysis</json:string><json:string>blackwell publishers</json:string><json:string>puffett</json:string><json:string>ruckner</json:string><json:string>dagio</json:string><json:string>inth</json:string><json:string>ymphony</json:string><json:string>cresc</json:string><json:string>derrick puffett period</json:string><json:string>appoggiatura</json:string><json:string>grail motive</json:string><json:string>bars period</json:string><json:string>oboe</json:string><json:string>major chord</json:string><json:string>schenkerian</json:string><json:string>derrick puffett</json:string><json:string>pizz</json:string><json:string>dissonant</json:string><json:string>chord</json:string><json:string>tuba</json:string><json:string>tritone</json:string><json:string>blackwell</json:string><json:string>flute</json:string><json:string>clarinet</json:string><json:string>notional</json:string><json:string>wagner tubas</json:string><json:string>semitone</json:string><json:string>same time</json:string><json:string>coda</json:string><json:string>next period</json:string><json:string>tpts</json:string><json:string>spelt</json:string><json:string>schenker</json:string><json:string>first chord</json:string><json:string>octave</json:string><json:string>schenkerian analysis</json:string><json:string>neighbour</json:string><json:string>dissonance</json:string><json:string>diatonic</json:string><json:string>bergreifen</json:string><json:string>schoenberg</json:string><json:string>laufer</json:string><json:string>grail</json:string><json:string>derrick</json:string><json:string>first theme</json:string><json:string>notional continuation</json:string><json:string>hypermetre</json:string><json:string>second half</json:string><json:string>inversion</json:string><json:string>tristan</json:string><json:string>first inversion</json:string><json:string>upper voice</json:string><json:string>step music analysis</json:string><json:string>step blackwell publishers</json:string><json:string>wagner tuba</json:string><json:string>recapitulation</json:string><json:string>fanfare</json:string><json:string>tonic</json:string><json:string>publisher</json:string><json:string>second theme</json:string><json:string>sixth chord</json:string><json:string>second note</json:string><json:string>whole tones</json:string><json:string>first half</json:string><json:string>downbeat</json:string><json:string>triad</json:string><json:string>first movement</json:string><json:string>period analysis</json:string><json:string>second chord</json:string><json:string>development section</json:string><json:string>outer voices</json:string><json:string>outer parts</json:string><json:string>root position</json:string><json:string>same voice</json:string><json:string>sonata form</json:string><json:string>chronological journey</json:string><json:string>voice exchange</json:string><json:string>edward laufer</json:string><json:string>second violins</json:string><json:string>seventh symphony</json:string><json:string>ninth symphony</json:string><json:string>fundamental line</json:string><json:string>mirror inversion</json:string><json:string>original form</json:string><json:string>seventh chord</json:string><json:string>tonic chord</json:string><json:string>harmony moves</json:string><json:string>first interval</json:string><json:string>chord note</json:string><json:string>bruckner</json:string><json:string>cadence</json:string><json:string>progression</json:string><json:string>ascent</json:string><json:string>short stretches</json:string><json:string>upper note</json:string><json:string>short sections</json:string><json:string>original theme</json:string><json:string>last note</json:string><json:string>whole tone</json:string><json:string>different ways</json:string><json:string>unprepared appoggiatura</json:string><json:string>minor chord</json:string><json:string>sehr langsam</json:string><json:string>opening figure</json:string><json:string>first note</json:string><json:string>original pitch</json:string><json:string>parallel positions</json:string><json:string>william drabkin</json:string><json:string>whole period</json:string><json:string>final chord</json:string><json:string>bass instruments</json:string><json:string>alternate notes</json:string><json:string>late mahler</json:string><json:string>normal resolution</json:string><json:string>final cadence</json:string><json:string>same note</json:string><json:string>adagio</json:string><json:string>bars</json:string><json:string>parsifal</json:string><json:string>harmonic</json:string></teeft></keywords><author><json:item><name>Derrick Puffett</name></json:item></author><articleId><json:string>MUSA083</json:string></articleId><arkIstex>ark:/67375/WNG-DM1TRHL4-X</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>article</json:string></originalGenre><qualityIndicators><score>7.012</score><pdfWordCount>22446</pdfWordCount><pdfCharCount>116212</pdfCharCount><pdfVersion>1.2</pdfVersion><pdfPageCount>95</pdfPageCount><pdfPageSize>969 x 1394 pts</pdfPageSize><refBibsNative>false</refBibsNative><abstractWordCount>1</abstractWordCount><abstractCharCount>0</abstractCharCount><keywordCount>0</keywordCount></qualityIndicators><title>Bruckner’s Way: The Adagio of the Ninth Symphony</title><genre><json:string>article</json:string></genre><host><title>Music Analysis</title><language><json:string>unknown</json:string></language><doi><json:string>10.1111/(ISSN)1468-2249</json:string></doi><issn><json:string>0262-5245</json:string></issn><eissn><json:string>1468-2249</json:string></eissn><publisherId><json:string>MUSA</json:string></publisherId><volume>18</volume><issue>1</issue><pages><first>5</first><last>99</last><total>95</total></pages><genre><json:string>journal</json:string></genre></host><namedEntities><unitex><date></date><geogName></geogName><orgName></orgName><orgName_funder></orgName_funder><orgName_provider></orgName_provider><persName></persName><placeName></placeName><ref_url></ref_url><ref_bibl></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/WNG-DM1TRHL4-X</json:string></ark><categories><wos></wos><scienceMetrix><json:string>1 - arts & humanities</json:string><json:string>2 - visual & performing arts</json:string><json:string>3 - music</json:string></scienceMetrix><scopus><json:string>1 - Social Sciences</json:string><json:string>2 - Arts and Humanities</json:string><json:string>3 - Music</json:string></scopus></categories><publicationDate>1999</publicationDate><copyrightDate>1999</copyrightDate><doi><json:string>10.1111/1468-2249.00083</json:string></doi><id>6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main">Bruckner’s Way: The Adagio of the Ninth Symphony</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher>Blackwell Publishers Ltd</publisher><pubPlace>Oxford, UK and Boston, USA</pubPlace><availability><licence>Blackwell Publishers Ltd 1999</licence></availability><date type="published" when="1999-03"></date></publicationStmt><notesStmt><note type="content-type" subtype="article" source="article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</note><note type="publication-type" subtype="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="article"><analytic><title level="a" type="main">Bruckner’s Way: The Adagio of the Ninth Symphony</title><author xml:id="author-0000"><persName><forename type="first">Derrick</forename><surname>Puffett</surname></persName></author><idno type="istex">6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB</idno><idno type="ark">ark:/67375/WNG-DM1TRHL4-X</idno><idno type="DOI">10.1111/1468-2249.00083</idno><idno type="unit">MUSA083</idno><idno type="toTypesetVersion">file:MUSA.MUSA083.pdf</idno></analytic><monogr><title level="j" type="main">Music Analysis</title><title level="j" type="alt">MUSIC ANALYSIS</title><idno type="pISSN">0262-5245</idno><idno type="eISSN">1468-2249</idno><idno type="book-DOI">10.1111/(ISSN)1468-2249</idno><idno type="book-part-DOI">10.1111/musa.1999.18.issue-1</idno><idno type="product">MUSA</idno><idno type="publisherDivision">ST</idno><imprint><biblScope unit="vol">18</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="5">5</biblScope><biblScope unit="page" to="99">99</biblScope><biblScope unit="page-count">95</biblScope><publisher>Blackwell Publishers Ltd</publisher><pubPlace>Oxford, UK and Boston, USA</pubPlace><date type="published" when="1999-03"></date></imprint></monogr></biblStruct></sourceDesc></fileDesc><revisionDesc><change xml:id="refBibs-istex" who="#ISTEX-API" when="2018-06-13">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="Wiley component found"><istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration><istex:document><component version="2.0" type="serialArticle" xml:lang="en"><header><publicationMeta level="product"><publisherInfo><publisherName>Blackwell Publishers Ltd</publisherName><publisherLoc>Oxford, UK and Boston, USA</publisherLoc></publisherInfo><doi origin="wiley" registered="yes">10.1111/(ISSN)1468-2249</doi><issn type="print">0262-5245</issn><issn type="electronic">1468-2249</issn><idGroup><id type="product" value="MUSA"></id><id type="publisherDivision" value="ST"></id></idGroup><titleGroup><title type="main" sort="MUSIC ANALYSIS">Music Analysis</title></titleGroup></publicationMeta><publicationMeta level="part" position="03001"><doi origin="wiley">10.1111/musa.1999.18.issue-1</doi><numberingGroup><numbering type="journalVolume" number="18">18</numbering><numbering type="journalIssue" number="1">1</numbering></numberingGroup><coverDate startDate="1999-03">March 1999</coverDate></publicationMeta><publicationMeta level="unit" type="article" position="0000500" status="forIssue"><doi origin="wiley">10.1111/1468-2249.00083</doi><idGroup><id type="unit" value="MUSA083"></id></idGroup><countGroup><count type="pageTotal" number="95"></count></countGroup><titleGroup><title type="tocHeading1">Original Articles</title></titleGroup><copyright>Blackwell Publishers Ltd 1999</copyright><eventGroup><event type="firstOnline" date="2003-01-23"></event><event type="publishedOnlineFinalForm" date="2003-01-23"></event><event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.2 mode:FullText source:Header result:Header" date="2010-03-15"></event><event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-02-03"></event><event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-10-31"></event></eventGroup><numberingGroup><numbering type="pageFirst" number="5">5</numbering><numbering type="pageLast" number="99">99</numbering></numberingGroup><linkGroup><link type="toTypesetVersion" href="file:MUSA.MUSA083.pdf"></link></linkGroup></publicationMeta><contentMeta><countGroup><count type="figureTotal" number="0"></count><count type="tableTotal" number="0"></count><count type="linksPubMed" number="0"></count><count type="linksCrossRef" number="0"></count></countGroup><titleGroup><title type="main">Bruckner’s Way: The Adagio of the Ninth Symphony</title></titleGroup><creators><creator creatorRole="author" xml:id="cr1"><personName><givenNames>Derrick</givenNames><familyName>Puffett</familyName></personName></creator></creators></contentMeta></header></component></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Bruckner’s Way: The Adagio of the Ninth Symphony</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Bruckner’s Way: The Adagio of the Ninth Symphony</title></titleInfo><name type="personal"><namePart type="given">Derrick</namePart><namePart type="family">Puffett</namePart><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="article" displayLabel="article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</genre><originInfo><publisher>Blackwell Publishers Ltd</publisher><place><placeTerm type="text">Oxford, UK and Boston, USA</placeTerm></place><dateIssued encoding="w3cdtf">1999-03</dateIssued><copyrightDate encoding="w3cdtf">1999</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><extent unit="figures">0</extent><extent unit="tables">0</extent><extent unit="linksCrossRef">0</extent></physicalDescription><relatedItem type="host"><titleInfo><title>Music Analysis</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0262-5245</identifier><identifier type="eISSN">1468-2249</identifier><identifier type="DOI">10.1111/(ISSN)1468-2249</identifier><identifier type="PublisherID">MUSA</identifier><part><date>1999</date><detail type="volume"><caption>vol.</caption><number>18</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>5</start><end>99</end><total>95</total></extent></part></relatedItem><identifier type="istex">6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB</identifier><identifier type="ark">ark:/67375/WNG-DM1TRHL4-X</identifier><identifier type="DOI">10.1111/1468-2249.00083</identifier><identifier type="ArticleID">MUSA083</identifier><accessCondition type="use and reproduction" contentType="copyright">Blackwell Publishers Ltd 1999</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-L0C46X92-X">wiley</recordContentSource><recordOrigin>Blackwell Publishers Ltd</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002726 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 002726 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:6BBCBEC26A50C4A732D1A2FBC1D3E60DED0FDEBB
|texte= Bruckner’s Way: The Adagio of the Ninth Symphony
}}
| This area was generated with Dilib version V0.6.33. |  |